Over the centuries, orchestral music has given us a category of works that stand apart as transcendent expressions of the human spirit. What are these "greatest of the greats"? Find out in these 32 richly detailed lectures that take you on a sumptuous grand tour of the symphonic pieces that continue to live at the center of our musical culture. These thirty masterworks form an essential foundation for any music collection and a focal point for understanding the orchestral medium and deepening your insight into the communicative power of music. While seasoned music lovers will find the lectures a revealing journey through the repertoire, the course welcomes newcomers to orchestral music, offering a very accessible point of entry to this magnificent repertoire.You'll encounter symphonies, concertos, tone poems, symphonic poems, and suites, delving into the works through extensive musical excerpts. The course covers the major eras and stylistic periods in Western music from the early 18th- to the mid-20th centuries and highlights a wide range of European and American works. Among these: Haydn's Symphony no. 104, Beethoven's Ninth Symphony, Stravinsky's The Rite of Spring, and Shostakovich's Symphony no. 5. Throughout these lectures, you'll learn about the major musical forms found in orchestral writing and how they're used in conveying expressive meanings. Knowing how these forms work allows you to grasp the structure of the music as you hear it, and also to appreciate how the greatest composers used them, extended them, and finally departed from them in sublimely original ways.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2011 The Teaching Company, LLC (P)2011 The Great Courses
A good intro to musical works. Just wish the narrator had been a little less bombastic. His delivery reminded me of an over eager teacher giving high-fives and "good job!" When the student puts the lid back on the paste. But, I'm a boomer and none of my professors were ever so excited and enthusiastic in their lectures.
I've been a musician all of my life and yet in each of these lectures there was something new to learn. I enjoyed Dr. Greenberg's delivery and found the contextual information about the composer and the time in which they lived to have a profound impact of how I heard the pieces discussed. I also came away with a new-found appreciation for some of the composers with whom I was less familiar. All in all I was sad to hear it end and will definitely look for another series.
So enjoyable, so fun, so informative - and this is coming from a person who didn't really know the second thing about classical music! Sure, I can distinguish my Bach from my Beethoven, but this course proved an incredibly useful help! And the professor is fabulous!
I would not consider myself a classical music fan, I have got the great lectures on history, science, psychology and literature in the past but rolled the dice on this one. Jackpot!
The lecturer, the background stories behind the works.
Pretty damn much everything, but his references were great 'slick as brill cream on a doorknob'...'if this does not get your hear racing you have metabolic issues far beyond the ability of modern pharmacology to intervene'. Expressive cadence and modulation to his voice.
Well, no, but that's ok.
It's not your local NPR classic hour. You actually have to focus and listen to lecturer if you want learn.
I hope to listen to these lectures again because they were so good. I listened to some while chopping wood, some while lying sick in bed, some while baking bread, some while driving the dog to the vet. Always riveting and yet, as you can tell from my examples, I was at times otherwise occupied. A second pass through will, no doubt, double my enjoyment, which is saying something. Professor Greenberg rocks!
Professor Greenberg's style is quite "ornate" but I always find his courses interesting and entertaining.
Professer Greenberg. He is simply amazing at conveying information passionately and with interesting and necessary context.
Perhaps Brahms? I never knew so many composers struggled with personal demons.
Passion, knowledge, dynamic range. I appreciate that he provided historical context for each work, though this sacrificed some analytic depth (which is to be found in his other courses).
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