One of the world’s most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author. Now, more than 50 years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film.
Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus. As both producer and star of the film, Douglas faced explosive moments with young director Stanley Kubrick and struggles with giant personalities, including Sir Laurence Olivier, Charles Laughton, and Peter Ustinov.
Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at 95, looks back candidly—and often with self-effacing humor—at his audacious decision to give public credit to Trumbo, thus effectively ending the notorious Hollywood blacklist.
©2012 Kirk Douglas (P)2012 Brilliance Audio, Inc.
This is a great personal account of a film that I loved when I was a kid and still love today. I love the fact that it is read by his son, although it is hard to believe he is an actor as his diction is sometimes unclear. For a man who is 95yo it feels like it just happened to him a decade ago and there are often personal reflections from his past and present that make this an enjoyable listen.
I have not read the print version, but would imagine it is as entertaining as the audio version.
I was enthralled by many characters, like Charles Laughton, Laurence Olivier, Dalton Trumbo and Douglas himself.
I enjoyed being able to trust that Michael was giving us an authentic interpretation of his father's words, attitudes and manner.
I was brought close to tears on many occasions. How can you listen to a 95-year-old man reflect on his many decades and not be moved?
I listened to this on long drives, and was always amazed at how quickly those miles passed. I cannot recommend this book more highly.
Work in broadcasting. I am a history and a craft beer buff.
It's an important story that needed to be told by a man who was not only there, but helped end the stigma of the Hollywood Blacklist.
Michael Douglas does a masterful job (as usual) and he sounds so much like his dad, it's as if Kirk himself was there telling you the story.
I highly recommend to anyone who is interested in this part of Hollywood/American history.
Extraordinary subject matter, meshing show business and politics, told by the man who lived the story.
Not really applicable here, though the focus of the book is on Dalton Trumbo, who was quite a character in real life.
He is the son of the author, clearly caring about the book's message, and his father's commitment to that message.
This book recounts how powerful the Right was in 1960 (and it still is, of course) in America. The story of the the making of Spartacus is very interesting. And the story of Spartacus itself is especially relevant today. And the book is well read by Michael Douglas.
Yes. It's not too long and is paced very well. Michael Douglas is excellent too.
Dalton Trumbo sounds like a hoot.
Hmmm...it's a memoir so that's not an applicable question...
Yes, it made me laugh at points. Descriptions of actor's luvee tantrums and indulgences are pretty amusing.
I'd always liked Kirk Douglas after seeing films on the BBC like Lust for Life, Spartacus when i was a kid. Saw this and am delighted I got it. An interesting, sometimes funny and touching story. I had heard about the Blacklists in the 50s before and Kirk Douglas writes about how ridiculous and how dangerous a time it was. All the movie's background deals, actor cajoling, betrayals and on set shenanigans. Thoroughly entertaining.
"Really enjoyed it"
Passed a long car journey very pleasantly for me. Was really more interested in the making of the film than the background to the blacklist, etc (shallow of me I know), and the first 30 minutes made me a bit wary this was going to be a rather dull account of the hearings and the blacklisted artists. But it becomes more and more a memoir of making the film, and is full of interesting bits and pieces. KD comes across quite well - a little inclined to blow his own trumpet (he is an actor, after all), but less than you might expect. Very good.
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