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Turandot: Opera Explained | [Thomson Smillie]

Turandot: Opera Explained

Puccini’s swansong has a claim to being the last great popular opera. Its melodies have enchanted audiences since its posthumous premiere in 1926, two years after Puccini’s death. It involves a chilling story of love and cruelty, an intriguing cast of characters against the exotic backdrop of Imperial China, magnificent choruses and ensembles, and dazzling orchestration in an exotic score that comprises a string of remarkable arias - among which the great tenor aria "Nessun dorma" is the jewel. It is more than Puccini’s last opera: It is the last word, in every sense, on Italian opera.
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Audible Editor Reviews

You will recognize Puccini's melody immediately. Turandot is known for its enchanting and influential sound. It is also famous for being one of the last operas that was viewed as popular entertainment. And even now Puccini's melodious Turandot remains one of the most well-known tunes, and it continues to fill us with emotion. Smillie's study of this early 20th-century opera is thorough and endlessly interesting. This audio is made even more appealing by David Timson's energetic and heartfelt narration. You'll be moved and engaged.

Publisher's Summary

Puccini’s swansong has a claim to being the last great popular opera. Its melodies have enchanted audiences since its posthumous premiere in 1926, two years after Puccini’s death. It involves a chilling story of love and cruelty, an intriguing cast of characters against the exotic backdrop of Imperial China, magnificent choruses and ensembles, and dazzling orchestration in an exotic score that comprises a string of remarkable arias - among which the great tenor aria "Nessun dorma" is the jewel. It is more than Puccini’s last opera: It is the last word, in every sense, on Italian opera.

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©2004 Naxos AudioBooks (P)2004 Naxos AudioBooks

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    Die Falknerin 12-05-13 Member Since 2008

    Painter, musician, bibliophile...

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    "Fire and ice, hope and blood"

    Turandot is Puccini's last opera. He died while composing the third act, leaving the work unfinished.

    The plot is based on an ancient Persian legend, and the setting that of imperial Peking. Turandot is the daughter of the emperor. He wants her to marry but she resists, so the emperor agrees to her terms: any suitor who wishes to marry her must answer three riddles. If he cannot, he will be executed.

    As if the story is not dramatic enough, there is the reimagining of ancient China, the evocation of place through pentatonic elements and unusual instrumentation, the costuming, and demanding roles for the performers.

    For all that, some parts are silly. For example, ministers named Ping, Pang, and Pong. And the violence and drama feels relentless after a point. Still, other parts are transcendent, most famously, the "Nessun dorma."

    The author explains the story, staging, and production very well. David Timson's narration is, as always, simply perfect. For that, five stars.

    But I won't be going to a production or purchasing a recording of Turandot. Puccini wrote so much that puts this opera in the shade.

    That's just my opinion. Decide for yourself. That is one of the many benefits of the "Opera Explained" series. If you're unfamiliar with an opera, as I was with Turandot, listen and see what you think. You might hate it, or you might become a devoted fan. Either way, it's time well-spent if you love classical music.

    2 of 2 people found this review helpful
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