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White Bicycles: Making Music in the 1960s | [Joe Boyd]

White Bicycles: Making Music in the 1960s

Joe Boyd tells of his journey through Sixties music, from tour managing Muddy Waters and Coleman Hawkins, to plugging in Bob Dylan's electric guitar while working as production manager at the 1965 Newport Folk Festival, to becoming a leading record producer. His first session was Eric Clapton and Steve Winwood's "Crossroads" followed by Pink Floyd, Nick Drake, the Incredible String Band, Fairport Convention, Sandy Denny and many more.
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Publisher's Summary

Joe Boyd tells of his journey through Sixties music, from tour managing Muddy Waters and Coleman Hawkins, to plugging in Bob Dylan's electric guitar while working as production manager at the 1965 Newport Folk Festival, to becoming a leading record producer. His first session was Eric Clapton and Steve Winwood's "Crossroads" followed by Pink Floyd, Nick Drake, the Incredible String Band, Fairport Convention, Sandy Denny and many more. He moved to Hollywood at the end of the decade where he produced the documentary "Jimi Hendrix" for Warner Brothers.

©2006 Joseph Walker Boyd (P)2013 Joseph Walker Boyd

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  • Colin
    WATFORD, United Kingdom
    5/2/13
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    "A Truly Excellent Book"

    This is easily one of the best audiobooks I’ve heard since joining Audible over 5 years ago, made all the more delightful a find as I’ll admit I bought this on impulse.

    It deals with author Joe Boyd’s experiences working as club owner, gig promoter, road manager and record producer during the heady days of the 60s, and the many talented and potentially ill-fated people he met along the way. From the early pre-pop days of jazz quartets and endless one-night stands through The Beatles, Woodstock, Altamont and beyond the book never flags and manages to convey the sights, sounds and mood of probably the most important decade in pop music history. And it’s not all name-dropping and tales of expensive parties (although there is some of that of course). Whilst some of the acts Boyd deals with go on to worldwide fame and acclaim (Pink Floyd and Fairport Convention most notably) many more never quite achieved their potential as with The Incredible String Band or, worse, only found fame posthumously as with Nick Drake.

    Joe Boyd also narrates his tale brilliantly, and is both engaging and entertaining so that you can feel his excitement at a pending opportunity, his anger when he is being lead a dance by record labels, and his sadness and regret at the many vulnerable souls (Syd Barrett, Sandy Denny, Jimi Hendrix, Nick Drake) who fell along the way. The final chapter is possibly the finest piece I’ve heard on the music business and how it, and life in general, has altered since the heydays of the 60s.

    Joe Boyd disproves that oft-quoted saying, as he does remember the 60s, and he WAS there. Highly recommended.

    1 of 1 people found this review helpful
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