In this star-studded autobiography, Clive Davis shares a personal, candid look into his remarkable life and the last 50 years of popular music as only a true insider can.
In the history of popular music, no one looms as large as Clive Davis. His career has spanned more than 40 years, and he has discovered, signed, or worked with a staggering array of artists: Whitney Houston, Janis Joplin, Simon and Garfunkel, Barry Manilow, Patti Smith, Lou Reed, Dionne Warwick, Carlos Santana, The Grateful Dead, Alicia Keyes, Kelly Clarkson, Jennifer Hudson, and Aretha Franklin, to name a few. He has been inducted into the Rock and Roll Hall of Fame, received a Lifetime Achievement Grammy, and hosted the world’s highest profile parties.
In this personal account, Davis tells all, from becoming an orphan in high school and getting through college and law school on scholarships, to being falsely accused of embezzlement and starting up his own record company, J Records. His wealth of experience offers valuable insight into the evolution of the music business over the past half-century and into the future.
Told with Davis's unmatched wit, frankness, and style, Clive exposes a trove of never-before-heard stories - some hilarious, others tragic, all revealing - that will captivate and inspire all music lovers.
©2012 Clive Davis (P)2012 Simon & Schuster, Inc.
Close up look at the evolution of the recorded business over the past 30 or so years. Lots of great detail on personalities, as well as interesting events. I've been listening to Audible for 14 years, and the narration performed by Dennis Boutsikaris was, by far, the best reading I've ever heard. The content was 5 star. The narration was 7 star.
If someone else would have read it for him so it didn't come off so self-serving.
Not have bragged so much.
I don't know.
Yes. It showed what you can become when your ego runs rampant
Wish he would go away.
If you are looking for insight into various artists and the music industry, you'll still be searching after 20-plus hours of drivel
Hi, I'm Clive Davis. I never made a mistake, and people who failed would have been successful had they listened to me. People who were successful, would have been more successful had they listened to me.
A Happy-go-lucky Irishman
It was enjoyable hearing about his relationship with the various artists over the years and his work at Columbia Records
No, this one was too drawn out as it was.
Clive Davis was an individual who apparently has been in the right place at the right time most of his life. He is a quintessential businessman who followed his intuition and passion.
Yes, especially to business and law students about best business practices and for music lovers everywhere about how great music was nurtured by a fan who was also a realist.
His evolution from a law firm associate to a music executive and his genuine love of music.
Dennis was great and nuanced. The writing was very good and very well edited.
When Clive took custody of his kids and respected his wife's need to find herself.
I found the book a great look jnto how the record business is ran. Clive Davis is very articulate and knows hoe to use his words,without offending others. This book is a must read.
love biographies, sports, comedy
the narrator was great. sounds like a young Clive Davis
can't wait to buy additional copies as gifts
I am not much of a music connoisseur, but I enjoyed this book anyway. Davis tells a great story, a personal story that just happens to weave in a lot of musicians and places that are famous today. Great listen.
I would not read another book by Clive Davis. I thought the narrator did a fine job. He couldn't fix the problems with this book.
No, I love autobiographies and have developed a specific love for autobiographies of people in the entertainment industry.
I didn't love the book but I didn't totally hate it either. I just had to take it in small doses. There were bits of information but this book is all about him and the great things he did. He apparently never made a mistake, gave nothing but great advice and wasn't very personally connected to his artists. It was more of a history of contracts than a history of artists and relationships with artists.
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