Now they continue their journey alone down the great River Anduin; alone, that is, save for the mysterious creeping figure that follows wherever they go.
Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike. Nearly 100 million copies of its many editions have been sold around the world, and occasional collector's editions become prized and valuable items of publishing. Now it is available for the first time on digital download, complete and unabridged.
This is the first book of The Two Towers.
Don't miss the rest of Tolkien's masterpiece, The Lord of the Rings.
©1954, 1966 The Trustees of the J.R.R. Tolkien 1967 Settlement; (P)1991 Recorded Books, LLC; This edition published 2001 by HarperCollinsPublishers Ltd., London, UK
"An extraordinary book. It deals with a stupendous theme. It leads us through a succession of strange and astonishing episodes, some of them magnificent." (The Observer)
"Among the greatest works of imaginative fiction of the twentieth century." (Sunday Telegraph)
Audible have divided LOTR into six separate audiobooks. They aren't really separate books, but sections of the same book, so you need to read them in order, they won't make sense otherwise. This is the third book. (Start with "Fellowship of the Ring book 1")
Rob Inglis has a very traditional english voice and reads in a very measured way. I am a fan of Tolkien, and enjoy this reading, but if you have only seen the films, you may find it a bit slow.
Yes, it's a classic and epic tale that everyone should enjoy.
The meeting of Rohan's riders and the remaining members of the 9 Walkers.
Every scene with Treebeard, including those being described by Pippin and Merry.
Many sections needed to be listened to in one sitting, but the story overall is far too long for that to be an option.
I enjoy reading fantasy, crime and mystery thrillers, as well as historical novels.
Greatest book ever.
No other book can compare. George R R Martin's Song of Ice and Fire series comes closest, followed by Robert Jordan's Wheel of Time series. The Lord of the Rings stands far above them all.
When Merry and Pippin escape from the Orcs into Fangorn forest and meet Treebeard. The dialogue that takes place in this chapter is full of humour and is one of most memorable moments. The Hobbits grow taller as a result of drinking the draught given to them and their hair becomes curlier. Treebeard and the ents decide to attack Isengard.
I remember reading this when I was younger I used a year to read the hole thing and I am a better person for it. It is a grate book that all should read.
"One 'Book' To Rule Them All!"
WOW!! Absolutely superb! A truly amazing book, from start to finish. The Lord of the Rings movies, really don't even scratch the surface. This is, without doubt, a masterpiece. Excellently written, and narrated with style.
If you've watched the movies, and think you know what Lord of the Rings is about, think again. Get this book, and you will understand what I mean.
"Great story but flawed narrator"
Rob Inglis has quite a mellow voice so it's easy enough to listen to, but I didn't find his narration to be top-class. Too often he puts an incongruous emphasis on characters' words or feelings which kept pulling me up short. It's as though he sometimes forgot the context and just read the words any-old-how. I've listened to the complete set of LoTR and Hobbit audiobooks narrated by him, and it's the same in all of them. Quite an irritating flaw, and one which marks them down from a full 5-star listen.
"Dealings With Wizards"
I really like Peter Jackson's films, and they offer an invaluable point of comparison in terms of narrative flow and dynamics of the story, and how those narrative goals of the author or director are achieved in two different media. Sure, the films deviate from the books, but I'm not interested in fidelity in itself – only when it makes for good cinema. The same goes with books based on films.
It's a simple question of translation, really. Howard Goldblatt, who has translated many Chinese works into English, among them Mo Yan, once said in an interview that when one is reading Mo Yan in English, one is really reading Goldblatt. I think it saves me many a night's sleep to see this difference between one medium and another, and the problems of translation inherent in each.
The crossroads of "The Fellowship of the Ring" and "The Two Towers" is a very meaty moment for comparisons. Jackson decided to include the first chapter of this book in the first film despite also dwelling more on the Uruk-hai attack and Boromir's role in it. Tolkien on the other hand lets Frodo and Sam get away and end there. The very beginning is brilliant, the remaining members of the fellowship doing some detective work tracing the tracks.
Both solutions work, I think, since they are the two grand climaxes at the intersection of the two books. On one hand, it is Frodo's escape, Sam's loyalty and their friendship that will face almost certain death, just the two of them; on the other, it's the tragic effect the ring has to the world of men, their dominions pestered by orc attacks, and the growing influence of dark creatures in the land. Here again the two worlds, that of hobbits and of men, meet. Jackson's solution works in filmic terms because it sets in motion the two escapades that dominate the following films, but Tolkien's is more intimate to my mind, and the opening of "The Two Towers" is very powerful indeed.
As for the rest of the book, the highlight for me has always been the confrontation with Saruman. Although I understand the reasoning behind the film version in introducing Saruman so early in "The Fellowship of the Ring", in Tolkien it's dramatically a very powerful moment when we arrive at Isengard to confront him, since we've been hearing so much about him already. He's a compelling character more than anything else, and considering that his army has already been defeated and his Isengard is in ruins, he remains a threatening presence to the very end. It is, in some ways, an anticlimax, sure, to see him already in the jaws of defeat, and I remember longing to have seen him at the peak of his powers.
Other nice moments is especially the heist of the orcs, and the hobbits' sojourn through Fangorn, but I'm finding it very difficult to get fired up by the Rohan storyline, including the battle of Helm's Deep, which, thankfully, is not as detailed as in the films.
The story revolving around the Palantír is also brilliant, evocative literature. This is where Tolkien's route of keeping Saruman from us so far pays off doubly, since he hasn't had to reveal the Palantír's function to at all, not even mention the whole thing. It's a wonderful, mysterious object, and Pippin's descent into incurable and mad curiosity becomes deeper and so much more dangerous because we are not quite sure what the thing does.
The last paragraph is, as usual, devoted to Inglis. It's an admirable feat to keep such a narrative together with such a multitude of different characters. He makes it all sound so easy and natural, which itself is a task unimaginably difficult to pull off properly. A great narrator.
Off to Book IV!
Story – 5/5
If you have been waiting for the action, this is the book where a lot of it starts happening – epic battles, minor scouting skirmishes, chases – it will keep you hooked from start to finish. We establish new races and army factions from middle earth, all as detailed as the last. The story is also split now amongst 3 different story arcs, each just as interesting as the next, which allows us to see the bigger picture of the war in midde-earth
As usual, Tolkien’s prose is superb. He creates such a complex and detailed world without it being taxing for the reader. As the godfather of modern fantasy, this series is a must for all fantasy fans, and far superior to the films if you have already enjoyed those. There is so much more to learn and understand that the films had to skip over. A well deserved 5/5 stars – for it’s influence on the genre alone if nothing else.
Performance – 4/5
Rob Inglis does a very good job with the Lord of the Rings Trilogy. He describes a detailed and complex world so well, making it an incredibly easy listen. I did feel that his character voices could have been a little more distinguishable, but his acting of them was done extremely well.
Overall – 4.5/5
"This is audible"
No Chapters. No info - not even the narrator's name. Dreadful artwork. Will cancel free trial as soon as possible
"Loved this book"
Couldn't find the time to read the series & I decided to listen while running. Initially it feels slightly dated however I found myself griped after a while & found myself running more just to hear the stories through. Even the singing parts were ok albeit didn't add much to the story. I'd say if you like fantasy at all you have to read tolkeins work, or like me listen if you don't have the time.
Marvelously done, perfect voice for the story and brings to life everything I loved about the books the first time I read them.
"rob inglis reads this with great skill"
yes, the book is soo heavy to carry around
lords of the rings stands alone from my point of view
Rob has a good understanding of the story and reads with great skill
so much better then the film
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