Barlowe, a single African-American in his 40s, shares a ramshackle house with his 20-something nephew in the old Fourth Ward of downtown Atlanta. When Sean and Sandy, a white married couple from Philadelphia, buy and renovate the house next door in anticipation of a neighborhood "turnaround", everyone tries at first to go about their daily business. But fear and suspicion begin to build as more and more new whites move in and make changes, and once familiar people and places disappear.
"A look at Race Issues"
It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse, and concealing the cause of death.
"Plodding, no plot, and incomplete characters"
This is the story of William "Skip" Sands, CIA, engaged in Psychological Operations against the Vietcong, and the disasters that befall him. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert and into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, this is a story like nothing in our literature.
Professor of psychiatry Elyn R. Saks writes about her struggle with schizophrenia in this unflinching account of her mental illness. In The Center Cannot Hold, Saks draws readers into a nightmare world of medications, a misguided health-care system, and social stigmas. But she would not be defeated. With a strength and force of will that most can only imagine, Saks reclaimed her life and went on to achieve great success.
"Schizophrenia Inside Out"
In The Stuff of Thought, Steven Pinker marries two of the subjects he knows best: language and human nature. The result is a fascinating look at how our words explain our nature. What does swearing reveal about our emotions? Why does innuendo disclose something about relationships? Pinker reveals how our use of prepositions and tenses taps into peculiarly human concepts of space and time, and how our nouns and verbs speak to our notions of matter.
"Escaping the Cave"