Chesapeake, OH, United States | Member Since 2004
I was disappointed in the previous Ruth Galloway mystery (The House at Sea's End). Three stars disappointed. I actually said that I wasn't looking forward to forensic anthropology with a toddler. However, the author made a decision to have a significant event in the relationship between Ruth and her baby's father happen between books that actually seems to help the story arc in my opinion.
The story opens with the death of a director of a small local museum. He is found lying dead beside the coffin of a medieval bishop that had been excavated from a site that had once been a church and then an industrial site. The window is open, a single shoe lies on the floor and a guide book whose pages riffle in the breeze. Ruth Galloway, forensic anthropologist, finds the body. Murder or natural causes? A drug habit might argue one, but menacing letters in his desk drawer might argue the other.
The museum also houses some Australian aborigine bones that a group calling itself the Elginists (Lord Elgin's marbles but I'm not sure why they named themselves after the guy who took the marbles from the Parthenon) want repatriated. These bones were collected by the ancestor of the founder of the museum, Lord Smith. Lord Smith is also a racing stable owner, married with three adult children, one of whom helps with the stable, one who is a successful QC and one who is a wastrel.
Meanwhile Harry Nelson's team is also dealing with the importation of high quality drugs from over seas that apparently no one in the criminal community knows about.
The disentangling all of the threads kept me interested through the entire story. There was one thing that niggled at me after I finished the book but I can't tell it without spoilers so I just have to say that it might bother others also.
I gave this book 4 stars because it was a better than average entertainment even with the occasional fault.
P.S. Jane McDowell does her usual good job with the narration.
Dr Siri Paiboun became Coroner more or less by default. He is 72 years old and had spent most of his earlier years as a doctor treating soldiers injured in the struggle for Communism to take over the government. Now it has succeeded and the worker's utopia has been deserted for the most part by the wealthy and educated class. He has an antique microscope, a few chemicals, and a camera that has a very strictly limited amount of film that his investigations must share with the social events of the nurses. There's a government spy installed behind his mortuary who complains about the smell of the corpses and mystical experiences that interrupts his nights.
The reader was very good and I quite enjoyed listening to this book with it's convoluted plot and interesting background.
Lacey has given up her career as a high flyer in CID and joined the Thames River Police. She's living an a boat moored to a Marina. But she does not stay away from high risk behavior, and this also causes her to find the body of a young woman wrapped in a linen shroud and tangled in some pilings. But this isn't the only body that has been discovered and Lacey is drawn into the investigation on a semi-official basis.
After this exciting start, though, things get a bit slow and I'm not the secondary plot about Mark Joesbury doesn't really seem to contribute to the main story. The situation picks up again with some harrowing story telling near the end, but there is definitely a mid book slump.
I fell in love with Sharon (S. J.) Bolton's audio books 3 or 4 years ago. The major problem was that they were only available in audio in the UK. So every so often I would drop an email to Audible suggesting that they look into bringing her to the US site. I was delighted to see this book when I was browsing the new releases and immediately bought it.
Only unfortunately it is not her best work and it's the fourth book into the Lacy Flint series which means some readers are going to be a bit confused. And frankly the way that the first few chapters bounce around in time made it a bit confusing to me at times.
Lacey has a very complicated and interesting back story. If the reader hasn't read at least the first two books then the visit to the prison and the relationship with Mark Joesbury are kind of floating out there, along with several cryptic comments about Lacey by other characters in the book. In her prior books in this series Bolton managed to control her story to the point that each would novel work as a stand alone. In this case I don't think she handles it as well.
So now Audible, can you please try to get audio rights to retail Bolton's other books? I would buy copies from you, I promise.
I had known that this was originally sold on Amazon as part of their serial program. I wasn't interested because I don't like getting stories in dibs and dabs. I want it all at once. So when I saw the Audible version at a good price I bought it. (Hope no one in marketing decides that the world wants serial Audible books.)
The serial structure though as made this into an episodic story as the author tried to make each segment a satisfying story while encouraging readers to keep going. I'm not sure she was successful with this although I did enjoy listening to the entire book. It just felt a bit choppy and she ended up introducing a potentially important character near the conclusion.
Not my favorite McGuire but worth listening to. Mary Robinette Kowal as usual does an outstanding job with the narration.
The central character of this book is Rose Marshall. She's also known as the phantom prom date. She was killed in an accident in 1952 and since then has wandered the roads of this world and the spaces between. Sometimes she is helpful, sometimes she is not. But her world and the characters who inhabit her world paint and interesting picture of ghosts in America. While she does at time mention older creatures such as the Black Dog or Hellhound, most of the stories center around the American love of motor driven vehicles and the lore of the road.
Interesting book that should appeal to those who love urban fantasy. Probably wouldn't particularly appeal to hard core paranormal romance fans though. If you have to have a HEA tread carefully, although there isn't a cliff hanger at the end of this book. It appears to be the first in a series.
Narrator by Amy Landon. This is the first book by her I have listened to. She doesn't have the verve of Mary Robinette Kowal who reads the October Daye books, but she did keep me interested and entertained with no annoying mispronunciations or verbal tics.
Combining plot points and characters from The Cask of Amontillado by Poe, Othello and The Merchant of Venice by Shakespeare, Moore sends Pocket the Fool off on another adventure, this time in medieval Venice. Pocket, nicknamed Fortunato by the Doge starts at a very low point in his life. He is the intended victim of a conspiracy between some merchants of Venice and Iago who want to start a crusade in order to increase their wealth. The last one had worked so well for them. Pocket is so low that he little cares for his life-- until he discovers that this conspiracy is the cause of his misfortunes! Most Heinous F___ery, as he says.
And the story takes off-- ribald, bawdy and very, very clever as Moore combines characters from all the stories into a fun listen. Christopher Moore is funny when read by oneself, but when Euan Morton does the narrating it is rib splitting and laugh out loud-- if you like Christopher Moore's brand of humor. HIs satire about recent world events is spot on.
So why not 5 stars across the board? I thought that there were a couple of places where it moved a little slow. Also there were so references back to events and characters in Fool that probably would have confused a new reader. I just took it as an opportunity to listen to Fool again.
In fact, if you thinking about buying this listen and have not heard Fool you would do yourself a great favor if you listen to Fool first. Both books have entertaining Author Notes read at the end by Christopher Moore himself explaining why he made the choices he did in terms of characters and time periods.
A Victorian Baby Farmer convicted and hanged for the death of a young boy left in her care by his mother is the historic story that Ruth Galloway, forensic physical anthropologist, is dealing with in this, the sixth book in this series. Meanwhile DCI Harry Nelson is investigating the suspicious death of a baby whose parents are both suspects in the child's death.
Children are a big theme in this book in the series, as they have been in past books in this series. Not only is the skeleton of the hook-handed baby farmer Jemima Green, aka Mother Hook, the basis of a local bogy, she is also set to be the subject of an episode of a sensationalistic television show about women who kill.
Anyway this is a better than average story read well by Clare Corbett. She is not idiosyncratic in her style and thankfully does a good job with the accent of a historian from the US who adds some variety to the cast. Many of the characters from previous books make an appearance and the overall story arc does advance a bit.
After finishing the first book in this series I went ahead and bought the second. The second novel is a bit episodic, but because of the nature of potential time travel paradoxes the various plot lines all come together in a maddening but entertaining conclusion.
Based in the near future UK, St Mary's Time Travel institution, has a number of traditions, one of which is that a Historian (time traveling variety) gets to choose his or her last jump into the past before their retirement. In this case Maxwell, with her friend Kal Black, have set out to visit the London of Jack the Ripper on the night that Mary Kelly is mutilated and killed. Black is retiring from active duty. That night has a most surprising conclusion. But it's not by any means the conclusion of the book.
It's not a soft and fluffy book although at points I thought it was quite funny. It also has some pathos (that's where one star disappeared because I thought that particular character was a bit of a red shirt, although the author may redeem herself later considering how convoluted time travel plots can be.) There is also some sheer horror.
The narrator is, as I thought with regard to the first book, excellent. I'm hoping that she will also be reading the third book when it comes out on Audible.
I did wonder if the dodo birds were a nod to Jasper Fforde's Thursday Next novels.
I also bought the third novel on Kindle although it was not yet out on Audible. I would definitely suggest that these books be read in order. Now I'm jonesing for the fourth book.
In case this bothers a reader: this is a first person point of view story. It also contains some (brief) sex and adult language. Probably I wouldn't have even thought about either factor except someone had rated it as one star because it wasn't CLEAN enough. I really hate that term applied to books, unless someone if referring to the condition of the pages rather than the content. The setting is the UK at some near future point in time.
Any way, the heroine, a woman who has completed her doctorate in history, is recruited by an old teacher who once at a pivotal moment in her life provided guidance, into a time travel project. There's lots of action and adventure as she has to cope not just with being sent back to dangerous time periods, but also with problems from the future.
People who enjoy Connie Willis' time travel books or Kage Bakers novels of the Company might enjoy at least this first book. It's complete in itself although it is part of a series. It's also science fiction rather than romance.
I would also point out that despite the enthusiasm of what I assume are fans, that Taylor hasn't yet reached the skill level of the other authors I have mentioned. If it were possible to give half stars I would give the story 3.5 stars. On at least two occasions the author dumps a load of information on the reader rather than feeding it bit by bit. Luckily the narrator, who I do not think I've encountered before, was able to wend her way through it. I'm not sure how I would have reacted had I been reading the print version at those points-- probably put it down for a while. But I'm sure I would have gone back because I've developed a bit of soft spot for the heroine.
Persimmon Petals is a florist shop in the Lake District owned by Persimmon "Simmy" Brown. She was named Persimmon by her hippy parents, who now run a B&B in the same area of Great Britain. She has just finished the floral arrangements for an important wedding when one of the groomsmen is discovered dead. The prime suspects are the members of the wedding and it seems that Simmy, although she does not know a great deal about the situation becomes a witness that both the police and the family turn to.
Tope can write fascinating mysteries and she can also write long, rambling stories. This, unfortunately, is a long, rambling story. I did enjoy the character development. No one of the main characters is particularly likeable. I did at times want to smack Simmy for her cluelessness, but I am curious where the author is going to take the series. About 2/3 of the way through the book I wanted the end to come faster. I did think that some of the things that happened should have happened on screen rather than Simmy arriving after the action is over but in time for the explanation.
Read by Barbara Rosenblat who does a good job although she sounds a bit old for the twenty something Mallory. However a lot of the story is told from the viewpoint of other characters which works out pretty well. No dispute, Rosenblat is a good narrator and her work on the Amelia Peabody novels would be hard to top.
Back to this novel though. Kathy Mallory is brought in to investigate the death of the author of a Broadway play. In the Audience. At the end of the first Act. And then she finds that this is the second death during a performance of the play. But it appears that both deaths might have been natural. So Kathy has to work back toward the beginning and forward toward the conclusion.
She also has an older case that is involved with the current mystery.
Because I've liked Mallory ever since her first appearance in 1995. Therefore, it was easy enough to fill in the bits that the author doesn't really explain. Mallory seems less ambiguous and more annoying. The ghost writer starts out rather effectively but loses steam before the last revelation. Poor Charles is treated badly by both Mallory AND the author.
So go with this one if you like the series, otherwise go back to the first book in the series and read forward.
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