Desperate Networks

De: Bill Carter

Narrado por: Dean Olsher

In the executive offices of the four major networks, sweeping changes are taking place and billions of dollars are at stake. Now Bill Carter, bestselling author of The Late Shift, goes behind the scenes to reveal the inner workings of the television industry, capturing the true portraits of the larger-than-life moguls and stars who make it such a cutthroat business.

In a time of sweeping media change, the four major networks struggle for the attention of American viewers increasingly distracted by cable, video games, and the Internet. Behind boardroom doors, tempers flare in the search for hit shows, which often get on the air purely by accident.
The fierce competition creates a pressure-cooker environment where anything can happen . . .

NBC’s fall from grace—Once the undisputed king of prime time, NBC plunged from first place to last place in the ratings in the course of a single season. What will be the price of that collapse—and who will pay it?

CBS’s slow and steady race to the top—Unlike NBC, CBS, under the leadership of CEO, Leslie Moonves, engineered one of the most spectacular turnarounds in television history. But in this ruthless world, you’re only as good as last week’s ratings . . . .

ABC’s surprising resurrection—Lost and Desperate Housewives—have brought ABC the kind of success it could only dream of in the past. So why don’t the executives responsible for those hits work there any more?

The End of the News As We Know It—In a stunningly short period of time, all three of the major network news anchors—Dan Rather, Tom Brokaw, and Peter Jennings—signed off, leaving executives scrambling for a way to keep network news relevant in an era of 24/7 information.

Crazy Like Fox—They’re outrageous, unconventional, and occasionally off-putting, but more and more people are watching Fox shows. Most of all they keep watching American Idol. How did Simon Cowell snooker himself into a huge payday? Stay tuned . . .©2006 Bill Carter (P)2006 Random House, Inc. Random House Audio, a division of Random House, Inc.

Reseñas de la Crítica

Praise for Bill Carter’s The Late Shift:

“Bill Carter has written a detailed and remarkably gripping account . . . unfailingly balanced, thoroughly researched, filled with scoops and fresh insight. It takes us deep into the bizarre high-stakes world of broadcasting . . . . A powerful story, and ultimately a sad one, filled with casualties as well as winners.”
—New York Times Book Review

“Bill Carter’s book goes behind the scenes to spin a tale of ambition and intrigue worthy of, if not Shakespeare, then at least the mighty Carson-Art Players at their ditsy, Elizabethan best.”
—Boston Globe

“In his fascinating new book, Carter [spins] a tale of passion, ambition, in-fighting, and runaway ego worthy of Shakespeare.”
—Los Angeles Times


“Page after remarkably well-reported page of why Johnny retired, how Leno ended up with the job, and who shafted Dave. If you crave this sort of inside-the-halls-of-media-power story, Carter gives you every last detail.”
—New York magazine

“Bill Carter draws a script from the turbulent world of late-night talk shows as theatrical and cautionary as any prime-time melodrama . . . [He] unearths juicy nuggets, each related with the sure, suspense evoking hand of a thriller novelist . . . . ‘A.’”
—Entertainment Weekly

“The quest to take Johnny’s place is chronicled in fascinating depth and detail by Bill Carter . . . . His story is both authoritative and definitive—a vivid, behind-the-scenes, blow-by-blow account.”
—New York Times

“Carter’s book is a definitive account of how Leno won the battle for Tonight, then lost the ratings war after Letterman moved to CBS . . . . Anyone who wants to know how the TV industry works at its highest level will find a wealth of information.”
—Philadelphia Inquirer

Interesting

It delivers on the history of TV networks, but discounts the effects of the Internet and other forms of media and entertainment on its decline in recent years.

Threadbare storyline but juicy details

Fans of The Late Shift will be sorely disappointed in this rambling, pointless look at the race for ratings in the mid aughts.

Fascinating

This behind the scenes look into the television industry is humorous, informative, and riveting. Focusing on recent breakout hits such as CSI, Desperate Housewives, Lost, and American Idol, the author demonstrates an affinity for the subject, and his tales of the machinations behind the curtains of the major broadcast networks proves William Goldman's adage, "Nobody knows anything." The book mainly discusses the period from 1999-2004, so if you're looking for something on the history of broadcasting, this isn't it. But if you'd like to hear more about how the television industry has been changing in recent years, check it out.

An Informative Look

This was an interesting look into the workings of the big networks and how they build their programming. Considering the recent Jay/Conan debacle, it's fascinating to read especially considering the short portion of a chapter that covers the switch-over from Leno to O'Brien. It's interesting to see how truly lucky these network executives are, despite the fact that they believe they are very skilled. Regarding other reviews indicating the fast pace is hard to follow, I didn't find that to be the case. It might be challenging if you're writing a research paper on the topic, but as a casual read you'll have no difficulty.

How Sausage is Made

You have to be really be interested in corporate intrigue and the entire creative/business process to stick with this title. But for me, it was fascinating. How did three of the most recent TV hits --Desperate Housewives, American Idol and Lost -- ever get created? And how did highly paid executives MISS these hits in the development phase? Dean Olsher (confession, a former colleague) does a fine narration job. TV is an odd business of luck, talent, egos and score settling. Not a bad idea for a TV show...oops, it already exists on NBC!