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Stevie Wonder's Songs in the Key of Life (33 1/3 Series) | [Zeth Lundy]

Stevie Wonder's Songs in the Key of Life (33 1/3 Series)

In the autumn of 1976, when Stevie Wonder unveiled Songs in the Key of Life to the world, it was immediately apparent that this was an album of considerable genius and undeniable scope: a double album with a bonus EP, no less, written and recorded by a superstar who had challenged himself to somehow squeeze life itself onto those vinyl grooves. Here, Zeth Lundy tells the compelling story of the album's background, creation and enduring influence.
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Audible Editor Reviews

Stevie Wonder's 1976 grand soul pop double LP, Songs in the Key of Life, debuted at number one on the charts, surpassing all of its highly anticipated success and going on to become one of the most influential and beloved albums of the 20th century. An ambitious, expansive effort, it contains multitudes; fittingly Zeth Lundy opens his discourse on the album with a quote from Walt Whitman. Lundy takes a holistic approach, splitting his analysis of the album into sections on the themes of birth, innocence, experience, death, and transcendence. Allyson Johnson brings vibrancy to her performance of the audiobook, reflecting Wonder's joys and pains while creating this single minded and celebratory work.

Publisher's Summary

Sir Duke is one of the most easily recognized songs in Wonder's catalog, even if most casual listeners don't know its name; the title is uttered once in a verse, while the "you can feel it all over" chorus gets the more hallowed transcendent repetition treatment. One of its most endearing qualities is how self-consciously it documents the thrill of good music; it's embedded in the melody and arrangement, and further emphasized by the lyrics. Call it meta-pop, a dictated blueprint of the very sensation it evokes; like a cigarette, part of the Sir Duke addiction is concealed in its design.

In the autumn of 1976, when Stevie Wonder unveiled Songs in the Key of Life to the world, it was immediately apparent that this was an album of considerable genius and undeniable scope. Here, Zeth Lundy tells the compelling story of the album's background, creation and enduring influence.

Zeth Lundy is Music Columns Editor at online magazine PopMatters.

33 1/3 is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books dispense with the standard biographical background that fans know already, and cut to the heart of the music on each album. The authors provide fresh, original perspectives - often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. (A task which can be, as Elvis Costello famously observed, as tricky as dancing about architecture.) What binds this series together, and what brings it to life, is that all of the authors - musicians, scholars, and writers - are deeply in love with the album they have chosen.

Rock on: listen to more of the 33 1/3 series.

©2007 Zeth Lundy; (P)2008 Audible, Inc.

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    Akida Los Angeles, CA, United States 02-04-09
    Akida Los Angeles, CA, United States 02-04-09 Member Since 2015
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    "Lost Keys"

    This author had a WONDERFUL topic that he destroyed with too many words. Please redo this after reading Stunk and White's Elements of Style.Additionally, this author did not recognize that Stevie Wonder's audience loves him for his ability to say so much, so well, so succinctly. Don't even try this one.

    4 of 4 people found this review helpful
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  • RAM GOAT
    4/15/09
    Overall
    "Wrongs in the Key of Zeth"

    As a big fan of this album, I was very much looking forward to listening the inside story of how it was made. Instead, I was presented with an album review that purports to be an academic criticism, but is really the worse kind of verbal effluence, the sort that I thought had died-out in the drug-fuelled sixties. Unless you are into the type of pseudo-intellectual, over-analytical clap-trap that seeks more to demonstrate the writers extensive vocabulary than to serve the needs of the reader, avoid this audiobook like the plague. I really wish I could have my money back, and be compensated for the assault on my ears from "...indiscernible oblivion," the "maliable identity re-alignment," and the something or other "...evaporated on the wings of bled dried dominance." This book is so bad, it doesn't deserve more than a fraction of one star, and that's being generous.

    7 of 7 people found this review helpful
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