Great music is a language unto its own, a means of communication of unmatched beauty and genius. And it has an undeniable power to move us in ways that enrich our lives - provided it is understood.
If you have ever longed to appreciate great concert music, to learn its glorious language and share in its sublime pleasures, the way is now open to you, through this series of 48 wonderful lectures designed to make music accessible to everyone who yearns to know it, regardless of prior training or knowledge. It's a lecture series that will enable you to first grasp music's forms, techniques, and terms - the grammatical elements that make you fluent in its language - and then use that newfound fluency to finally hear and understand what the greatest composers in history are actually saying to us.
And as you learn the gifts given us by nearly every major composer, you'll come to know there is one we share with each of them - a common humanity that lets us finally understand that these were simply people speaking to us, sharing their passion and wanting desperately to be heard. Using digitally recorded musical passages to illustrate his points, Professor Greenberg will take you inside magnificent compositions by Bach, Handel, Haydn, Mozart, Beethoven, Chopin, Verdi, Wagner, Brahms, Tchaikovsky, Stravinsky, and more. Even if you have listened to many of these illustrative pieces throughout your life - as so many of us have - you will never hear them the same way again after experiencing these lectures.
Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.
©2006 The Teaching Company, LLC (P)2006 The Great Courses
Music history is one of the fields of knowledge which I have never had any exposure to. (Shame on the public school system!) I was afraid it would be dry and inaccessible, but this has been a very fun listen and I will listen to more of the same.
When I got so lost in the lecture that I had to slam on the brakes to avoid committing a major traffic violation while driving.
Somewhere in the middle of this course I realized that Professor Robert Greenberg wasn't lecturing, he was performing. He has a knack for knowing just when the material is getting dry and taking funny little detours to wake up your mind again.
There are laugh out loud moments in these lectures.
Many examples are so clear and makes us really feel what the author tried to express
Professor Greenberg is generously passionate about the topic and delivers it with great skill and story telling skills.
When his verbal explanations and excitement for the the music gets the listener primed to hear a great piece of music. And when the music starts playing, and all words melt into the beauty of the sound.
He is a great professor.
Well structured, fun to listen to.
Yes. I have listen to four so far and am about to start a fifth.
Too much to digest to listen to in one sitting. A lecture or two per day gives time to chew on the details. (And download some of the works discussed.)
Ranks among the top 5 percent of audio books I read so far.
Spoken with humor and wit providing an encyclopedia of knowledge of English music of 16th to 20th century.
Explanation of iconic musical pieces as they are playing.
Music of Centuries explained
Fun way to learn music fundamentals and enjoy music
The information presented provides for a good general survey with sufficient depth to give one the knowledge to listen intelligently to great music.
Unfortunately, Professor Greenberg tries too hard to be funny. This is OK at first, but after about the 15th lecture it begins to wear thin. This series would have been so much better with a less "in your face" attempt at humor. Professor Greenberg needs to tone it down quite a bit.
I was going to download the more in depth lectures that give further insights into musical styles and composers, but in all honesty, I don't think I could take anymore of Professor Greenberg's artificial attempts at stand up comedy.
In conclusion, with less schtick, this would have been an outstanding general survey course.
I would recommend this book to some of my friends, the most obvious option should be to those that knows nothing about music history and, of course, wants to listen from a different and more informed point of view. By the other hand, i would recommend it to those who are musicologists because it is overcrowded with those points that we learn to problematize and question ourselves. I would not recommend it to someone who is in the middle of educating himself in the study of music because it can really create some misleading conceptions about music.
It seems to be based on some old books dating back to the 1960's or so, the most of them being now out-of-date.
This was the first time i have ever hear about the existence of Pr. Robert Greenberg.
For me it was 'worthy of my precious time'; it made me think about the problematic issues about historicity in music that i usually never found in modern day texts.
A lover of thrillers and enthralling stories told by dramatic and well read narrators.
I went into this one really hoping to learn more about great pieces of music -- and I did, but the professor's energy and voice gets to be grating after hour 6 or so. I don't know how anyone can sit through 30 more... I certainly couldn't.
The content of the course is quite good; however Prof. Greenberg's delivery is absurdly melodramatic. This is supposed to be a college lecture series: he should have delivered the content like an interesting, engaging college lecturer not like an excited fan. If you can get over his delivery (use the preview), you'll likely enjoy this course.
A different narrator
Not with this narrator
His attempt at humor was condescending and distracted me from concentrating on what he was saying
Anger, as I was interested in the information
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