Revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.
©2004 Bob Dylan; (P)2004 Simon & Schuster Inc. AUDIOWORKS is an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc.
"Volume 1 of Dylan's memoirs was pretty cool to begin with. But to have it read by Sean Penn on audio takes it to a new level: the most talented songwriter of all time as performed by the most talented actor of his generation. Mr. Penn clearly has a blast inhabiting the role and navigating Dylan's jagged, impressionistic prose." (The New York Times)
Although potentially interesting material I found it rather unexciting rendition of Dylan's life. One hopes it was more than his pursuit of a musical career, considering his great contribution to the scene over many decades. Maybe this medium is not his best and he best communicates through his lyrics and songs. Sean Penn sounded a bit Dylanish but I might have preferred to have listened to Dylan's undeciferable drawl than his. He did not really 'lift' the story as much as I would have hoped. A missed opportunity.
No. Keith Richards book was very interesting.
Lack of enthusiasm
I suspect I will still listen to Chronicles 2 etc. but I hope his later years are a bit more enlightening.
Love to read, and Audible has made the two-hour daily commute enjoyable!
I've been a fan of Dylan for years, and looked forward to this book to learn more about him.
I did get a feeling of his early life in NY. Felt the frustration when he wanted to simply enjoy his family, while critics and crowds pushed him to lead the charge and bring songs of their generation/ Then touring with Tom Petty/Dead, and the recording in New Orlenas. The narration then goes back to Minneapolis, then NY and his first contract with Columbia.
I felt the book made huge, disjointed leaps from one point to another, which may be because it was abridged. I was so excited about the title, that I did not notice this, or I would not have bought it.
Penn does a great job of narration. I'm just disappointed I didn't get the whole story.
I have just listen to this book for 5 hours straight, I just wish it was 5 hours longer, best narrator voice I have ever heard, and what an unbelievable story. It felt like when my father would read me my favorite bedtime story, and I wish it would never end.
Thank you Sean Penn and Bob Dylan
I had looked forward to this book. It doesn't make it. It is disjointed, with little chronological flow. Although the book starts when Dylan was a nobody, it then skips to when he was over the hill. The most interesting part---the years in the 1960's and early 1970's, when Dylan achieved superstar status---is ignored. While Dylan skips the most important part of his career, he dwells on many irrelevant or nearly irrelevant subjects. The book is filled with filler, including painful descriptions of the weather and over-use of adjectives and metaphors relating to meaningless subjects. He spends seemingly endless time talkabout his making of an album that didn't work, but no time talking about his major hits. The only plus: Sean Penn sounds like Dylan. Other than that bright moment, Dylan would do us all a favor if Volume 1 were the last volume. This is sad because I love Dylan's early music.
Been thinking about Charles question about Shot Rabbits -- The description Dylan gave of music littering the floor like the aforementioned shot rabbits. I kinda liked it... it brought an image of activity, frenetic, lively and not too controlled being stilled and discarded... an " off" image no doubt but one that allowed me to get a picture of what he was seeing/experiencing
I really enjoyed the historical tale of an iconic folk/pop music figure and hearing about the folk music scene of 50s and 60s. It was enlightening to better understand why Dylan faded from the light for so many years.
I have great respect for Dylan's song writing and lyrical mastery. His writing, as in this chronicle, is less desirable. He gets so caught up in making metaphors for even the most mundane things and putting 20 words where 4 would carry the same effect, power. It sometimes feels like he is trying to prove something, writing his book like a series of songs...and while a great idea, in this case took away from my enjoyment of the book.
Take it easy with the metaphors Bob. I'm getting dizzy like a top spinning on the table of reason in a the middle of a hot argument ;-)
Well sort of. Let me start by saying I love Dylan. I listen to his songs with as much enthusiasm today as I did when I first heard them.
I am very rarely interested in celebrity autobiographies - I am content to experience their Art. In hindsight I should have followed my own inclinations.
However, it was DYLAN?S BOOK and so eager was I to read it that I overlooked the fact that it is abridged - to me a cardinal sin. If I wanted Readers Digest I'd go buy it.
Abridged or not, if you are expecting a straight forward accounting of his life you won't find it here. There are some gems of information and some interesting insights into a self proclaimed preordained life. He seems to have a very different idea of what the "significant" episodes in his life are than the average fan.
About half way through I got tired of a millionaire complaining how hard stardom is. "why won't they leave me alone" seems to be his mantra. Well, we love you Bob, no one made you write great music. I agree that artists owe the public nothing more than the best art they can produce, but enough whining already.
In the end I can not recommend this book from a great artist. Buy his albums they will tell you much more of how a being comes to write such immortal words.
Not the autobiography I was hoping for, Chronicles Volume One has some interesting tales of Bob Dylan and his brushes with music legends. Though, Sean Penn did an excellent job of reading the work, I found Dylan?s prolific use of similes and metaphors almost comical. I haven?t heard the word ?like? used this much since the movie ?Valley Girl.? I wish I had counted how many comparisons he made in this book.
He was talking about writing music and said ?music was covering the floor like shot rabbits.? Shot rabbits? What the heck does that mean? Oh well, the book has some entertainment value, but I doubt I will read volume Two.
In typical Dylan-esque ?reading this book was like riding a tricycle in a river of molasses with eagles pecking at my head.?
I'm just not sure that it was written that well, or perhaps the abridged version made it seem that way. Perhaps a different reader may have made it more catching.
Perhaps not. I really had difficulty getting into this book.
His voice is very sexy but as a reader it was not very catching and had more the effect of a relaxation tape. I would end up just zoning right out.
Honestly i had a hard time remembering actually what went on in this book, since i pretty much fell asleep most times I listened to it.
Really enjoyed Volume One. Looking forward to Volume Two. Sean Penn does a great job of narration. Dylan's descriptions of his early days in New York City are enlightening as are the insights into the national treasure himself.
"Excellent...when will Vol.2 be pubished?"
Artists will enjoy.
Dont usually read music bios.
All worthwhile...desriptions of the creative process I enjoyed very much.
Descriptions of the creative process.
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