As lead guitarist of the Rolling Stones, Keith Richards created the riffs, the lyrics, and the songs that roused the world. A true and towering original, he has always walked his own path, spoken his mind, and done things his own way.
Now at last, Richards pauses to tell his story in the most anticipated autobiography in decades. And what a story! Listening obsessively to Chuck Berry and Muddy Waters records in a coldwater flat with Mick Jagger and Brian Jones, building a sound and a band out of music they loved. Finding fame and success as a bad-boy band, only to find themselves challenged by authorities everywhere. Dropping his guitar's sixth string to create a new sound that allowed him to create immortal riffs like those in "Honky Tonk Woman" and "Jumpin' Jack Flash". Falling in love with Anita Pallenberg, Brian Jones's girlfriend. Arrested and imprisoned for drug possession. Tax exile in France and recording Exile on Main Street. Ever-increasing fame, isolation, and addiction, making life an ever faster frenzy. Through it all, Richards remained devoted to the music of the band, until even that was challenged by Mick Jagger's attempt at a solo career, leading to a decade of conflicts and ultimately the biggest reunion tour in history.
In a voice that is uniquely and unmistakably him - part growl, part laugh - Keith Richards brings us the truest rock-and-roll life of our times, unfettered and fearless and true.
Read by Johnny Depp with Joe Hurley and featuring Keith Richards.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
©2010 Keith Richards (P)2010 Hachette Audio
"[A] high-def, high-velocity portrait of the era when rock 'n' roll came of age, a raw report from deep inside the counterculture maelstrom of how that music swept like a tsunami over Britain and the United States....Mr. Richards has found a way to channel to the reader his own avidity, his own deep soul hunger for music and to make us feel the connections that bind one generation of musicians to another. Along the way he even manages to communicate something of that magic, electromagnetic experience of playing on stage with his mates, be it in a little club or a huge stadium." (Michiko Kakutani, The New York Times)
"[A] slurry romp through the life of a man who knew every pleasure, denied himself nothing, and never paid the price." (David Remnick, The New Yorker)
"A vivid self-portrait and, of the Stones and their musical era, a grand group portrait....spellbinding storytelling." (Richard Corliss, Time)
I've been a Stones fan forever, but I'm not sure I'll be able to enjoy their music after listening to the first two installments of this book. (I don't plan to ever listen to the third.) Richards' misogyny is all the worse because he is either unaware of it or utterly unapologetic for it. Women are either b*tches, chicks or birds and seem to exist only to be f***ed by Richards. Even if I could ignore his treatment of women, I doubt that I would finish the book - it is very badly written.
I'm not sure why Johnny Depp narrates the beginning and Joe Hurley the rest. It seems bizarre.
When I think about The Stones, I think about lying in my bed, aged eighth, in the dark, listening to Midnight Rambler. There is something visceral about the Stones, something deep and inexhaustible. When I hear those guitars and Mick's voice, I 'm in a different world.
I devoured the paperback version of Life and I'm on my third listen of the audiobook now. It really just gets better and better. There is SO much information here. If you're a musician, it's a done deal, you have to get it. If you're a songwriter, you MUST get it.
Keith really early found that he didn't like being told what to do and so he created his own life, for himself. I'm doing the same right now so I connect even stronger with this material now.
To me, this book is about being your own person and fearlessly striking out on your own and following your passion.
It is completely priceless. Mr. Hurley is a fantastic narrator, and so is Mr. Depp. I'm not sure why there are two, and they are very different, but I'm not complaining.
The best part of the book for me, is the NellCote part about recording Exile on Main St. The creation of this seminal record seems so magical and unlikely and the stories surrounding it, and the whole setting, are incredible.
It's a real treat to have Keith narrate the last part himself. It feels almost like he is talking directly to you, and in my case, that's like having a favorite uncle/God of many years, right there with me.
Need I say "highly recommended"?
I feel like I'm pals with Keith...if he didn't obviously have more friendships to keep up with then I can imagine I'd invite him over for a drink.
Keith Richards, with the help of his coauthor James Fox, has written a compelling autobiography of his life that does not pull punches regarding his own behavior and that of everyone who has been a part of his life story. His perspective is very personal, leaving the listener with a keen sense of Richards the passionate musician, the man who, through his use of heroin, failed the people around him, and who nevertheless retained a big heart, and the will to overcome his addiction (35 years ago) motivated by the needs of his children. Johnny Depp is a great narrator of roughly the first third of the book. It takes some time to get used to Hurley's reading when he takes over. However, Hurley captures Richards' character and voice.
It's honest, candid.
Nothing compares to this.
No, I haven't, but these performances are gold standards to be measured against. They're brilliant.
Yes and no. I wanted to stop everything and listen to it non-stop. However, I didn't want it to end.
This is a great example of how an audiobook can be a completely different experience from the printed book. I have read the print version of the book, and listening to this audiobook felt brand new like a wholly different experience. I believe everyone should listen to and read this book.
The switch between narrators can be jarring but they all do well. Joe Hurley was excellent, probably better than Johnny Depp which was surprising. There are some slow parts of the book, especially Keith's childhood, but there are some crazy stories that more than make up for it.
live love laugh
there is no other book that could come close cause Keith Richards has led an incredible life
there all great
if i could i would have but its a long book but vary entertaining. listened to it in 3 days while working (truck driver)
a book for any stones fan & a must have for the super fans!!! thanks Mr.Richards!!!
Nazariy B. Telyuk
Lived this book, listened to it twice in less than a year time. Keith Richards is awesome, great storyline, a lot of interesting and funny stories in here.
The performance of the narrators was the cherry on top of this absolutely brilliant, hilarious, and completely fulfilling biography. Ready to listen to it again!
Yes and No. Yes for the content and the narration by Johnny Depp, but Jame's Fox's reading is SO slow and SO slurred that it really makes it painful to listen to. I realize he was trying to stay in character, but there is a reason why we didn't want Keith Richards to narrate this in the first place. Conversations with drunk, almost unintelliglbe people are always frustrating. James Fox's accent is also uneven. He drops out of character on 1 our of every 6 or 7 words. If you're going to pick and accent, NAIL the accent, otherwise don't do it at all.
Johnny Depp does a very good job as a narrator. I wish he would have read the whole thing.
James ffffooooxxxx spppeeaaakkkss vvvveeeeerrrrryyy slllloooowwwwwlllly. It will literally drive you insane. Ironically, the few times that he is reading another character, he is actually quite good. He just sucks at Keith Richards.
Just very frustrated at the narration.
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