A national best seller upon its publication, Anywhere but Here is a moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer. As they travel through the landscape of their often conflicting ambitions, Ann and Adele bring to life a novel that is a brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation. Simpson's first novel is ultimately a heart-rending tale of a mother and daughter's invaluable relationship.
©2012 Mona Simpson (P)2012 Brilliance Audio, Inc.
"Mona Simpson writes with confidence, with swagger. She is already a master." (Anne Tyler)
"Anywhere but Here is a wonder: big, complex, masterfully written, it's an achievement that lands [Simpson] in the front ranks of our best novelists." (Newsweek)
A mother with borderline personality disorder (or similar affliction- it's never formally acknowledged); a daughter who is oddly detached and stoic; a supporting cast of characters endearing and infuriating, woven together in a sort of anti-coming-of-age story: fantastic. I was engrossed from start to finish.
And the narration: excellent. Most narrators irk me some way or another.
Kate Rudd, however, delivers an unpretentious, somewhat monotone, lovely narration that fans of 'This American Life' will enjoy.
So glad I took a chance on this wonderful novel.
The things I know for sure I am are: Christian, Wife, Mother, Daughter, Granddaughter, Sister, American, Patriot, Friend, Teacher, Student, Seeker, and Thinker. I am far from perfect but I do try to be kind, honest, honorable, trusting and trustworthy. Lover of sunshine, books, southern food, vacations in national parks, singing in my car, cookie dough and icing, and cucumber margaritas.
I really enjoyed how the book was written giving the perspectives of several different generations of the family. It gave the story so much more depth and texture than if the author had taken a single perspective approach. The author created a storyline that drew me in and made me feel emotionally attached to the characters.
I really enjoyed the main characters voices but Ms. Rudd over emphasized the endingS of wordS so ofteN that it drove me nuts. There were times I had to force myself to keep listening because it was so irritating. She didn't do it until around chapter 3. I guess someone must have critiqued her work and told her to be more clear or something? Either way, it was bad advice.
If any of you have known someone whose entire personality and mood could flip on a dime and suddenly YOU are to blame for everything wrong in their life you will be able to appreciate the main character in the book.
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