More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world of overwhelming alienation and loneliness - "thrice homeless," in his own words, "as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world - everywhere an intruder, never welcomed."
Incredibly, Mahler was able to draw upon the diversity of this world that offered him no true home, as well as his often tortured inner world, to create rich and original music. It's a music whose power you will be able to appreciate fully after experiencing this eight-lecture exploration of the life and work of this titan of post-Romantic musical history, a complex, anxiety-bound visionary whose continual search for perfection and the answers to life's mysteries is profoundly reflected in his symphonies and songs.
You'll learn, through both lectures and musical excerpts, how his symphonies are vast repositories of his intellectual, emotional, and spiritual expression that made him the first exponent of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality - but explored by Mahler using the musical language of the century just ended. And you'll learn how Mahler's music is, ultimately, about himself: the lonely, isolated individual.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2001 The Teaching Company, LLC (P)2001 The Great Courses
I write for myself, for my own pleasure. And I want to be left alone to do it. - Salinger ^(;,;)^
Good enough that my major complaint is I wish it were just longer. Professor Greenberg with his wit, knowledge, and charisma is able to draw a nice narrative arc through the life of Gustav Mahler. This course is broken into 8 lectures:
1. Introduction & Childhood
2. Mahler the Conductor
3. Early Songs and Symphony 1
4. The Wunderhorn Symphonies
5. Alma and Vienna
6. Family Life and Symphony 5
7. Symphony 7 & Das Lied von de Erde
8. Das Lied, Final Symphonies, & the End.
It all felt a bit too compressed for me. Perhaps I'm just spoiled because I've been listening also to his 30 Greatest Orchestral Works and each piece in that recording is given a whole lecture (45 minutes). I would have liked to see more time on each of his major symphonies and works AND not lose any of the actual history.
But really, that is my only major complaint. I would recommend for the serious listener to also go buy the major symphonies (from major labels and great conductors) and listen to them a couple times while listening to this course. I fell in love with Mahler's 5th & 9th before this course, but this course gave me a lot more of Mahler to love.
This is the fourth of Greenberg's composer series that I have listened to, the others being on Shostakovich, Stravinsky, and Bach. While Mahler is my least favorite composer of the four, I thought that these lectures were the best I've heard so far. Greenberg connects Mahler's life with his music in very compact chunks that made me want to hear more. As usual, Greenberg's lecture style is charming and amusing and he moves the lectures along at a good pace.
Avid Listener of books at 1-1/2 times the normal speed. Trying to make up for all those boring high school teachers that could not reach me.
Robert Greenberg has brought another composer to life. You can not go wrong with these lectures about the composers from the great courses.
Business Physicist and Astronomer
I have watched and listened to about all the Greenberg I can take. While his courses are generally well-structured and content rich, his delivery just annoys me. Some courses are good enough to defeat that annoyance---the bad jokes and pompous delivery---some are not.
This course both enhanced and diluted my appreciation of Mahler's music. There is indeed genius in his grand symphonies but they all have a dark and brooding under-current. Which, after listening to them all with the background provided by this course, makes them all sound the same.
This course would be better with less Wikipedia and more analysis of the actual music. A reduction of the jokes and a dial back of royal we and the course would be better. A deeper look at the music would enhance the differentiation in my opinion.
I loved the opera appreciation course. The Shostakovich course is top notch and could be Greenberg's best. The Wagner course is awful. The Stravinksy course is average. The Verdi course has a lot of material from the opera course and only marginally worth the time. The big music appreciation course is tedious as it too draws from many of the other courses.
Can I recommend this course? Yes. Did I love it? No. If you want to know more about Mahler's music there isn't much out there so this is a good choice in spite of the flaws.
Oh, why the loop feeling? The lectures open with a rather dreary quote and which sets up a cycle of dreary to symphony to dreary to symphony cycle. Mahler indeed had his share of tragedy but he also enjoyed success. Either the persecution was not adequately explained or Mahler was just a depressive personality. I suspect a bit of both were at the root of his rather gloomy pieces.
As with all lectures on Audible, I withhold a star because of the absence of access to written program guides deemed necessary to fully appreciate these lectures.
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