Have you ever wondered how the lives of great composers - especially when set against the social, political, and cultural context of their world - influenced their music?
After listening to this perceptive series of eight lectures on the life and music of Ludwig van Beethoven, you will likely find that you hear his work in an entirely different way, with your insight informed by new knowledge of how Beethoven was able to create masterpieces from the crises of his life.
You'll learn about the years of progressive hearing loss - ultimately to produce total deafness - and the understandable agony and rage such a fate would bring upon a composer. About his deep depression over the end of his relationship with the woman he calls his Immortal Beloved. About his pathological hatred of authority, his persecution complex, even delusional behaviors.
But you'll also learn how each of these crises, and many others, served to drive Beethoven inward, to reinvent himself and redeem his suffering through art, creating disruptive works of profound passion and beauty that reinvented the nature of musical expression in the Western world.
Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.
©2001 The Teaching Company, LLC (P)2001 The Great Courses
I have been journeying with Dr. G for several months now. Whenever I feel at a loss, I grab a supplemental lecture and jump down the rabbit hole. So I have learned about the lives of Bach and Mozart, and about the concerto and look forward to learning about the symphony—while using “How to Listen to and Understand Great Music” as my foundation. I just got back from the life of Beethoven—amazing music, amazing but wild gent—not at all what I expected--his life was more difficult, more sad. But I am stunned by how he changed the course of music despite the struggles of his own life. I will listen to his music with a different ear.
Robert Greenberg does a wonderful job. If you are into music his lectures are not to be missed. This is the seventh lecture I have enjoyed from the composer great courses.Two more to go Mahler and Shostakovich. Get them all you will love them and learn all the good stuff about how music is written and the lives of these amazing dysfunctional men.
This audiobook covers Beethoven thoroughly and with humorous asides that are interesting.
I really like the inclusion of first hand materials such as excerpts from letters and legal documents that give Beethoven and his contemporaries voice in the lectures.
Professor Greenberg is spectacular at using voice and tone to express emotion. This further brings to life the readings of first hand sources in a way I wouldn't necessarily experience by simply reading the material myself.
I found myself laughing at several points in the lecture due to the turn of phrase or exuberant interjection of emotion in the lecture. i also found that the professor was as good at expressing the sad portions of the lectures as well, such as Beethoven's frustration over his hearing loss.
Mozart, his life and music. Excellent overview
That he didn't edit the ugly with the good.
Laugh, and think deeply about the man who wrote the music I love to play and listen to.
How Beethovan did his best works following devastating trials in his life.
Yes. Greenberg is great. He has passion and his use of language is awesome and refreshing. He is a good as many professional narrators.
The ending of the 9th Symphony when the singer turned him around so he could see the reaction of the audience.
I like this professor. He is inspiring because he knows so much about the subject of his courses. I can't imagine how long it must take him to write these lectures. He is passionate and funny/entertaining.
This lecture series is perfect for someone who wants to get a smattering of information and does not mind being treated in a patronizing, supercilious and insulting manner by a lecturer so desperate to be "cool" and "hip" that he wastes our time with redundancies, digressions and self-indulgent rants. I can't imagine why he is considered a good lecturer.
By the way, I gave him more than one chance, having listened to three of his lecture series and each one is more grating and annoying than the last. If he just cut out some of the supercilious repetitions of adjectives and pseudo-hipster quips, he would have more time for the substance.
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