Patrick Thibeault's "My Journey as a Combat Medic" is a nice personal memoir. I appreciate his honesty and his interesting anecdotes from his military experience. Having a spouse with PTSD, it was particularly interesting to me to hear Patrick describe his own PTSD symptoms and experiences. Do realize that the book is written by a man without a lot of writing experience. As a result, the sentence structure is simple and often repetitive, and the book lacks a strongly organized narrative. That being said, I found his words sincere and unaffected, which kept me listening throughout. The narrator, Joe Bronzi, does a decent and serviceable job with the book, though he does nothing to enhance the listening experience. He seems to me to be a "nonfiction" narrator, but I wouldn't trust him with a single work of fiction.
Here's a scary story for you. Not one with fictional creatures or supernatural occurrences, but instead, a novel that details all the quiet miseries and disappointments we work-a-day stiffs endure throughout the course of a lifetime. It is not an escape, but a story that forces you to confront the choices you have made in your own life. The writing is done with great care and intelligence, so that the reader gets the sense that WIlliams truly knows this academic world and its inhabitants.
Stoner is so unsettling in its description of family and work life that I think we could cure the earth's overpopulation problem if this book became mandatory reading in the eighth grade.
We always hope that a series of books becomes better over time, but unfortunately, in a lot of cases, that doesn't hold true. I'm happy to say that Richelle Mead has been able accomplish this with her Vampire Academy series. Books 1 and 2 were entertaining, but Shadow Kiss bests them both. In this story, our heroine Rose has matured, becoming stronger and wiser, setting aside the silly behavior that used to make me cringe. There are plot twists and confrontations here that will leave YA readers weeping into their pillows. It sets up for a fantastic fourth installment. I also think this is narrator's Khristine Hvam's best performance so far. She minimized the little squeeky girl voice she tends to use during lighter moments, and voiced Dmitri in a solid and straight forward manner.
A very interesting and satisfying story of interwoven moral dilemmas. I thought that the narrator, Caroline Lee, did a perfect job. I admired so many of the small vocal moments in the way she chose to utter the lines.
I love this series. I feel like Molles keeps deepening the characters as they continue to advance into this unknown and hostile world. Christian Rummel continues his blood-and-guts assortment of voices - he does guys really well, but the girls come off a bit one note.
If you've not read these first two detective novels in the new series by J.K. Rowling, you are really missing out. I think there is something about being the #1 author of all time that makes it a bit hard to be valued in a sane manner - way too many expectations and assumptions to hurdle! But despite all that, I must say that I love the way this author writes! She has a style that perfectly balances a literate prose with suspense. Her characterization and dialogue are absolutely superb, and I think, slightly underrated. It's easy for those things to be overshadowed in a fantasy series, as the reader marvels at the intricacies of the illusionary world of magic and wizardry. But think about it again now that we've moved into different work- there are few authors I've read in the last decade who create richer characters whom the reader simply adores. And I've read enough crap by now to know that that is not something that occurs easily. It takes extraordinary skill and instinct.
Robert Glenister is absolutely fantastic. I'm astounded at the array of voices he is able to muster, but more so at the perfect interpretation he selects for Rowling's dialogue. It's so special to hear a gifted reader bring his many gifts to bear on writing of this quality.
I gave a positive review to the first book in this series by Martin Jensen; however, this time around I feel that we readers have been let down a bit. Winston takes much more of a back seat to Halfden this time around, as the murder of a monk baffles the duo. I found the story much less compelling here, and recalled that the threat of the King's wrath added necessary tension to "The King's Hounds." I did enjoy the addition of Alfilda to the sleuthing pair, but wish her character could be given more to do than brood and stare out windows. Would it be a better series if the author took us into the minds and perspectives of the three central characters? I think perhaps so. Napoleon Ryan does a good job again in his narration, though his pacing is very languid and occasionally it sounds as though he needs to spit.
This is a perfect recording. First, an impeccable translation of a top science fiction classic. When I listened, I kept having to remind myself that this novel was first published in Polish in 1961! According to Wikipedia, this edition was rendered specifically for Audible through the estate of the author, Stanislaw Lem. That kind of care and attention really show through in the quality of this production. I have read a ton of Audible books in the past year - over 50 - and this one right near the top.
First, the story: there is something so immediate and timeless about this story. An eerie sense of disorientation, a psychological mystery in the best sense. How can writing this fresh be over 50 years old? I can only credit the author and the translators in bringing together a remarkable work of art. And please be aware: this is not some standard, cliche-ridden potboiler. If you're looking for that brand of genre sci-fi pulp, you can easily find that elsewhere on this site. Solaris, on the other hand, has an amazing energy and organic quality to the way it unfolds. Read it with your full attention, in a quiet space. It's so easy to see how its nightmarish atmosphere have been co-opted by countless science fiction stories and movies since it was written.
I have read another story narrated by Alessandro Juliani, from the Amber series. In that, he was good, but in this endeavor, he absolutely shines. He lends the perfect tone to Chris's voice and observations. it is obvious Juliani made a very careful study of the story before beginning his job, and the care shows throughout in his considered inflection.
I can't recommend this more to a true connoisseur of science fiction literature.
This is the second in the series of police procedurals by L.J. Sellers. She has based these books around Eugene, Oregon, with gruff, good-hearted Detective Jackson as her protagonist. Sellers has a gift for creating a compelling narrative that swiftly moves the reader through the plot without a lot of fluff. The story plays out just as a good police investigation. There are red herrings, blind alleys, and department politics to contend with. The book reads like an episode of Law and Order, complete with a few moral lessons along the way. Such as...
SEMI-SPOILER ALERT: In "The Sex Club," we learned to keep a sharp eye on our children, and to avoid extremist religious viewpoints with an unbending moral code. Here, in "Secrets to Die For," we continue the theme of broken parent/child relationships with children withholding things about themselves from their parents. In both these first two novels, the fanatical parents wind up bringing great harm to their children through their misbegotten actions. Karma is tough in Sellers' universe!
The narrator, Damon Abdallah, is purely perfunctory in his delivery. He is annoyingly monotone during most of the narration. We only hear vocal variety during the moments of dialogue. His Detective Jackson is a morose bore, though I found him more tolerable this time - perhaps simply because I was used to Mr. Abdallah from "The Sex Club." But even he couldn't sink the book for me.
I really enjoyed this book. Ms. Sellers does an excellent job of building suspense and intrigue as the story builds towards its conclusion. Unfortunately, Damon Abdallah's narration did no service to the story, particularly in his choice of voicing the main character, Detective Jackson. Jackson comes off as cold and wooden - even bored! I think Abdallah was probably going for gruff and brooding, but he just couldn't bring that off. Narration is a great art, and it can make or break an audible book. Please, Books in Motion - be choosy in your hiring of narrators!
Another brief warning to the reader: there are slight difference in the audio version and kindle version of the book. I wrote to the author, asking why this is, and she told me that those changes were made by her publisher. Strange.
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