Great music is a language unto its own, a means of communication of unmatched beauty and genius. And it has an undeniable power to move us in ways that enrich our lives - provided it is understood.
If you have ever longed to appreciate great concert music, to learn its glorious language and share in its sublime pleasures, the way is now open to you, through this series of 48 wonderful lectures designed to make music accessible to everyone who yearns to know it, regardless of prior training or knowledge. It's a lecture series that will enable you to first grasp music's forms, techniques, and terms - the grammatical elements that make you fluent in its language - and then use that newfound fluency to finally hear and understand what the greatest composers in history are actually saying to us.
And as you learn the gifts given us by nearly every major composer, you'll come to know there is one we share with each of them - a common humanity that lets us finally understand that these were simply people speaking to us, sharing their passion and wanting desperately to be heard. Using digitally recorded musical passages to illustrate his points, Professor Greenberg will take you inside magnificent compositions by Bach, Handel, Haydn, Mozart, Beethoven, Chopin, Verdi, Wagner, Brahms, Tchaikovsky, Stravinsky, and more. Even if you have listened to many of these illustrative pieces throughout your life - as so many of us have - you will never hear them the same way again after experiencing these lectures.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2006 The Teaching Company, LLC (P)2006 The Great Courses
Greenberg is passionate, lively, funny, and always crystal-clear.
I thought a lot of early music, including plain chant and the madrigal, were not for me. Boy was I wrong!
Almost every time he plays an excerpt that he's been describing, I'm moved.
I fell in love with great music rather late in the game, at age 22, without any knowledge. I've always steered clear of explanation and analysis, fearing that intellectualizing music would throw a wet blanket over my enjoyment. I was wrong. These lectures have increased my enjoyment enormously.
I have bought and listened about 20 audiobooks so far and without hasitate I can assure this is the best of all.
I consider myself as a complete music ignorant, though I like it. My previous audibooks where none of them about music nor art appreciation. I'm an engineer and without any prior music education.
Though this audibook gave the basis to start understanding great music. Gave me the basis to open my own road in music appreciation.
A phat and big round TEN for Robert Greenberg.
That is exactly what this audibook is: a story!
Robert Greenberg nailed it from the 1st chapter all along the last one. He explained with great humor, knowledge and humble, the human history and where every piece of music and composer fits. He explained the different ages with great detailed but never pretentious. This is the perfect formula for any person without any prior music knowledge to be involved in this wonderful world.
Robert's sense of humor, intelligent and even sarcastic comments
The moment I started understanding some Mozart's movements.
The moment I started to differentiate the inner structure of menuettos, sonatas, passacaglias, fuges, rondos, etc.. I started to realize that this was the perfect audiobook for a guy like me.
The moment my ipod started to be filled with classical, baroque, romantic music, operas and not just to hear them, but to own them.
This audiobook really moved me because I am not a passive listener any more, now I understand, now they are not Beethoven's, Mozart's, Debussy's any more, now I'm active, now they are mine.
I really want to thank Robert Greenberg for this wonderful work. I do not know him personally but I believe he changed me in a deep and aesthetical manner.
Absolutely, lots of insightful information
Guillaume de Machaut
I have listened to classical music all my life, but never really had a deep knowledge of its forms or history. This lecture series has given me a much deeper understanding and greatly broadened my musical pallet.
I especially enjoyed the history of ancient music.
The information presented provides for a good general survey with sufficient depth to give one the knowledge to listen intelligently to great music.
Unfortunately, Professor Greenberg tries too hard to be funny. This is OK at first, but after about the 15th lecture it begins to wear thin. This series would have been so much better with a less "in your face" attempt at humor. Professor Greenberg needs to tone it down quite a bit.
I was going to download the more in depth lectures that give further insights into musical styles and composers, but in all honesty, I don't think I could take anymore of Professor Greenberg's artificial attempts at stand up comedy.
In conclusion, with less schtick, this would have been an outstanding general survey course.
Husband, father of 2, and a software developer moving slowly and unsteadily into management. I love reading, especially fiction & history
This was a fantastic introduction to all the music I've been listening to without any understanding for decades. Even before I was done with this series of lectures I went out and bought 3 more classes from Professor Greenberg.
I really enjoyed the insightful guided tour through hundreds of years of music, but it was the humor and anecdotes which, along with the amazing music, keep me coming back for more.
This was the best audible book I ever listened to. It's one of those books I plan to listen to again. I feel like it made me a better person. I can't say enough about it and have been sending the link to this to all my friends. Everyone I know has had the same reaction.
Great Courses, yes. Professor Greenberg, no.
The early chapters spent far too much time on very minor issues on music that didn't help one iota in learning different genres of music. When Professor started covering Pythagoras and his geometric theorem on a note I thought I'd run off the road out of boredom.
Give an overview in the beginning of what you intend to cover; tackle each major genre of music and don't worry about presenting a historical chronological story of how a note started to the 16 or so different pieces of a Mass. This reader wanted to learn about each genre of music, i.e. how to identify them and appreciate them. I didn't want to understand the history of how music started at a doctorate level.
Most of it.
I'd scrap it and start over.
At last a music history course, and I didn't even know I wanted one! Now I want more, and recommend this class to anyone who'd like to round out understanding of the arts. At first the narrator/writer annoyed me some, too chummy, but I got over that and grew to appreciate his earthy style and manner.
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