This book, the fourth in the Chesapeake Bay series, is a very nice closure to the tales. It is well written, as are all the books. Although Inner Harbor does very well as a stand alone novel, it is probably best heard after at least one or more of the other books in the series. I think you'll want to hear them all. The narrator is excellent. The story is romantic, varied, and has a very happy ending. I have listened to this several times. It's a great curl-up-and-listen treat.
This is my fourth listening of this book. I really enjoy the development of Nightingale Woods. And nobody read them like Anna Fields. I miss her voice.
I don't think I will ever search out another book by Nancy Horan. However, if someone recommended a specific book by the author, I would read it without hesitation. The writing was a little rough--transitions weren't always smooth, vocabulary was a pretty limited. I have not listened to any of Joyce Bean's work before, but I did enjoy her voice and style. It is quite clear and soothing. I found it a pleasant listen.
I found the way that the children's situation was described--or NOT described--to be distressing. It is as if the author was as insensitive to the children's needs as were the characters. However, the descriptions of Frank Lloyd Wright's work, his habits, and his personality were interesting and revealing--not what I thought I knew about Wright before reading the book.
While the topic was interesting, it doesn't meet the standard of romance and poignancy that, Bridges of Madison sets, although the topic is quite similar. Still in all, it might make an excellent movie with the right screenwriter.
The social implications of this story are quite sobering, knowing that it was real as opposed to fictional. I don't think the situation would gain the notoriety in this day as it did in the early 1900's. It is a common tale today, which might help explain the weak character of such a large portion of our 21st century society.
I've listened to hundreds of audiobooks. I listen to my favorites again and sometimes again. To me it's like listening to music. We don't just listen to songs once and say, "Oh, I've heard that before." I listen to good audiobooks more than once and repeat good videos. On the scale of 1 - 10 of audiobooks I listen to again, I'd rank Curiosity Killed the Catsitter as a 9. The story was creative and both funny and poignant. The narration was excellent. The pet parts really added to the interest.
I had a little trouble hitting that pause button. Throughout, there was just enough information given that I always had an idea of where it was going next. I was surprised some, but that's great, because anticipation is an enjoyably involving aspect.
Julia Gibson has one of those voices that make me feel very comfortable. The inflection in her reading is very natural. When she is frightened, she sounds frightened and the speed and intensity of reading speeds up. Her different voices sound like different people, and natural rather than affected. When she reads, I almost feel like she is right there in the room with me telling me the story.
Yes. In fact I was glad that I was in a position to finish it in one weekend, which I did. I carried my iPhone around with me as I did other things and just kept this going.
I am a voracious reader. I love the written/spoken word. Fiction or non-fiction, reading is always my "downtime" activity." I've been in a shift toward audio over the past 10 years. I loved being read to as a child. I now find that listening to a really good narrator read me a story is a very comforting experience--whether the book is a romantic comedy, a mystery, or a thriller. I get lost in the story that I'm listening to. This one was a pleasure indeed. Can't wait to listen to Duplicity Dogged the Dachshund!
It was almost painful to listen to this recording. I gave up on the audio about 1/3 of the way through. I got the large print version and finished it. I enjoyed the story and will look for more McKevett novels, but I won't buy another book performed by Dina Pearlman.
The scenes where Savannah had the confrontation with her supervisor which ended in her dismissal was pretty good--well, bad for Savannah, but well written. At the time that I listened to that I knew it was going to be a turning point in the story.
I think this has great TV series potential. I love to see Emily Deschanel from Bones or Katee Stackhoff who plays Vic in Longmire play Savannah. I think as a series it has the potential for fast action. In the book, the great descriptions of character and settings make it very interesting and realistic. I really enjoy that aspect in a book. However in video format that would all be visual, and therefore faster moving.
I'm not sure that the narration is not to blame for this irritating book. I went back to check to make sure I was reading the first in the series. Details were doled out piecemeal to explain actions and comments were already completed. By chapter 6 I was seriously frustrated by how unnecessary the confusion, rudeness and lack of communication between the characters was. I have read almost all of Susan Mallery's books. This book is not the Susan Mallery I am used to. Part of this could have been the slow speed and the overly dramatic inflection of the narrator. Where was Therese Plummer, for example, when they chose the narrator? I will try the book in print, but I almost resented the time I spent listening to this.
I really enjoy Susan Mallery's books. Most of them are light with just enough conflict to make the story keep flowing. I have listened to many of them more than once, just because they are entertaining, without requiring serious emotional involvement of the audience. I believe that such is the role of romantic comedies in our lives. Any book by Susan Mallery goes on my "must read" list. This one is the first exception to that personal policy.
The pace was too slow. Increasing the speed of the narration on my iPhone just made it really choppy. At any speed the inflection that she used in an attempt, I assume, to stress the importance of somewhat mundane actions or comments, was distracting and eventually irritating. Every detail in a story is not of equal importance.
With the right actors, I believe this book might have good movie potential. Part of the benefit would be that the details that were so sparingly doled out could be built into the scene rather than needing to be explained verbally.
I read many books in hard copy. I may give this one a try in that format.
I purchased this book at the try-a-new-series sale. I am really partial to books in a series. This is a delightful book on its own, but I think if you give it a listen, you will want the ones that follow it, as well. They can be read out of order, but the relationships and her business do develop, so I recommend reading them in order. Abby Cooper is delightful. The humor in the story is well placed and pertinent to the story line. Her intuition and her predicaments are interesting and just a bit surprising. The plot is unpredictable enough to make me sorry that the story ended.
Gabra Zackman is perfect for the narration to the Sophie Katz books. I choose my recording as much for the narrator as for the author. I have read all the Sophie books, and this is my least favorite. It's not bad, but it goes on and drags a little in the last quarter. Also, I thought there was a little gratuitous sex that wasn't really that interesting nor did it contribute much to the plot. The plot itself was good, but it took longer than necessary to develop ad solve. I'm not sorry I invested the time in it, but don't think I would recommend this very strongly. And not nearly as highly as the other Sophie books.
This is an intense story. There is a little gratuitous violence, and the conflict between the love interest was a little unbelievable, but this is fiction. It was a "page-turner" to be sure. It is reminiscent of Northern lights in its feel. So I have to say that it was well worth the listen for me, despite some of the unnecessary trappings.
And unlike some, I liked the narrator--not the best rhythm, but I do like the quality of his voice. I think that the smooth quality of his voice was necessary to balance out the intensity of the storyline. I liked enough to listen to it again at some point.
I have read or listened to the Teagarden books in order and thoroughly enjoyed them all. I am a huge Therese Plummer fan, as well. Actually I enjoyed this one--quite funny in many places--until about 15 minutes before the end. Not at all what I expected. The book is very well written, as are all of Harris's books, but I'm not a fan of tear-jerker endings. So I recommend it with the provision that you are prepared for heart break at the end.
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