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Ted

Don't know what I want to be when I grow up. Trip's cool though. Use Audible to make gym-training sane... And rip my imagination.

Lancaster, PA, United States | Member Since 2010

716
HELPFUL VOTES
  • 235 reviews
  • 309 ratings
  • 596 titles in library
  • 81 purchased in 2014
FOLLOWING
4
FOLLOWERS
103

  • The Mermaids Singing

    • UNABRIDGED (14 hrs and 11 mins)
    • By Val McDermid
    • Narrated By Graham Roberts
    Overall
    (430)
    Performance
    (371)
    Story
    (373)

    The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim. A game has begun for the hunter and the hunted.

    Barbara says: "Not for the squeamish"
    "Creepy"
    Overall
    Performance
    Story

    Traffic slows at accidents. Slime fascinates children. Freak shows make money. Which is how, 'Mermaids Singing' seized my attention. Creepy… Tony Hill, like many of today's successful fictional detectives is disturbed… Both by terrors around him, and his own internal-disgustions. Hill trods through and morphsinto the aberrant part of the field: "Aberrant Psychology." It makes him an aberrant psychologist by profession and personality. Creepy.

    The dialogues McDermid writes, and which Graham Roberts reads, are slimy. Frequently I wanted to turn them off. Creepy. But I slowed rather than sped away from the disturbing deviant muck. Creepy.

    I'm a little embarrassed that I listened to the end of "Mermaids Singing." Creepy… My excuse is the exceptional writing, not, I hope, with a primal magnetic attraction to… to… things so slimy-dark and … creepy.

    BTW, Graham Roberts struggles in this book with the nature of the voices that Val McDermid demands as well as the parts required. Perhaps another actor wouldn't? Or perhaps no one actor can really stretch quite as far as McDermid demands. I'll be interested to read how other reviewers describe their reactions.

    2 of 2 people found this review helpful
  • Collision

    • UNABRIDGED (11 hrs and 41 mins)
    • By Jeff Abbott
    • Narrated By Phil Gigante
    • Whispersync for Voice-ready
    Overall
    (51)
    Performance
    (33)
    Story
    (32)

    Collision is the story of two men living very different lives - one, a successful corporate consultant who is mourning the murder of his new bride; the other, a former CIA agent known only as "Pilgrim", whose current assignment for a fringe espionage agency is so treacherous he doesn't trust even his own boss. When they are thrown together in a violent, unexpected event, the two men realize that they've been framed in an elaborate setup.

    Ted says: "Action Without Adventure"
    "Action Without Adventure"
    Overall
    Performance
    Story

    Maybe this was a first novel? Nope, this is what Abbott does all the time I guess. Anorexic characterization that's much fatter than the plot. If you believe any of this tale, hey… I've got a pair of bridges that are totally cheap… lemme know, K? It reminded me of the early summer blockbuster movies… Back in the 70s… The ones that were all shoot-em-up car chases. Fine for the times, but un-viewable today. This story wouldn't get green-lighted for cable TV.

    I stopped listening three times, but finally,with nothing else on my iPod and a long gym workout to fill… it got finished with an ending that was unexpected as a baby's birth gender after a first trimester ultrasound.

    Maybe this is aimed at prepubescent reading-challenged males? Actually I'm thinking that the interminable action scenes may have been assignments to the author in a creative writing class that he sort ran back to back without bothering to imagine a story for glue?

    Phil Gigante made a buck here, probably deserved, not so much for his performance which is OK, but for his tenacity in reading "Collision".

    2 of 2 people found this review helpful
  • The Drop: Harry Bosch, Book 17

    • UNABRIDGED (11 hrs and 26 mins)
    • By Michael Connelly
    • Narrated By Len Cariou
    Overall
    (3203)
    Performance
    (2613)
    Story
    (2582)

    Harry Bosch has been given three years before he must retire from the LAPD, and he wants cases more fiercely than ever. In one morning, he gets two. DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer, or has something gone terribly wrong in the new Regional Crime Lab? Then Bosch and his partner are called to a death scene fraught with internal politics....

    Joanne says: "A completely satisfying listen"
    "It's BOGO Bosch!"
    Overall
    Performance
    Story

    Pay for one, get two Harry Bosch novels entwined here in "The Drop" AND…. a bridge to Connelly's next Bosch… "The Black Box"! Plus this is totally great Michael Connelly. Here Harry goes puzzling-out the mysteries of a "Splatter" who's found seven stories below his penthouse terrace while Bosch's also working through the mindset of a pedophile who's got an astonishing alibi as a suspect in a rape/murder.

    Of course both cases are cemented together with procedural detail and cop-politics. Connelly's never been better, nor has Michael McConnohie. As usual, I recommend you start Bosch from the beginning of this epic series to capture all the whorls and whims of Connelly's imagination, but hey… If you just want to start your Bosch experience somewhere…

    Drop in here…

    2 of 2 people found this review helpful
  • No Time for Goodbye

    • UNABRIDGED (10 hrs and 52 mins)
    • By Linwood Barclay
    • Narrated By Christopher Lane
    • Whispersync for Voice-ready
    Overall
    (256)
    Performance
    (131)
    Story
    (134)

    The house was deathly quiet. That was the first sign that something was terribly wrong. Fourteen-year-old Cynthia Bigge woke that morning to find herself alone. Her family - mother, father, and brother - had vanished without a word, without a note, without a trace. Twenty-five years later, Cynthia is still looking for answers. Now she is about to learn the devastating truth.

    S. Johnston says: "I truy enjoyed this book!"
    "Schmucks!"
    Overall
    Performance
    Story

    Every male (I can't use the word "man") in NTFG is built around a spine that's wispier than stuff Victoria's Secret uses to make panties. Think of the word "manly" then think of its most extreme opposite. There, you've described every male character in this book.

    Actually the mystery here is interesting, and adequately worked out. But these panty-waist guys are so weak… no "weak" is to these creatures is like using the word "dull" to describe Uncle Dan's family slide show. Barclay's women are shrews, his males pansies and this story what happens when the word man is surgically separated from the word testosterone.

    As for Christopher Lane… I guess this was work. We all need to make a buck, and this chore was probably better than digging ditches in winter during a storm.

    4 of 4 people found this review helpful
  • Wild Justice

    • UNABRIDGED (8 hrs and 30 mins)
    • By Phillip Margolin
    • Narrated By Anna Fields
    • Whispersync for Voice-ready
    Overall
    (202)
    Performance
    (45)
    Story
    (44)

    Phillip Margolin, best selling author of The Undertaker's Widow, introduces the world to the first genuinely monstrous psychopath of the new century. Also available abridged.

    Ted says: "Yikes Is This Improbable!"
    "Yikes Is This Improbable!"
    Overall
    Performance
    Story

    I really like Amanda Jaffe, Phillip Margolin's star character here in Wild Justice. And yeah, Margolin is like a great carpenter, but in this case, not a designer of fine furniture. There's a difference, right? While he puts the story together with competent precision… Well if this story were a cabinet, it'd sure have a lot of gaps, holes, bulges, clashing colors, and improbable joints.

    Still, I listened to the end because Anna Fields is a terrific actress (can't wait to hear her tell me more stories) and Margolin is a master carpenter and its entertaining to watch him saw, bang, paint, and join stuff. I'll get more of his books, but like a quarter mile secret tunnel snaking out beneath a suburban home… This one's too improbable to believe.

    If I had it to do over again… Nope, I wouldn't.

    4 of 4 people found this review helpful
  • Demolition Angel

    • UNABRIDGED (10 hrs and 46 mins)
    • By Robert Crais
    • Narrated By Paul Hecht
    Overall
    (40)
    Performance
    (35)
    Story
    (35)

    In Demolition Angel, he delves into the life-on-the-edge world of the Los Angeles bomb squad. Three years ago, Carol Starkey was one of L.A.'s best bomb squad technicians. Then, a freak accident while disarming a bomb left her scarred inside and out. Now a Detective-2 with the LAPD’s Criminal Conspiracy Section, she is struggling to rebuild her shattered world. When an explosion claims the life of a technician who was a colleague and friend, Carol is assigned to head up the investigation.

    Ted says: "WOW! I mean…. W.O.W.!!!!!!!"
    "WOW! I mean…. W.O.W.!!!!!!!"
    Overall
    Performance
    Story

    This is just plain, old fashioned…. THRILLING!!!! Okay, Paul Hecht doesn't even try to do female voices. FUGEDABOUDIT! This thing is perfectly designed to entertain till almost the last tick of the clock…. LITERALLY! Totally liked it. Recommend it. A blast from beginning to end.

    6 of 6 people found this review helpful
  • The Swerve: How the World Became Modern

    • UNABRIDGED (9 hrs and 44 mins)
    • By Stephen Greenblatt
    • Narrated By Edoardo Ballerini
    • Whispersync for Voice-ready
    Overall
    (973)
    Performance
    (838)
    Story
    (834)

    Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.

    Ethan M. says: "Very compelling history, a less compelling thesis"
    "A Fulcrum Moment Uncovered"
    Overall
    Performance
    Story

    There are times on history's vector when its slope doesn't just get steeper but when the damned thing gets discontinuous… it doesn't slope upward as much as it takes a big step. Here Stephen Greenblatt meticulously reveals one of those leaps… or as he calls it… The Swerve. Don't worry, your eyes won't glaze in spite of that word "meticulous" up there. This is scholarly yet popular history writing wedded. And Edoardo Ballerini leads us through with patience yet with all of the appropriate drama. Nowhere does he make this seem a lecture… rather more like a good thriller. I liked it… And have bought the physical book as presents for a number of friends thanks to this listen.

    4 of 4 people found this review helpful
  • The Kill Artist

    • UNABRIDGED (11 hrs and 34 mins)
    • By Daniel Silva
    • Narrated By George Guidall
    • Whispersync for Voice-ready
    Overall
    (809)
    Performance
    (696)
    Story
    (704)

    After the assassination of his wife and son, Gabriel Allon retires from his brutal anti-terrorist career and loses himself in his previous cover job: art restoration. But when Tariq al-Hourani, the Palestinian terrorist responsible for his family’s death, begins a killing spree designed to destroy Middle East peace talks, Gabriel once again slips into the shadowy world of international intrigue. In a global game of hide-and-seek, the motives of Gabriel and Tariq soon become more personal than political.

    Snoodely says: "Reluctant Assassin"
    "Gripping? Yeah… Gripping Will Do"
    Overall
    Performance
    Story

    Spy versus spy. A LeCarre mood of multi-crossing darkness. A tale of momentum as the moral alternative. Pace comes fast, morality a lot slower. Intellectually, that's a good thing in this middle eastern drama. Emotionally though… that's where the questions burble up. Silva is masterful and George Guidal is, as usual… the perfect ensemble creator with a voice that wraps around dialects he thrives in international thrillers… just like this.

    1 of 1 people found this review helpful
  • Tell No One

    • UNABRIDGED (10 hrs and 36 mins)
    • By Harlan Coben
    • Narrated By Ed Sala
    Overall
    (609)
    Performance
    (507)
    Story
    (512)

    Tell No One is an irresistibly suspenseful thriller infused with nail-biting tension and packed with shocking plot twists. It has been eight years since Dr. David Beck’s wife, Elizabeth, was murdered by a serial killer. When Beck receives a message containing a phrase only Elizabeth should know, he is tormented to tears. Either someone is playing a sick joke, or the wife he’s never stopped loving is still alive. He’s been warned to tell no one, and as the desperation of his search for the truth intensifies, he heads straight toward a deadly secret.

    Patricia says: "Great Fun"
    "Not Coban's Best, BUT Still a Coban."
    Overall
    Performance
    Story

    Oh so much belief to suspend here. At times the plot has more holes than a lace shawl. BUT it's still a lace braided with precious thread. I'm guessing this is an early Coban. But the ending's plausible if you buy Coban's set up and Coban's strength is in set up.

    Frankly, if you/ve not read this author before… don't start with this. If you have read him, don't expect as much. Ed Sala does a journeyman job.

    2 of 3 people found this review helpful
  • Peter Pan Must Die

    • UNABRIDGED (16 hrs and 30 mins)
    • By John Verdon
    • Narrated By Robert Fass
    Overall
    (18)
    Performance
    (16)
    Story
    (18)

    The daunting task that confronts Gurney, once the NYPD's top homicide cop: determining the guilt or innocence of a woman already convicted of shooting her charismatic politician husband - who was felled by a rifle bullet to the brain while delivering the eulogy at his own mother's funeral. Peeling back the layers, Gurney quickly finds himself waging a dangerous battle of wits with a thoroughly corrupt investigator, a disturbingly cordial mob boss, a gorgeous young temptress, and a bizarre assassin whose child-like appearance has earned him the nickname Peter Pan.

    Ted says: "Kill Pan! But Read "Think Of A # first'!"
    "Kill Pan! But Read "Think Of A # first'!"
    Overall
    Performance
    Story

    Okay, the ending's WAAAAAAY over the top. But John Verdon's created a killer villain and a complexly credible hero. And all of the threads are neatly plaited together in the end. Dave Gurney's all flawed up. And his home life's a rich stew that's on the verge of going as bad as his cases.

    In fact, the tension between the Gurney's is as gripping as main plot. I wish Madeline Gurney stayed true to her character as chaos explodes. Still, this is a classic series that you should start with "Think Of A Number", the first in the series. Why have the flashbacks here ruin the plots of the three earlier Gurney novels?

    Once again, Robert Fass makes this cast his own. It'd be difficult for me to imagine Gurney through another voice.

    4 of 5 people found this review helpful
  • Off to Be the Wizard

    • UNABRIDGED (10 hrs and 15 mins)
    • By Scott Meyer
    • Narrated By Luke Daniels
    • Whispersync for Voice-ready
    Overall
    (1247)
    Performance
    (1173)
    Story
    (1181)

    It's a simple story. Boy finds proof that reality is a computer program. Boy uses program to manipulate time and space. Boy gets in trouble. Boy flees back in time to Medieval England to live as a wizard while he tries to think of a way to fix things. Boy gets in more trouble. Oh, and boy meets girl at some point.

    Charles says: "Fantastic"
    "Meyer Can Tell A Story"
    Overall
    Performance
    Story

    I can imagine a dad reading this to his child, and enjoying it at least as much as the listener. Of course there are the required dense paragraphs of double-talking scientific gobbledygook that modern sic-fi authors need to numb the reader into suspending disbelief. And of course I don't pay attention to any of it. Why not just employ a shortcut like warp-drive oe whatever to move us into the plot? Hey, I paid for this thing to be amused, entertained, maybe even awed. Not distracted by a magician's trick.

    Ah well, everyone's doing it today. In fact I even gave up Neal Stephenson who eventually gave up writing plot for just so much "look at how smart I am" blather. But Meyer gets over that stuff and tells a fun Harry-Potter kind of story.

    I liked it. Definitely because of the great job that Luke Daniels did in reading to me.

    8 of 12 people found this review helpful

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