In these 24 lectures filled with musical excerpts, enjoy a rich and multifaceted exploration of the trailblazing works and outsized life of this historically pivotal composer.
Your immersion in Wagner's art includes the following:
The sheer outlandishness of Wagner's life makes for an endlessly intriguing story, from his desperate escapades outrunning creditors to his obsessive personal relationships to his utopian artistic schemes. In his writings, letters, and public actions, you investigate the often contradictory - and hypocritical - aspects of his personality. And, reflecting on the nationalist spirit of his time, you track his core desire to make "German Art in the service of a German national identity," even as he created a body of works whose communicative power transcends any national boundary.
With Professor Greenberg's passionate and razor-sharp commentary, you'll plumb the fabulous mystery of a man who gave the world something of deeply compelling and universal resonance: music of great genius and a poetry that reveals the depths of the human psyche.
Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.
©2010 The Teaching Company, LLC (P)2010 The Great Courses
Extensive but bantering.
Wagner, because he is one of the most interesting personalities in history of western art. Sometimes you can hardly believe that such a person was real. An extreme man in an extreme century.
Greenberg tries really hard to make this lengthy course interesting and fun by constant wisecrack comments. If I had a penny for every "dude"… While his motive is admirable, it is very unnecessary; the history of Wagner is interesting enough on it's own. Maybe it is more suited for American listeners.
The most moving parts are the operas themselves. They are such a contrast to the man behind them.
Greenberg leaves nothing open for interpretation. He offers one truth and one only. Every opera has one objective meaning as well as all Wagner's actions. On the other hand, Greenberg is a veritable quoting machine which gives him a lot of authority.I learnt so much from this audio book and finished it within a week but the populistic style (and language) will make seek other authors for similar topics.
Among the best.
This is more extensive than most of Greenberg's introductions to great composers. I generally find that the longer the course, the better it is.
I have listened to a great many. This is among the best. Not that it has no flaws (yes, there is a lot of recounting of plots; and Prof.Greenberg's pronunciation of German and French words leaves much to be desired), but Prof. Greenberg speaks with such verve and insight that his presentation of Wagner is both exhilarating and educational.
I am not exactly a novice in classical music or in opera (I have seen many of the Wagner operas in German opera houses as well as in Paris), but this audiobook extended and deepened my knowledge and understanding of both the music and the man, and it did so in a most enjoyable and stimulating manner.
I might add that those who are unfamiliar with Greenberg might be put off, as I initially was, by his brash way of speaking and his mispronunciation of foreign words (surprising considering his cultivation and his composer's musical ear). It would be a great shame however to let these keep one away! In time, I began to find his mannerisms more endearing than disturbing — to my own benefit for I have gained much through listening to his lectures.
Business Physicist and Astronomer
I have purchased other courses presented by Herr Professor Greenberg and enjoyed them very much. Years ago I actually became very interested in opera through his course on opera appreciation. Having become particularly interested in Wagner's operas I was thrilled to see this course appear in Audible. Disappointment followed.
In his basic introduction to opera course, Greenberg makes periodic corny jokes but they do not detract from the content. This course, however, could be sold by the bushel for the amount of corn. Does he want us to take the subject seriously? Then why the juvenile jokes every 90 seconds? The music excerpts are a pleasant break from Greenberg's stand-up comedy.
Okay, Wagner is a big, tough subject and a little levity can break things up. Agreed. But this constant wisecracking really detracts from the depth of the subject. The girls singing while they spin in a scene from The Flying Dutchman reminds Greenberg of a Nike sweatshop? Please.
A little study of Wagner will lead you to a very complex man and a great artist. His themes are not cut and dry. Pure love doesn't always trump lust. Greed isn't always defeated by altruism. Even the gods are flawed in Wagner's great Ring Cycle. Wagner goes beyond what we would call the predictable plots of today. Bad guy gets killed, Good guy dies by some ironic error. No, Wagner twists around the plots with deep complexity---his characters are torn between choices of heaven and hell with neither choice being clear.
It's a shame to dilute this great art with silly jokes.
2 stars because there is a lot of content of value if you can ignore the childish cracks.
Finally, every one of these stand-up sessions begins and ends with canned applause. Why? If there is a "live" audience, why aren't they laughing at every joke? Maybe they didn't find it funny either? Why not add a laugh track? If we are to yuck it up for 19 hours, give us a laugh track.
If you want to learn about Wagner, get the operas on DVD and enjoy them. Pick up a biography and read it. For a much lighter experience, grab a six pack and settle in to this audio series. Greenberg will bring the corn. I cannot recommend it.
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