This book concludes the Void trilogy: (1) Dreaming Void (2) Temporal Void (3) Evolutionary Void.
If you are new to the series then you have to start with Dreaming Void, if you can get it : "The Dreaming Void" seems to have disappeared from the Australian store but there it sits in my audible library.
The writing style is somewhat shallow and conversation feels unnatural. This is clearly a juvenile book written by a moderate author. I can live with this. However, the main problem with the production is the narrator and the editor for missing his mistakes. A shame, because the ideas are very interesting.
The ideas behind the story and the background seem to be reasonably well fleshed out, although the enmity between readers and pushers feels contrived. However the implications of these types of people existing and their effects on (1) their own lives, and (2) the politics of the world, is incredibly underplayed.
An automated reader would likely do better, however Jeffrey Kafer, Mark Boyett, Luke Daniels, R.C.Bray. Someone who can read a full sentence and get it to flow. I wish Audible had a way of red-flagging narrators so I can automatically avoid them in the future.
If you have seen the movie but not read the book then read the damned book! Very different. Unfortunately Lloyd James is very average at reading, he gets somewhat better as the book progresses but he actually has trouble with the flow of sentences in the early chapters. There are also a number of audio editing mistakes in this production - pretty weak for such a classic. Mark Boyett would be perfect to narrate a new production.
Mark Boyett does an excellent job at narrating, great choice for this series.
Larson is pretty one dimensional. Advanced civilisations that have a uniform behaviour. Nearly nothing happens that Riggs doesn't personally do or think of, other characters are grudgingly given ideas, but they will always complain and moralise, while Riggs stands alone with nearly no support. If something has to be invented to save the day then there is Marvin, the regularly verbally and occasionally physically abused genius AI. Riggs goes about thinking up good lines to partially speak only to get cut off mid sentence, and then everything changes. Well you'd hope so, but it doesn't. 9 books of pretty much the same stuff. The guy in charge of everything deciding he better go be on the front line, micromanage everything.
This is a very simplified story is aimed at young women who aren't concerned about contrived situations, lack of depth in action, and a good smattering of malapropisms. Being tech ignorant will help with the suspension of disbelief. Marissa Meyer needs a stronger editor. This isn't a horrible read, by any means, but will have a limited appeal.
Rebecca Soler is an awesome narrator.
The story is told well enough, and is reasonable light reading. There are a huge number of missed opportunities for Koontz to make the story incredibly interesting, rather than harp on about describing relationships, or how various mechanisms make people feel. The contrivances at the end are painful, all far too tidy an ending.
Jeffrey Kafer performed excellently, however Talmadge Ragan really let the production down by slurring words and frequently messing up expression. Fortunately most of the book is Jeffrey.
If you read this book, there is a chance that you will never buy another Suarez book. Please be aware that this is most definitely NOT the book to judge Suarez by, his others are far more worthy of your time.
This book stinks of ultra cool hero worship which might appeal to a certain type of younger audience. If you are a fan of Brent Weeks then you'll probably like this.
I would carefully examine the reviews. This is the first "miss" for me out of 9 novels that I have read by Reynolds all of which were excellent.
I would hesitate to highlight the numerous annoyances of this novel because there are likely many people to whom these would not matter ... unless pointed out. To me "Terminal World" is such an inferior book compared to Reynold's other works, filled with grating contrivances and a completely unsatisfactory ending. I find it shocking that this was published in 2010 with numerous better books behind him, so the shortfalls cannot be put down to a lack of experience, but I suspect more to laziness.
Do not make this your first Alastair Reynolds book.
The average review rating should say it all. Please do not look at other reviews as what they point out will begin to weigh heavily on your perception and may diminish the experience of the story, which is outstanding, as is the narration. I highly recommend listening to this audio book first, then coming back and reading the comments.
I somewhat disagree with complaints about Dotrice; pacing and vocal range are more reasonable than most, although his rhythm is too pronounced sometimes. My sad tale would be that I think Martin is doing a "Jordan", as in Robert Jordan who would be too busy describing a scene rather than actually getting on with the plot. I started to get this feeling in the previous book and it seems to be spelled here pretty strongly. Things need to move along! However it feels like another two books minimum at this pace before a conclusion can be reached. The twists are starting to feel a little contrived. I hate writing this, I have been a huge fan of this series since it was first published.
Report Inappropriate Content