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A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.

Profiles, storytelling and insightful conversations, hosted by David Remnick.

New Yorker fiction writers read their stories.

Vicky Ward has also spoken about how her reporting on Jeffrey Epstein was later pitched to The New Yorker, but the magazine ultimately declined to pursue the story in depth. Ward has suggested that despite the seriousness of the allegations she uncovered, the piece never gained traction within that outlet, reflecting the same pattern she faced at Vanity Fair—powerful figures like Epstein being shielded by editorial caution and institutional hesitance. For Ward, it was another instance where the truth about Epstein was sidelined, leaving his predatory behavior hidden behind layers of ...

Anyone who says music is a “dying art” clearly hasn’t listened to Meg Donnelly’s effortlessly cool EP. Full of 90s hip-hop influences, exciting energy, and NYC vibes, Meg really struck gold with this record. Arriving six years after her debut album, Meg’s debut EP dying art is more than just an extroverted work of art: it’s about finally taking ownership of yourself. Not conforming to the outside world. Just being you.

Caroline and Eva talk with Anne Kadet, the sharp, witty mind behind the cult Substack Café Anne. Yes, New York City is grittier these days, but Anne shares how she finds beauty and charm in it every single day. From spotting small acts of kindness on the street to savoring a coffee at an outdoor cafe, Anne will inspire you to see the glass half full. While Caroline and Eva rarely leave the UES, Anne makes every day an adventure—she even once spent 24 hours straight riding the NYC subway (and lived to tell the tale). This episode will remind you that NYC is magical and make you want to book ...

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This week’s New Yorker of the Week is Carl Radke! For the few who don’t know, Carl is a key cast member of Bravo’s Summer House, and these days he’s channeling his energy into Soft Bar, a non-alcoholic bar in Greenpoint that’s reimagining what nightlife can look like without the hangover. Carl joins us to talk about the leap from Hamptons reality TV to founding his own bar, building community through sobriety, training for the New York City Marathon, writing a book, and so much more! This boy will not stop and we love it! Spoiler alert: We went to Soft Bar, and it rules, so ...

This week’s New Yorker of the Week is Carl Radke! For the few who don’t know, Carl is a key cast member of Bravo’s Summer House, and these days he’s channeling his energy into Soft Bar, a non-alcoholic bar in Greenpoint that’s reimagining what nightlife can look like without the hangover. Carl joins us to talk about the leap from Hamptons reality TV to founding his own bar, building community through sobriety, training for the New York City Marathon, writing a book, and so much more! This boy will not stop and we love it! Spoiler alert: We went to Soft Bar, and it rules, so ...

Fergus McIntosh, the head research editor at The New Yorker, joins Tyler Foggatt to discuss how the magazine is approaching fact -checking in the second Trump era. They talk about how the spread of disinformation and deepfakes has changed the work of verifying facts; why Trump has been more aggressive, in his second term, about restricting the release of government data; and what makes his particular style of spreading falsehoods so difficult to counter.This week’s reading:“The Latest Phase in Trump’s War on Data,” by Fergus McIntosh“Inside the Chaos at the C.D.C.,” by Charles ...

A collection of The New Yorker‘s groundbreaking writing on race in America - including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more - with a foreword by Jelani Cobb.

One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.

Readings and conversation with The New Yorker's poetry editor, Kevin Young.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

A Century of Poetry in The New Yorker is a celebratory selection from 100 years of influential, entertaining, and taste-making verse in The New Yorker. Seamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.

From the moment Trayvon Martin's senseless murder initiated the Black Lives Matter movement in 2014, America has been convulsed by the new social movements--around guns, gender violence, sexual harrassment, race, policing, and on and on--and an equally powerful backlash. Jelani Cobb has been reporting and commenting on these changes--sometimes from the frontlines of places like Ferguson and Charleston, other times from a more studied remove, where he applies his gifts as a critic and background as a historian to penetrate the meaning of it all.

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent.

In Victory City, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing listeners with a groundbreaking new look into the greatest city on earth during the most transformative - and costliest - war in human history.