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Just Kids Audiobook

Just Kids

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Audible Editor Reviews

In 1989, just before famously controversial photographer Robert Mapplethorpe died too young of AIDS complications at age 42, he made his very best friend promise to tell their story. Patti Smith took many years to do it, but the incredible result, Just Kids has proven well worth the wait. Winner of the National Book Award, Smith's delicate tribute to her relationship with Mapplethorpe and their love affair with New York City is read by Patti Smith herself.

No one else could narrate this, and no one else could have written this. After Smith ditched college to move to New York in 1967, a chance encounter in which Mapplethorpe saved her from an expectant date by pretending to be her angry boyfriend touched off one of the most historic artistic partnerships the city had ever seen. Embarking at first as lovers, they clung to their art and each other through poverty and misfortune in the late-60s, moving steadily closer to the center of cultural influence in the 70s. Mapplethorpe struggled with coming out of the closet and Smith struggled to find an artistic medium that suited her best. Together, they swam through everything that made New York great and terrible, each eventually emerging as a pioneering independent spirit that to this day knows no equal.

Smith's voice as both the writer and the narrator is simply unimpeachable. Reflective and soft-spoken, she humbly attempts to capture two decades of this inspirational partnership. Listeners can tell she is thinking through every image she has written here, pausing occasionally to let it sink in for herself or to let the dialogue get caught in her throat. By turns haunted and poetic, by turns silly and sarcastic, Smith trips along these enchanting bits of history in a way that is utterly endearing. It's not at all like inviting somebody famous to entertain you with gossip at dinner. Real respect must be paid. Listeners will be in awe of the fact that Patti Smith comes across as a totally normal person who stumbled into an extraordinary life. Even if you've already passed totally engrossed through the hard copy of this book, to hear it from Patti Smith's own mouth is simply an otherworldly experience. This audiobook is an essential companion to the text that will not only bear repeated listening, but will beg for it. —Megan Volpert

Publisher's Summary

National Book Award, Nonfiction, 2010

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to 42nd Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous - the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late 60s and 70s and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

©2010 Patti Smith (P)2011 Patti Smith

What the Critics Say

“Smith’s beautifully crafted love letter to her friend Robert Mapplethorpe functions as a memento mori of a relationship fueled by passion for art and writing. Her elegant eulogy lays bare the chaos and the creativity so embedded in that earlier time and in Mapplethorpe’s life and work.” (Publishers Weekly, Top Ten Books of the Year)

“The most enchantingly evocative memoir of funky-but-chic New York in the late 1960s and early 1970s that any alumnus has yet committed to print.” (Janet Maslin's top 10 books of 2010, New York Times)

“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” (People, Top 10 Books of 2010)

What Members Say

Average Customer Rating

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  •  
    fanny New Westminster, BC, Canada 10-01-12
    fanny New Westminster, BC, Canada 10-01-12 Member Since 2013
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    "Boring"

    The narration was very drone like and tedious to listen too. I won't be finishing the book. I think if you grew up in some States and that era (I'm Canada) and new a lot about art and literature it would be interesting. A lot of name dropping and I didn't know most of them.

    4 of 6 people found this review helpful
  •  
    Emeritus 06-01-12
    Emeritus 06-01-12

    bookdoc

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    "was prepared to like it more than I did"

    Patti Smith is such an interesting and admirable person, independent, intelligent and very much her own person but the memoir turned into a litany of "people who became someone" in the second section and, as such, dated it. Her life would have been so much more interesting as the center rather than appended to others - at least it felt that way - that I wish she had told her non-Robert Mapplethorpe story rather than constantly revolving about his art/obsession/confusion. Hers is a lot more interesting.

    4 of 6 people found this review helpful
  •  
    Frank Stone Mountain, GA, United States 07-10-13
    Frank Stone Mountain, GA, United States 07-10-13 Member Since 2012
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    "Just a Bore"
    Who would you have cast as narrator instead of Patti Smith?

    Anybody but her


    Any additional comments?

    I found this account narcissistic, self-serving and solipsistic. I too lived through this era, and while I enjoyed the references to the events and people of the 60's and 70's I couldn't wait for this book to end. Her performance was great for insomniacs who want to be lulled to sleep, but it made for an incredibly long listen. I can't imagine how this was awarded the National Book Award. Maybe the committee was impressed by all her references to the great artists and her never ending name dropping of the great performers of this era.

    I really wanted to like this book and enjoyed it for awhile, but by the end I was like, OK Robert, die, so that we can turn this thing off.

    12 of 19 people found this review helpful
  •  
    Susan poplarville, MS, United States 11-06-11
    Susan poplarville, MS, United States 11-06-11 Member Since 2011

    work as an artist and art restorer. read at least 48 books a year, because I can listen while I work.

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    "artists lives"

    Ordinarily, I do not like to comment or review a book unless I found it to be exceptional or something I truly enjoyed. This book had a riveting story, and I like these people as artists, but had to get over Patti Smith's reading of it. She has a way of speaking that is flat and monotonous. That being said, I thought this was worthwhile

    7 of 11 people found this review helpful
  •  
    Mel USA 07-26-16
    Mel USA 07-26-16 Member Since 2009
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    ""Are artists self-defined?""

    Who or what constitutes an artist? Now, there's a a topic for hours of passionate discussion amongst yourselves. Picasso said that “every child is an artist;” Maslow talked about the need for self-actualisation as being the most elusive and enduring human needs; and we've all heard the claim that creativity is our birthright. Patti Smith without question believes herself an "artist" as well as a "Punk Rock's poet laureate, a singer, songwriter, actress and playwright."

    I don't deny Patti Smith's raw creativity, or her commitment, but I feel more than any other reason for her *fame* she was lucky enough to meet Robert Mapplethorpe and benefit from the slipstream of his artistic vision and drive. Through him she gained entrance into the world that accepted her type of creativity and propelled her into the limelight she so craved. She herself always seemed to be this underground personality associated with the punk scene and those *stars,* a free-spirit looking for her niche through performance experimentation -- and sometimes it felt very amateurish and uncontrolled. Other than "Because the Night" and an eloquent Rock and Roll Hall of Fame induction speech on behalf of Lou Reed, I wasn't too aware of Smith's specific works, though I was aware of her icon status.

    The book is well written and at times truly poetic, this upped my impression of Smith's talents. It was interesting to read about the turbulent period of time in NYC, and the luminaries that gave color to the decadent and creative period, more so for me at least, than the scavenging through thrift stores and living off the kindness of others. Unfortunately, I didn't find the magic others claim to have found; I didn't see a beautiful love story or an artist's struggle, the flicker of youth captured. I had my own young love; my own beautiful Polaroid moments of youth I can satisfactorily reflect on. For some reason, I experienced in Smith's memoir an egotistical justification for an irresponsible life-style that excluded any responsibility or consequences. Smith came across as arrogant and entitled, a girl with no more talent than anyone else -- just more drive, more luck, more connections, more bravado, and less self consciousness and fewer standards. On the positive side, her love for Mapplethorpe was genuine and unwavering through their journey to the *in-crowd.* The devotion was admirable, and I enjoyed this candid part of her story.

    I just kept wondering to myself..."So?! Haven't most of us had times when we've felt compelled to say the hell with what we have to do, what needs to be done, and just go full-throttle Bohemian?!" How many of us would like to call ourselves an artist following our muse? I felt the book sprang from the sincere heart of a devoted friend and an interesting, avant-garde woman. I think this is a great read for those interested in the NYC scene during this period of time...you won't be disappointed. This wasn't my favorite bio, and I don't see the overwhelming appeal it has had for readers (and to deserve the National Book Award), but like art, it's mostly a matter of taste.

    8 of 13 people found this review helpful
  •  
    Patrick King Exeter, NH 11-19-11
    Patrick King Exeter, NH 11-19-11 Member Since 2009
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    "Smith's reading adds another dimension"

    I couldn't decide whether to buy the book or listen to the audio version. When I saw Patti Smith read her book, herself, I opted for the Audible edition. I'm very glad I did. This is a powerful and inspiring work. Smith puts a lot of emotion into her reading, which would come as no surprise to anyone interested to read the book in the first place. Patti Smith brings the same intensity to her reading and writing as she does to her music and poetry.

    Any artist who believes they are held back by family connections, wealth or education, should read this book even if you've never heard of Patti Smith or Robert Mapplethorpe. Not everything they had to do to survive in 1970s New York was pretty, but they did it with style and courage, and they achieved what they planned to achieve. This book is a candid and beautiful memoir.

    7 of 12 people found this review helpful
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    Emily 08-08-11
    Emily 08-08-11 Member Since 2008
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    "Beautiful, moving"

    I thought I knew so much about these two, and this era. It was interesting to bring more clarity to the times they lived in. But the greater gift here is Patti Smiths' clear, poetic telling of this deep intimate, artistic relationship. It's wonderful to hear it in her voice. It's just beautiful.

    7 of 12 people found this review helpful
  •  
    Susan Moray Portland, Oregon United States 08-03-11
    Susan Moray Portland, Oregon United States 08-03-11 Member Since 2016
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    "Extraordinary"

    I'd heard many kudos for this book and am adding mine to the long list. An eloquent, hypnotic and insightful read into a unique relationship between artists who knew their gifts long before they were discovered. A loving tribute by Ms. Smith to her lover, friend and co-conspirator, Mr. Mapplethorpe. Her voice, while calm and somewhat droll, enhances the poetry of her words.

    7 of 12 people found this review helpful
  •  
    Yvonne S. Young 11-01-11 Member Since 2016

    Vonney

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    "Beautiful telling of a life like no other"

    Patti Smith pours out the story of her life with humility, peace and quiet resolve. She starts with the shame and humiliation of getting pregnant in her teens and giving the baby up for adoption in the early 60s. With hardly a dime to her name she moves to New York City where she meets and enters into a loving relationship with the famous photographer, Robert Maplethorpe. Together they supported one another in all their artful endeavors even after he left her for the love of a man. Eventually they moved to the Chelsea Hotel where they associated with well-known poets and authors and artists and musicians of the late 60s and early 70s. Patti's career took off, she married and had two children, and Robert continued his love of photography. Patti took care of him when he contracted AIDS and eventually died. Their love for one another was so extraordinary, so caring for one another, so mutually supportive, so non-judgmental, so void of jealousy and mistrust. I am in awe of Patti's talents as a singer and as a poet and artist, but most of all I admire her humility and honesty. I've always been fascinated with Maplethorpe's work and have a book of some of his photography, mostly of women, and Patti rounds out the line-up of well-known women in the last four photos. She was and is more beautiful than she knows. A few days ago I read where she visited the Occupy Wall Street camp to donate some of her books. While walking among the protesters she came upon an old woman to whom she gave her socks and boots.

    8 of 14 people found this review helpful
  •  
    Rupe 09-09-11
    Rupe 09-09-11 Member Since 2003
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    "And to think I almost took a pass on this one..."

    I love the honesty and mispronunciations of Patti's reading. Here she is -a brilliant, insightful intellect with the Jersey vernacular keeping her human. The book begins slow, almost ho-hum like light snowflakes that swirl around until it becomes ground cover, then the whole snowball effect takes place and by the end of the book you'll feel like you just rode an avalanche. It's an artistic, culturally penetrating, honest and most importantly- heartfelt love story.

    8 of 14 people found this review helpful

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