According to Aaron Copland, who met Prokofiev several times in the 1920s, "He was boyish, easily bored, and even impolite at times... He was very bright and outspoken, and I can't imagine that he would ever hide how he felt about anything." Once, when accompanying a singer in a performance of his songs, he reduced her to tears by berating her effort in front of the audience.
Schwarz uses musical excerpts from Prokofiev's "Classical" Symphony, Piano Concerto No. 3, and Romeo and Juliet to demonstrate how Prokofiev avoided the large scale and sweeping gestures of late-Romantic orchestral music in favor of lean sonorities, textural clarity, and concise architecture.
If you love the symphony, this hour of delightful entertainment and fascinating information will enrich your symphony experience like nothing else. See the entire Musically Speaking Collection
© and (P)2005 Musically Speaking, Inc.
"Basic enough to be intelligible to musical beginners, and intelligent enough to interest even the connoisseur. Seattle Symphony fans of Gerard Schwarz's Sunday 'Musically Speaking' series know that Schwarz is one of the most articulate speakers on musical subjects." (Seattle Times)
There are no listener reviews for this title yet.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.