From its humble beginnings in the 17th-century Italian opera overture and the Baroque ripieno concerto, the symphony has evolved into one of the longest lived, and perhaps the most expressively inclusive, genres of instrumental music. Along the way, it has embraced nearly every trend to be found in Western concert music.
In this series of twenty-four 45-minute lectures, Professor Greenberg guides you on a survey of the symphony. You'll listen to selections from the greatest symphonies by many of the greatest composers of the past 300 years. You'll also hear selections from some overlooked works that, undeservedly, have been forgotten by contemporary audiences.
Your tour of the symphony includes
The course concludes with an investigation of Dmitri Shostakovich's Tenth Symphony, which became, in Professor Greenberg's words, "a model for what the new, post-Stalin Soviet music might aspire to be-a more personally expressive, less explicitly programmatic work, one that both engaged and challenged its listeners."
Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.
©2004 The Teaching Company, LLC (P)2004 The Great Courses
I am stunned by the works I have listened to and enjoyed. Even more I am amazed that I have searched and found the Turangalila Symphony and plan to use Dr. G’s lecture to study it. I already like parts of it, but the other parts confuse me or irritate me (but in an interesting way). I think that’s what I appreciate most about this particular course—now I can listen to music and say “I like that” or “I’d like to hear that again” or “That one is still beyond me.” I have three options instead of just “I like it” or “No, no, no!”
This lecture sounds like it is being read to me instead of spoken to a live audience. Even the humor lacks spontaneity. Perhaps a laugh track would help. For this reason it is boring and not worth my time.
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