In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death. For four hundred years Caravaggio's (1571-1610) staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory - the murder of Ranuccio Tomasini, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death - has long confounded historians. In a bravura performance, Andrew Graham-Dixon delves into the original Italian sources, presenting fresh details about Caravaggio's sex life, his many crimes and public brawls, and the most convincing account yet published of the painter's tragic death at the age of thirty-eight. With illuminating readings of Caravaggio's infamous religious paintings, which often depict prostitutes and poor people, Graham-Dixon immerses readers in the world of Italy at the height of the Counter-Reformation and creates a masterful profile of the mercurial painter's life and work.
©2010 Andrew Graham-Dixon (P)2013 Audible, Inc.
I am an avid eclectic reader.
It is obvious that Andrew Graham-Dixon has done a lot of research before writing this book. The book is well written and keeps one interested throughout the book. Graham-Dixon not only covers the life of Caravaggio but also provides the history of the catholic church and Italy during the life of the painter. This in-depth coverage made me feel as if I was there. Edoardo Ballerini did an excellent job with all the Italian names. Before reading this book I knew nothing about Caravaggio. Michelangelo Merisi Caravaggio was born in Milan on 27 September 1571 and died 18 July 1610 in Porto Ercole. He studied in Milan then in his twenties moved to Rome. He apparently had no problems obtaining commissions but he had a violent temper and was frequently in brawls and in jail. His style of painting had a formative influence on the Baroque School of Painting. He created the style of shadows that make his pictures unique. Graham-Dixon explains each of his major paintings in depth about his technique as well as who hired him and how he worked on the painting. I liked the fact that Graham-Dixon explained the findings of other authors about Caravaggio and if there was new evidence on the subject he explained the findings. This was most evident in his discussion about Caravaggio killing a man in Rome and then his flight to Naples and eventually Malta. Of course, Caravaggio produced paintings in all the cities he visited during his flight. He thought his patron had obtained clearance from the Pope to return to Rome but Caravaggio caught a fever on his trip to Rome from Malta and died at Porto Ercole. I wanted to see some of his painting and I found the Caravaggio foundation has them available on the web. I came into this book knowing nothing but I now feel I have a good understanding of the man and the times he lived in. If you are interested in art or history I am sure you will enjoy this book.
Chet Yarbrough, an audio book addict, exercises two cocker spaniels twice a day with an Ipod in his pocket and earbuds in his ears. Hope these few reviews seduce the public into a similar obsession but walk safely and be aware of the unaware.
Caravaggio is one of art’s bad boys. Born in 1571, Caravaggio arrives in the midst of religious turmoil between European Catholic nations and the Ottoman Empire.Caravaggio comes to life in Andrew Graham-Dixon’s biography. Graham-Dixon explores the light and dark of Michelangelo Merisi Caravaggio’s short life.
Art history moves on after Caravaggio, but Caravaggio marked a pivot point in the history of art. Painting became more than symbolic representation; i.e. it became a cinematic representation of the real world. The imperfection of humankind, both physically and spiritually became a part of the Bible’s story about life. Caravaggio’s art reflects on the violence of life, the imperfection of humankind, doubts of belief, and the true nature of human beings.
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