The finalists for the 2016 Audie Awards were just announced! Celebrate excellence in audiobooks and browse all the finalists by clicking on each category listed below.
Audie Award, Audiobook of the Year, 2016. Rachel takes the same commuter train every morning. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. "Jess and Jason," she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel offers what she knows to the police, and becomes inextricably entwined in what happens next, as well as in the lives of everyone involved. Has she done more harm than good? Compulsively readable, The Girl on the Train is an emotionally immersive, Hitchcockian thriller and an electrifying debut.
"The Girl on The Train"
An historic literary event: the publication of a newly discovered novel, the earliest known work from Harper Lee, the beloved, best-selling author of the Pulitzer Prize-winning classic To Kill a Mockingbird. Originally written in the mid-1950s, Go Set a Watchman was the novel Harper Lee first submitted to her publishers before To Kill a Mockingbird. Assumed to have been lost, the manuscript was discovered in late 2014.
"To Kill A Mockingbird vs Go Set A Watchman"
Audie Award, Fiction, 2016. From the number-one New York Times bestselling author comes Kristin Hannah’s next novel. It is an epic love story and family drama set at the dawn of World War II. She is the author of twenty-one novels. Her previous novels include Home Front, Night Road, Firefly Lane, Fly Away, and Winter Garden.
"Heroic & Harrowing Work Of Fiction"
When the Great War ends, Joshua Connor, a grieving farmer and sometime water diviner from the Mallee in Victoria, sets out to fulfil his wife's dying wish – to travel to Gallipoli to recover the bodies of his three sons and bury them in consecrated ground. Crescent collides with cross, and hope with reason as he discovers that his eldest son, Art, may still be alive. When Connor makes a desperate dash into the perilous heart of Anatolia one question haunts him: if Art is alive, why hasn't he come home?
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