Copland embraced the populist movement of the 1930s and began to alter his musical style, saying: "I wanted to see if I couldn't say what I had to say in the simplest possible terms." Later, at an age when most men think of retiring, he launched a new career as a conductor, leading orchestras around the world.
Schwarz uses musical excerpts from the ballet, Appalachian Spring (which originated from a proposal from Martha Graham), Billy the Kid, and Fanfare for the Common Man to explore the use of folk tunes, delicate traces of melody, and overlapped harmonies in Copland's music.
If you love to attend the symphony, this hour of delightful entertainment and fascinating information will enrich your symphony experience like nothing else. See the entire Musically Speaking Collection
© and (P)2005 Musically Speaking, Inc.
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