To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?
And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.
As you meet the geniuses - including the likes of Monteverdi, Mozart, Verdi, Wagner, and Puccini - who have produced some of the landmark artistic achievements of the form, and listen to many of their most beautiful moments, you'll grasp how the addition of music can reveal truths beyond what mere spoken words can convey, and how opera's unique marriage of words and music makes the whole far greater than the sum of its parts.
Beginning with opera's origins in the early 17th century and continuing into the 20th, you'll trace the art's evolution and its ability to convey every shade of human emotion, whether sorrow or joy, drama or buffoonery. You'll understand how different types of voices enhance character. And you'll understand how the invention of the aria gave operatic composers a new power to make human emotions soar, adding to the impact of what continues to be one of the most beautiful musical forms ever devised.
Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.
©1997 The Teaching Company, LLC (P)1997 The Great Courses
I love listening and usually get in at least three hours a day. I like fiction, biographies and medical non-fiction.
I have been attending operas for 40 years. Although I have no musical training, I've always loved going to the opera, particularly Mozart. This course taught me a lot about opera terms, the history of the composers, the history of music and the how language influenced opera (different rhythms in the language require different phrasing in the music). Professor Greenberg tossed many jokes, often in the language of the composer, into the mix, about 2/3 of which amused me. The recordings selected nicely illustrated Prof. Greenberg's points.
Please, I must make one additional observation. If you are attempting to make any changes in your life, in addition to learning about opera, I recommend that you commit yourself to doing so whenever Prof. Greenberg says either "Please!" or "Quickly". If you promise to do 10 pushups, for example, you will likely get 70 to 100 done per lecture with a commitment to "Please!", and 20 to 30 if you go for "Quickly". If you're a drinker, you will be well on your way to alcoholism.
Nonetheless, I truly enjoyed the lectures and the lecturer. If you're curious about or not thoroughly knowledgeable about opera, this is a great place to start learning and (I hope) loving it.
Yes! I loved the parallel of the historical development of opera in general with the analysis of each individual opera's context, story and music.
The description of singing voices and how each is used to further an opera's impact.
Tosca, one of my favorites and the author's as well.
The description of Desdemona from Otello.
I haven't read the print version, so I really could not compare the two. However, if you simply read the work, you would miss out on all the wonderful music clips used throughout.
Professor Greenberg's humorous way of dealing with what could be a fairly dry topic.
Now I can't see that this really applies. He covers a lot of territory in the history of opera. Figero is certainly memorable, but I wouldn't necessarily call him a favorite. Otello was also well done.
This question so does not apply to this work.
This is my second "Great Course" audio book performed by Professor Greenberg. He clearly enjoys his topic -- music -- and is adept at couching history in modern terms without getting tooo campy about it. I enjoyed this book and "how to listen and appreciate music" very much. Both added a great deal to my appreciation of music history and classical format.
If you're familiar with the Great Courses at all, you know that the quality is generally outstanding. The opera course is the one that makes me feel like I should revise my other ratings downwards so that it stands out more! He's passionate and knowledgeable, which are essential, but he's unique in his ability to make me invested in opera and to describe it as something that can and does resonate in modern life. Often after a course my thoughts are, that was really interesting, I learned a lot, I'm glad I listened. But now my thoughts are, I want to listen to more opera!
Professor Greenberg has tremendous depth of knowledge and understanding of classical music and opera, which he makes more interesting by placing it in context with the historical and political events of the time. What could be dry and boring is made tremendously entertaining by Professor Greenberg's great sense of humor, the intermingled personal anecdotes about the composers and performers, and of course the music itself. Perhaps my only criticism is that I would've preferred more Verdi and less Monteverdi, but that is a very minor issue. My understanding and enjoyment of opera has been increased considerably by listening to these lectures. I can't recommend it highly enough, both to the novice and the connoisseur !
While I had intended to engage a course about understanding and appreciating opera as an art form, this course traced the history of opera from its emergence in Italy, then its development in France and Germany and concluding with Czech opera. The lecturer tells the story of a couple of operas from each country and period and uses production cuts from the operas he is explaining. This course lulled me to sleep on many a commuter train to and from work.
Professor Greenberg has made me a convert. I started with his survey course and enjoyed it so much (How to listen to great music) I've been working my way through all his offerings. I've listened to several of them multiple times. His excitement and enjoyment of opera in the other sources convinced me to give this one and also the Mozart opera course a try. The course was very enjoyable as are all of his courses I've purchased. My only complaint is I wish this one had extended to more current operas as well. As soon as I could I went to see the Marriage of Figaro. I felt almost like an expert and enjoyed the performance so much more than when I first saw it years ago. Thanks you audible for offering these courses and at such an amazing price.
Informative. Interesting. FUNdamental
The presenter, Prof. Robert Greenberg delivered the lectures in information-pact sessions, but was never boring. You can tell that he has a real passion for the subject. He was informative, funny, and entertaining. He took a subject I knew nothing about and made it wort the 36 hours I put in. I'll admit that I was a little sad for the lectures to end. I suppose I'll have to get another course taught by Prof. Greenberg.
"Never knew opera could be so much fun or so funny"
Lots of insight into the world of opera and the way pieces are constructed and the different forms and style
The marriage of figaro lots of information and insight. Also made the funny side stand out
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