Western classical music is one of humanity's most sublime artistic traditions. This musical language - encompassing genres from symphonic and instrumental music to choral works and opera - was created through the meeting of art and faith.
The lineage of sacred works produced some of the greatest masterpieces in Western art and created the foundation of the Western musical canon. This phenomenal tradition includes works of genius such as:
Beginning with medieval chant, discover how its single musical line evolved into polyphony (music with multiple simultaneous melodies). You'll also learn how the religious reformations of the 16th century compelled composers to create new musical genres and to make religious texts more intelligible. Additionally, observe how 17th-century composers blended sacred styles with genres such as opera, producing music of dramatic and unforgettable beauty.
As a fascinating counterpoint to the music itself, you'll explore the sociological background of its writing and performance. Sacred works were often commissioned by important clerical and aristocratic patrons, and composers were challenged to write music that was not only religiously edifying but also entertaining and publically successful. Over time, sacred music moved beyond church walls to become appreciated in secular venues as autonomous works of art.
You'll hear stunning musical excerpts covering over 1,200 years of music, from medieval chant to the massive sacred works of the late 19th and early 20th centuries.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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This is the fifth music appreciation course I have taken from the Great Courses. I had no experience with music appreciation before beginning my education through these series of lectures. If you are like me and have little or no musical background, then I do not recommend starting with this particular course because the professor assumes some basic knowledge of terminology and music history. I strongly recommend beginning with Professor Greenburg's How to Listen to and Understand Great Music course before moving on to this one. If I have a complaint about this particular course, it would be that it is too short. The main topic omitted, which the professor openly admits, is music designed for congregational singing. In other words, this course focuses on music designed to be sung to the audience rather than music to be sung by the audience. So, this course omits most familiar religious songs commonly heard in church services. I wish the course was expanded to include enough lectures to incorporate this topic. That being said, this is still a wonderful course, and I learned a great deal such as the history of Handel's Messiah and Haydn's Creation. I purposely timed when I listened to this course so I could listen to the last lecture close to Christmas. The last lecture is by far the best and is dedicated to the history of Christmas music. The professor does a great job explaining the development of the Christmas music tradition.
Yes - the Great Courses
There were significant volume challenges, the music was consistently too low requiring the volume to be increased to even hear it well, much less appreciate the beauty and concepts that were being discussed. I have listened to a few other great courses and enjoyed them thoroughly.
Yes, style of presentation
Concept is excellent, but honestly I gave up somewhere in the 2nd or 3rd hour due to the volume challenges
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