Vincent van Gogh is best known for two things – his sunflowers and his ear-cutting. But there are many other ways of knowing this remarkable son of a Dutch pastor, who left his chill homeland for the sunshine of Arles in the South of France; and left us over a thousand frank letters of struggle and joy, to help us glimpse his inner world.
Vincent came late to painting after spending time in London trying to be a Christian missionary. And though he is now amongst the most famous artists on earth, in his day, no one saw him coming – apart from one French art critic called Aurier. It is possible he never sold one of his paintings in his life time.
When he discovered the sun in Arles, he also discovered energy. Yellow for him was the colour of hope, and in his last two years he painted almost a canvass a day. But hope ran out on July 27th, 1890 when he shot himself, aged 37. He was at this time six months out of a mental institution, where perhaps he experienced his greatest calm. Vincent compared himself to a stunted plant; damaged by the emotional frost of his childhood.
‘Speaking with Vincent – which he insists on being called – was a privilege,’ says Simon Parke. ‘He’s endlessly fascinating, contradictory, moving, funny, insightful and tragic. There’s a fury in him; but also a great kindness. He found harmony in human relationships elusive; his love life was a painful shambles. But with colour, he was a harmonic genius, and he has much to say about this. And here’s the thing: for a man who killed himself – he died in the arms of his brother on July 29th - spending time with him was never anything but life-affirming.’
©2010 White Crow Productions Ltd (P)2010 White Crow Productions Ltd
2I feel like Vincent is right here beside me." (Richard Addis)
College English professor who loves classic literature, psychology, neurology and hates pop trash like Twilight and Fifty Shades of Grey.
which brings forth the very real words, feelings and attitudes of one of the art world's most fascinating and often misunderstood men. To be read in conjunction with Dear Theo and an in-depth biography of the great painter.
Informative, entertaining, clever
Van Gogh - for obvious reasons!
I am addicted to Van Gogh's work, not least because of the unusual life of the artist. I have been to Arles and Amsterdam to better understand his oeuvre. By listening to this book, I drew closer to the man who has eluded me all these years. I discovered our common love of Japanese prints and the paintings of Jean Millet which I first admired in Boston's MFA. It was a treat. The author brings the painter to life. I did not realize that Van Gogh could paint with words as well as with oils. This little book was a delight. I listened to it on the plane as I traveled to Ottawa to see the "Van Gogh Up Close" exhibit. I look forward to listening again now that I have seen so many more of his masterpieces "up close".
I am the 30 something truck driver. Listen to audiobooks often and enjoy listening to them at work.
Yes, I like the way the author sticks to the facts while telling a story with in the conversation. I found it to be a refreshing new take on biography styles.
The letters about him in the asylum.
If you care about the subject matter, it's an interesting conversation. Very clever concept - could be a one-man play.
It is a fascinating audio-book. I listened to it with so much pleasure. It was like listening to a real interview with Van Gogh and all the words were his own. All the little details of Van Gogh's life create picture of an authentic person, not some legendary painter. Also, the delivery by Andy Havill realy brings Vincent's words to life.
People who are easily amused. Someone who only wants the thin gruel of what Vincent Van Gogh wrote.
God only knows.
While listening to conversations with Van Gogh I yearned for more Van Gogh and for the interviewer to disappear. I just wish someone had done a full unabridged version of Van Gogh's letters - all 900+ letters and I would have been in heaven. Instead I have to be contented with this chopped up mess.
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