Memorial Day, 1938: New York socialite Lily Dane has just returned with her family to the idyllic oceanfront community of Seaview, Rhode Island, expecting another placid summer season among the familiar traditions and friendships that sustained her after heartbreak.
That is, until Greenwalds decide to take up residence in Seaview.
Nick and Budgie Greenwald are an unwelcome specter from Lily's past: her former best friend and her former fiancee, now recently married - an event that set off a wildfire of gossip among the elite of Seaview, who have summered together for generations. Budgie's arrival to restore her family's old house puts her once more in the center of the community's social scene, and she insinuates herself back into Lily's friendship with an overpowering talent for seduction... and an alluring acquaintance from their college days, Yankees pitcher Graham Pendleton. But the ties that bind Lily to Nick are too strong and intricate to ignore, and the two are drawn back into long-buried dreams, despite their uneasy secrets and many emotional obligations.
Under the scorching summer sun, the unexpected truth of Budgie and Nick's marriage bubbles to the surface, and as a cataclysmic hurricane barrels unseen up the Atlantic and into New England, Lily and Nick must confront an emotional cyclone of their own, which will change their worlds forever.
©2013 Beatriz Williams (P)2013 Penguin Audio
Say something about yourself!
I love perfect narration. Narration that gives life to the story and the characters and doesn't get in the way. Narration is portrayal in that way. This is a wonderful long intricate story that might have ruined by the wrong narrator. If you like stories from the era this placed in there is no reason why you wouldn't love this one. A story to savor.
Myst/thrillers and ✨fun fantasies✨are my favorites but always open for a good story.
This was a feel good listen for the beach with an enjoyable, somewhat predictable plot. It's great to come across a really good, easy read for those wonderful mindless summer days. Heads up for some five alarm, steamy love/lust scenes that may require headphones in mixed company.
Somewhat tortured characters who's complex personalities are intertwined from 1931 to 1938. The time period is depicted beautifully and Seaview, RI almost becomes a character in itself. Heartsick lovers Nick and Lily are separated because of tragic events, secrets and guilt. Time, revelation, confessions and true love may be just enough to bring them back into each others arms and lives. Or......, will they just be blown away?
Kathleen Mclnerney did an excellent job bringing all the different characters to life. Her pace and timing definitely added to the story, especially the turbulent ending. I am looking forward to listening to her narration of, "The Nine Lives of Christmas", in December.
This book was really hard to stop listening to...I recommend having a couple of hours uninterrupted to listen to the final third of the book. The story had everything I love in a light read, romance, mystery, and likeable characters and I loved learning more about pre-war America...not a time period I have read much about. I highly recommend this one...it had me thinking about it while I was away from my ipod!
Yes. It is a wonderful, languid beach read. A lovely period piece, very descriptive and entertaining. I didn't want the story to end.
There are many memorable moments of A Hundred Summers - the great storm, how Nick ended up with Budgie, the moment Lily discovers what society really thinks of her... it's all delicious!
I liked the voice of Lily and Budgie. Kathleen McInerney was able to voice all of the characters in a way that I was able to tell who was who every single time.
Lily, of course. It is her story and it is a good story. A Hundred Summers is a great escape and a beautiful love story.
Say something about yourself!
Those lazy, hazy, crazy days of summer...the barrage of "Best Summer/Beach Books* lists have hit; two of my favorite words in the English language" "Beach" & "Books" -- and giddy with the prospect of glorious summer, I decided to accept a challenge and tackle every one of them. It seemed doable time-wise, and it's always good to adventure outside of your zone, so I downloaded those that were available now, and headed off for a weekend at the lake. After about an hour with the one about the Camperdowns, and thinking I'd rather stick needles in my eyes than go on, I realized my biggest challenge would be subject matter...which brings me to A Hundred Summers.
Rather than throw in the beach towel, so to speak, I decided to have a 50page/1hr. audio rule for my summer challenge (unless there is some big sign of promise). I'm not generally a fan of chick-lit, but the cover of A Hundred Summers reminded me of Tigers in Red Weather, a book I enjoyed very much during the summer of 2012. So I began book #2 with my fingers crossed, and Belief, Reality, and Logic suspended deep in my beach bag. Happy to report that after an hour I was still listening -- not a needle in sight -- thoroughly enjoying myself as I listened and baked.
Another languid summer at the beach house in Seaview, RI, where the setting is swell, the sun is scorching, the ocean deep breezy blue, the drinks are icy and loaded with gin. Everyone is rich, the girls are sassy, the guys are dreamy, the romance is swoony, the sex is risqué, and the family secrets jooooooosie. But not everything is as fabulous as it seems under those glittery sheaths and searsucker suits. It is 1938 and the gossip in town carries the rumors of war, both in the world and in Seaview. Lily's old friend, the beautiful and scandalous Budgie, has returned to her family beach house after years away, bringing along her new husband, Lily's former boyfriend Nick Greenwald. As the summer heats up so does the social atmosphere; it is the eve of WWII (did I mention Nick was Jewish?) and there is a *hundred-year hurricane* in the forecast, threatening to blow the roof off more than just the seaside cottages.
I was content to spend the entire day (and a few evening hours) finishing this book, and think it really might be the perfect beach read for the ladies. It is predictable, mindless, the characters are figments of every woman's imagination, the ending was a little schmarmy, but I liked it--sue me! As books go - 3 *'s; but as beach reads go - 5 bottles of sunscreen. McInerney does a nice job with the narration, and makes the back and forth transition of years, and different characters, effortlessly. I've heard it compared to some of author Daphne du Maurier's books and agree (she wrote during the same time period in which this novel is placed). With all the elements of those great beach reads from my past: romance, intrigue, drama -- the only thing missing here was the warning from the Surgeon General...(seriously)...the suitable subtitle would be "smoke 'em if you've got 'em" and not because of the hot sex (although that too was smoking). Great fun, loved it, I'm 1 for 2, and on to my next beach read. Hope you enjoy this, and your summer.
Oh for goodness' sake just shoot me. Two dimensional characters, predictable story. And how many cigarettes get smoked in this melodramatic piece of drivel??? LOTS. They're clearly the author's favorite prop. Hair, lipstick, booze, cigarettes, Nick and Lilly. For goodness' sake.
I read and listen to books. I drink tea. I sleep like a cat and wished I lived in Hawaii.
This book was an easy listen. It had juicy drama that unfolded throughout the book. I appreciated this somewhat soap opera, light beach read. I didn't read it on the beach though, but it was perfect for a long plane ride in which I was somewhat exhausted and didn't have the concentration for a more complicated book. The 1930's New England setting was a nice backdrop for this story. At a time when life appeared to be more conservative, many risque events were taking place. The book is about best friends and love interests and family and the skeletons in their closets. I found myself gasping out loud more than once at what was taking place. The narrator does a fine job with the female voices, but I thought she was pretty mediocre with the male voices. Also, I didn't "love" Nick, the main character, Lily's, love interest. He was too much of a goody-two-shoes and somewhat boring, although he did sound very good-looking. This book is what some might call "chick-lit" and will probably appeal more to women than to men. This genre isn't usually my thing, but I found myself wanting to listen when I wasn't listening to get to the bottom of the story. On a side note, they must have lit up at least 2000 cigarettes in this book. At a certain point, I felt that it was a little bit unnecessary and it started to bug me. All in all, I would recommend this to others, mainly women, and I think it would be a good book club read/discussion.
The Collins Group
It ranks at the top of the list. First, the story was very well written, and Kathleen was exceptional! I could listen to her in the wee hours of the morning. I look forward to reading more from this author and hope to hear more from Kathleen.
The Great Gatsby. Due to similar eras of time (women love to smoke and drink) and they are encouraged to marry well and mostly there are secrets of past generations and affairs of sort. Loved them both! Would love to see a movie based on A Hundred Summers.
No, have not, as would love it! Would encourage authors to use her as she is outstanding!
Not sure, would have to think about it.
I haven't read a lot of fiction based on life in the thirties. Literary requirements of college and high school, while great literature, aren't exactly uplifting. I didn't finish "The Grapes of Wrath" and long to read more about those exciting 1930's! Okay, so I shouldn't throw that title around with light Summer reading.
This story is about a group of privileged New Englanders, who with a couple of exceptions, experienced the financial crises of those times only in abstract way. They still summered in picturesque, elite New England seaside communities; mostly ignored prohibition, and attended elite Northeastern universities. The characters were realistic and well developed. Despite their privileged life, they still managed to screw this up royally, as people will. This was NOT the 1930's my stalwart Midwestern grandparents told me about. The writer's descriptions of the idyllic, and ridiculously idle life of summer in an affluent Rhode Island seaside community drew me in completely. The writer skillfully reminds us of the absence of modern day technology (an extremely wealthy man at the mercy of the timer on a payphone because he's out of change....a payphone? I forgot about those) or the heroine's references to an article she just read in Time about this stuff called 'adrenaline'. #1, Time was already around, providing continuity with today and #2 adrenaline was a new discovery, oh how far science has come.
I learned a lesson in selecting this title. I tend to be lazy when choosing my next listen. I have had a rule not to choose titles with less than a 4,0 reader rating. Since this book was new and had only one rating, I clicked on the author's name to see how other titles were rated and was reminded that Ms. Williams also wrote "Overseas", another of my favorites. In doing so, I was very surprised to see that book only carried a 3.something rating now. In looking at the reviews, I see many of the less charitable reviews related to the genre classification (science fiction as well as romance) and the comparison somewhere to "Outlander" (not at all a fair comparison) rather than the story itself.
So, from now on, if a book looks interesting, I'll take the time to see what the negatives are before I disregard it. What other interesting authors have I carelessly overlooked with my silly rule?
I highly recommend this book, this author and this narrator.
I was depressed and grieving. But there is a happy ending.
What could have been a romance story, instead is written as a tragedy. The book starts (the first 14 pages) with Nick married to Budgie in 1938. They are spending the summer next door to Lily. Then through flashbacks we see how Lily and Nick met seven years earlier and fell in love. It was a wonderful love story, but we know they will break up, and Lily is alone and grieving and still loves Nick in 1938. So for 85% of the book I am grieving. I am depressed. And the main mystery and suspense is WHY did they split? I can’t enjoy a developing relationship when I know a bad end is coming - like the Titanic. By the way, readers who liked the Titanic love story will probably like this - readers who have a desire for tears. If it were turned around and written as a romance, it could have been wonderful - for me. The couple meets, falls in love, has a separation, and gets together at the end. But this is the story of WHY did the disaster happen, instead of love, hope, and anticipation about a relationship.
Another problem is the flashback method. The author kept jumping back and forth - with cliffhangers. It was artificial suspense - stopping in the middle of scenes. I would have enjoyed this so much more if it were done in chronological order. The flashbacks and jumping around continued for 85% of the book. A cliffhanger example, page 11: Nick is playing football, is injured and on the ground. We don’t know if he’s dead or alive or what happened, and the scene switches to seven years later.
The reasons for the break up and why Nick married Budgie were kind of stupid. This is one of those “if they would have had a conversation there would have been no break up.” They made assumptions and didn’t talk to each other. They were truly in love which meant they should have cared how the other was feeling and at least attempted a conversation, but they did not.
There was also a plot hole (for me) regarding Lily’s parents. I wanted to see the mother more fleshed out - her motivations, actions, and words. There was a lot going on between the parents and between the parents and Lily that I wanted to see.
Lily was a self-sacrificing helper, naive, clueless, and a little stupid in the sense of putting herself in danger or sacrificing her own needs because she believed someone needed her help - which wasn’t really that helpful or necessary. She needed a friend to say “Come on Lily you need to do this” or “Lily don’t do that.” I’m ok with heroines who are not smart, but I was getting a little tired of her worries about and saying “he/she needs me.”
My favorite part was in the epilogue - what Nick did and why during World War II. I had tears of admiration for him.
The narrator Kathleen McInerney was ok, but I did not like her voice for Graham - oddly hard and forced.
Genre: womens fiction
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