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richard

63 y/o psychologist with two sons, living in SF Bay Area. I absolutely love all the feedback I've been getting for my reviews. It's very gratifying. Thanks to all of you.

San Anselmo, CA, United States | Member Since 2006

ratings
7
REVIEWS
3
FOLLOWING
0
FOLLOWERS
10
HELPFUL VOTES
31

  • Mr. Majestyk

    • UNABRIDGED (4 hrs and 27 mins)
    • By Elmore Leonard
    • Narrated By Frank Muller
    • Whispersync for Voice-ready
    Overall
    (30)
    Performance
    (27)
    Story
    (27)

    Vincent Majestyk saw too much death in the jungles of Southeast Asia. All he wants to do now is farm his melons and forget. But peace can be an elusive commodity, even in the Arizona hinterlands - and especially when the local mob is calling all the shots. And one quiet, proud man's refusal to be strong-armed by a powerful hood is about to start a violent chain reaction that will leave Mr. Majestyk ruined, in shackles, and without a friend in the world -- except for one tough and beautiful woman.

    Richard Delman says: "Elmore Leonard and Frank Muller: purrrrfection."
    "Elmore Leonard and Frank Muller: purrrrfection."
    Overall
    Performance
    Story

    Faithful readers of mine will have heard me rave on at length about these two guys. I'm gonna do it again. Mr. Majestyk is both Leonard and Muller at the peaks of their careers, in the mid-70's. Both of them continued to do great work for several more decades. Mr. Majestyk appears in a later book by Leonard, when he is a seedy, broken down old judge in Detroit, if memory serves. In this book Vince Majestyk is a strong, brave, healthy young man who just wants to raise melons, have them picked by migrants and then sold to food brokers. His peaceful life is busted in on by gangsters who want him to use boozehounds to do the picking, rather than the skilled Mexican workers who follow ripening crops all over the country, earning enough money to send back to their families, but leading a nomadic, roaming life. Leonard sketches out his hero and several of the workers, in particular one very attractive young woman. It takes Leonard a few paragraphs to establish what lesser writers take chapters to accomplish. As I have quoted Leonard before, when asked why his books are so short, says, "I leave out the stuff that people don't read."
    Mr. Majestyk resists the encroachment of these lowlifes onto his fields, and he soon runs afoul of one very fowl gangster, Frank Renda. The cat and mouse chase that the two men lead is so thrilling that you will genuinely have trouble stopping to do anything else before you finish this. THIS is why we read audiobooks.
    Frank Muller was my favorite narrator for years, until he died, and then along came Edoardo Ballerini. Muller's voice is what we talk about when we say "mellifluous," that is, if we say that. His phrasing, pauses, voicing, nuances of individual characters: I could go on praising him for a long time. The book manages to be funny in addition to being everything else that it is. I won't spoil the ending, but you will probably see it coming from a mile away. The enjoyment is in the getting there. Majestyk's heroics are not overblown or cartoonish, although he does manage to off about a dozen bums in the book. The romance is very briefly sketched, but charming nonetheless. I was somewhere in the middle of about five books when I spotted this one: I dropped all the others and read this one start-to-finish without even thinking about the others. Not everything Leonard ever wrote was spectacularly good. A lot of it was. The same is true for Frank Muller. Once you have read Polar Star (please!) you will forgive Mr. Muller any lesser works, particularly since he is not the guy writing the books. The hit TV series Justified is based on a book by Leonard called Raylan. Any book involving Raylan Givens is well worth your time. I hope you have as much fun as I do with these gentlemen. It is a unique pleasure.

    5 of 5 people found this review helpful
  • Fidelity

    • UNABRIDGED (11 hrs and 7 mins)
    • By Thomas Perry
    • Narrated By Michael Kramer
    • Whispersync for Voice-ready
    Overall
    (347)
    Performance
    (134)
    Story
    (138)

    When Phil Kramer is shot dead on a deserted suburban street in the middle of the night, his wife, Emily, is left with an emptied bank account and a lot of questions. How could Phil leave her penniless? What was he going to do with the money? And, most of all, who was he if he wasn't the man she thought she married?

    Jerry Hobart has some questions of his own. It's none of his business why he was hired to kill Phil Kramer. But now that he's been ordered to take out Kramer's widow, he figures there's a bigger secret at work - and maybe a bigger payoff.

    richard says: "Thomas Perry is, quite simply, brilliant."
    "Thomas Perry is, quite simply, brilliant."
    Overall
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    Story

    The above is a quote from Robert B. Parker, a guy who should know. I am now in the process of reading all of Mr. Perry's novels, and I am sad to say that there are only a couple left. The man is remarkable, and again, Michael Kramer is the perfect voice for these amazing books. Mr. Perry is the opposite of formulaic. His creativity and inventiveness seem to know no bounds. This book starts with a killing, and takes almost the whole book to solve it. Through the book we get to know a number of people who are so much flesh and blood that we might actually know them in real life. The villains, however, are so scary that we are glad not to know them. Each time I listen to one of these, I just can't imagine how Mr. Perry is going to top this one, and yet, he does. At times here the suspense is literally unbearable. The plot quickens to the point where I had to put it down to make it last longer, if you understand. I was tempted to just sit and listen to the whole thing, but summoned up enough will power to let it be. Once again Mr. Perry writes with wit that is sometimes understated and sometimes just hilarious. He skewers a rich man who is also a monster, and also his sycophantic wife, and their lives of sheltered unreality. This man hires a killer to stalk the wife of the detective who dies at the beginning, and the contest between the two of them is a war of wills and wits. Emily is another extremely well drawn woman, something which Mr. Perry does easily while other male writers struggle with their inability to write nothing but cardboard women. At first I thought that The Butcher's Boy could not be topped. Now I know that Mr. Perry's talents are truly limitless. Enjoy yourselves. Mr. Perry cannot be beat.

    11 of 11 people found this review helpful
  • Sixkill

    • UNABRIDGED (5 hrs and 32 mins)
    • By Robert B. Parker
    • Narrated By Joe Mantegna
    • Whispersync for Voice-ready
    Overall
    (247)
    Performance
    (150)
    Story
    (150)

    On location in Boston, bad-boy actor Jumbo Nelson is accused of the rape and murder of a young woman. From the start the case seems fishy, so the Boston PD calls on Spenser to investigate. Things don't look so good for Jumbo, whose appetites for food, booze, and sex are as outsized as his name. He was the studio's biggest star, but he's become its biggest liability...

    Jean says: "SixKill"
    "Parker: a marvelous old friend who makes you happy"
    Overall
    Performance
    Story

    Robert B. Parker was one of this country's most prolific authors, in league with Elmore Leonard. Like Leonard, he simply wanted to entertain us, and he succeeded almost every time out. Likewise, Michael Prichard was an amazingly prolific performer (and may still be). And Joe Mantegna is also an incredibly prolific and likable actor and narrator. Choosing between these two narrators is like trying to choose between the best apple pie and the best peach pie: very hard to do. In Sixkill, Parker again puts Spenser in his usual slot: a very tough guy on the outside with a very tender inside. The dialogue is, as always, witty and brief. You start chuckling right out of the gate. Mantegna seems to have a little more trouble with the repetitive "he said, she said" stuff than Prichard. I seem to notice that less when hearing Prichard. Mantegna, OTOH, is a face many of us know from movies and TV, and his voice is that of a friendly guy who might live next door to you, who happens to be one of the best storytellers anywhere. The plot of Sixkill is really just an excuse for Spenser to act, to play the tough guy when he wants to and the tender lover of Susan Silverman when he needs to. Not that the plot is trifling: it is clever and tugs at your heartstrings, in some ways. Sixkill is a huge Indian who once played great football, but then fell down a terrible slide. Spenser takes him on as a project, and between Spenser and the talk-about-tough-but-silent Hawk, they reclaim Sixkill in a way that is very humane and caring. Parker was a genius. Both Prichard and Mantegna make him sound wonderful. I have only tried to listen to one book narrated by David Dukes, and I hated it. Sit down with Parker and have a great time.

    4 of 4 people found this review helpful
  • The Butcher's Boy

    • UNABRIDGED (10 hrs and 17 mins)
    • By Thomas Perry
    • Narrated By Michael Kramer
    • Whispersync for Voice-ready
    Overall
    (568)
    Performance
    (362)
    Story
    (357)

    Thomas Perry's Edgar Award-winning debut novel follows a professional hitman on the run from both the mafia and the government.

    richard says: "A writer with extreme talents."
    "A writer with extreme talents."
    Overall
    Performance
    Story

    This is Mr. Perry's first book, originally published in 1982. Although it's a little dated (a full gas tank, 12 gallons, for $10!) that is the only flaw I can find. Michael Connelly, one heck of a writer himself, has written an introduction to the book, which accurately describes Perry's awesome talent and assuredness. Connelly uses the word "velocity" as a description of plots that delight us, and this is the perfect word for Perry's plot. There are only two main characters, the unnamed professional hitman, and the Justice Department agent Elizabeth Weiser, plus many other characters. Perry cleverly alternates chapters between these two characters to hold our interest, and this is a very successful suspense device. The book flies by. The hitman takes on the Las Vegas mafia families single-handedly, and you believe that he can manage it. He is no non-human superhero, though. He is believable in every way. Likewise, Elizabeth is also a real human being, in the field reluctantly for the first time, and simultaneously doubtful and self-confident. You just have to read Perry's work to see how smoothly he creates these characters. He also sees Las Vegas as what it is, or was thirty years ago. The narration is flawless. Mr. Kramer understands the writer, and has narrated all of Mr. Perry's books. He is fluid and entertaining. He builds the suspense for us. You can never guess the plot's twists and turns. You will at one moment fully suspect that someone with a gun will sneak in the door, and then Mr. Perry surprises you. Even Elizabeth is surprised and hoodwinked. This is a terrific book, and I am sure that I will eventually listen to all of Mr. Perry's books. Great entertainment!

    16 of 16 people found this review helpful

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