Publisher's summary
Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years.
But, in my not so humble opinion, they're both total bullcrap. Yes, when learning how to write a movie you want to focus on structure and plot. And you don't want dialogue-heavy scenes where characters sit in coffee shops for three pages. But dialogue is the ONE PART of movie scripts that readers, producers, story editors and development exectuives will absolutely read. The same can't be said for your scene description.
I know, that breaks your heart. (You spent hours working on your lean description of a car chase involving nuns on mopeds). But when skimming, and lots of script readers skim, dialogue is the most efficient/easiest way to do it. So if it's so important how he heck do we get you better at it.
People who viewed this also viewed...
-
Creating Character Arcs
- The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development
- By: K.M. Weiland
- Narrated by: Sonja Field
- Length: 5 hrs and 7 mins
- Unabridged
-
Overall
-
Performance
-
Story
Have you written a story with an exciting concept and interesting characters - but it just isn't grabbing the attention of readers or agents? It's time to look deeper into the story beats that create realistic and compelling character arcs. Internationally published, award-winning novelist K.M. Weiland shares her acclaimed method for achieving memorable and moving character arcs in every book you write.
-
-
Why We Read (Listen To) These Books
- By C. Deputy on 06-07-18
By: K.M. Weiland
-
How to Write Dazzling Dialogue
- The Fastest Way to Improve Any Manuscript
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 39 mins
- Unabridged
-
Overall
-
Performance
-
Story
There is one sure-fire way of improving your novel fast...You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down...Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. How to Write Dazzling Dialogue will give you the tools to do it.
-
-
Good course, subpar audio quality
- By Andrew Wadsworth on 03-21-20
By: James Scott Bell
-
How to Write a Screenplay That Doesn't Suck and Will Actually Sell
- ScriptBully Book Series
- By: Michael Rogan
- Narrated by: Greg Zarcone
- Length: 1 hr and 14 mins
- Unabridged
-
Overall
-
Performance
-
Story
There are nearly 50,000 screenplays registered with the Writer’s Guild every year. And 99 percent of them suck. But they don’t have to. That’s why I decided to write this book. So before you head out to another hundred-dollar screenwriting conference to learn how to write a screenplay or buy another paint-by-the-numbers 3-act script formula give my book a try. I can’t guarantee you’ll sell your script.
-
-
The a$$ kissers guide to Hollywood
- By Why on 09-29-17
By: Michael Rogan
-
The Craft of Scene Writing
- Beat by Beat to a Better Script
- By: Jim Mercurio
- Narrated by: Stephen Bowlby
- Length: 11 hrs and 49 mins
- Unabridged
-
Overall
-
Performance
-
Story
No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".
-
-
Abridged and censored- not the full book!
- By Jonathan on 10-02-20
By: Jim Mercurio
-
Writing for Emotional Impact
- Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End
- By: Karl Iglesias
- Narrated by: Karl Iglesias
- Length: 9 hrs and 57 mins
- Unabridged
-
Overall
-
Performance
-
Story
There are three kinds of feelings when reading a story: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, and this requires writing that engages the reader emotionally. In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes. Now, he breaks new ground by focusing on the psychology of the reader.
-
-
Best audiobook by far for writing screenplays
- By FilmmakerSuperNova on 07-04-20
By: Karl Iglesias
-
Story Genius
- How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
- By: Lisa Cron
- Narrated by: Brittany Pressley
- Length: 9 hrs and 36 mins
- Unabridged
-
Overall
-
Performance
-
Story
It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).
-
-
As a fantasy writer, this book was not for me.
- By Wendy on 01-10-21
By: Lisa Cron
-
Creating Character Arcs
- The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development
- By: K.M. Weiland
- Narrated by: Sonja Field
- Length: 5 hrs and 7 mins
- Unabridged
-
Overall
-
Performance
-
Story
Have you written a story with an exciting concept and interesting characters - but it just isn't grabbing the attention of readers or agents? It's time to look deeper into the story beats that create realistic and compelling character arcs. Internationally published, award-winning novelist K.M. Weiland shares her acclaimed method for achieving memorable and moving character arcs in every book you write.
-
-
Why We Read (Listen To) These Books
- By C. Deputy on 06-07-18
By: K.M. Weiland
-
How to Write Dazzling Dialogue
- The Fastest Way to Improve Any Manuscript
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 39 mins
- Unabridged
-
Overall
-
Performance
-
Story
There is one sure-fire way of improving your novel fast...You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down...Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. How to Write Dazzling Dialogue will give you the tools to do it.
-
-
Good course, subpar audio quality
- By Andrew Wadsworth on 03-21-20
By: James Scott Bell
-
How to Write a Screenplay That Doesn't Suck and Will Actually Sell
- ScriptBully Book Series
- By: Michael Rogan
- Narrated by: Greg Zarcone
- Length: 1 hr and 14 mins
- Unabridged
-
Overall
-
Performance
-
Story
There are nearly 50,000 screenplays registered with the Writer’s Guild every year. And 99 percent of them suck. But they don’t have to. That’s why I decided to write this book. So before you head out to another hundred-dollar screenwriting conference to learn how to write a screenplay or buy another paint-by-the-numbers 3-act script formula give my book a try. I can’t guarantee you’ll sell your script.
-
-
The a$$ kissers guide to Hollywood
- By Why on 09-29-17
By: Michael Rogan
-
The Craft of Scene Writing
- Beat by Beat to a Better Script
- By: Jim Mercurio
- Narrated by: Stephen Bowlby
- Length: 11 hrs and 49 mins
- Unabridged
-
Overall
-
Performance
-
Story
No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".
-
-
Abridged and censored- not the full book!
- By Jonathan on 10-02-20
By: Jim Mercurio
-
Writing for Emotional Impact
- Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End
- By: Karl Iglesias
- Narrated by: Karl Iglesias
- Length: 9 hrs and 57 mins
- Unabridged
-
Overall
-
Performance
-
Story
There are three kinds of feelings when reading a story: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, and this requires writing that engages the reader emotionally. In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes. Now, he breaks new ground by focusing on the psychology of the reader.
-
-
Best audiobook by far for writing screenplays
- By FilmmakerSuperNova on 07-04-20
By: Karl Iglesias
-
Story Genius
- How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
- By: Lisa Cron
- Narrated by: Brittany Pressley
- Length: 9 hrs and 36 mins
- Unabridged
-
Overall
-
Performance
-
Story
It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).
-
-
As a fantasy writer, this book was not for me.
- By Wendy on 01-10-21
By: Lisa Cron