I bought this mostly to try to figure out a better system for my accounts and paperwork. It turned out to be surprisingly useful for other aspects of organising our tiny house. I'm normally quite organised and tidy by nature, but I had let some things (sewing supplies, university papers from a decade ago) get out of control, and getting some hints on how to let go of sentimental items has been really useful. My partner started listening with me, and he's decided to also examine what he's held onto, particularly the reams of design-school and life drawing sketches.
Not everything in it is relevant to us, but I was pleasantly surprised by how well it works as an audio book and how good the information is.
I definitely think this works better as an audio book than a print book. I think in print I would have given up after the first chapter or so, but as an audio book you have your hands free so you can listen while you do the housework, or doing hobbies.
Andrew J Mellen has a nicely modulated voice that is very easy to listen to, and while some of the anecdotes are maybe unnecessary to the book, when they're read aloud they drop back into a less irritating space.
I have definitely embraced the basic "everything in it's home, and like with like" model, particularly for our arts and crafts cabinet and our accounts. It's made dealing with receipts and invoices a bit more clearly organised. They were previously grouped, but they are now in a very clear filing system that allows me to decant receipts accumulated during the week into a specific box that will then be dealt with first thing on Saturday morning.
I had previously just been getting annoyed with myself for not filing receipts immediately, but now there is a system.
This is the first collection of short stories I've listened to and I was impressed. Each author has taken their own interpretation of what "dangerous women" means and while some of the stories are not to my taste, the ones I did like were well written.
I enjoyed the short story format immensely - studying English literature had put me off the format in the past, but this showed that you can have layered world building, character development and complex plot in a short story without it being a painfully dry academic experience.
The narration by different actors helped to separate the book into the different tales, and automatically told you what kind of tone the story had through narration style.
I feel like there were two researchers at work here, or at least an author with an unclear goal. The historical information, setting the Phoenix family's travels in the context of greater social changes within the US was really interesting and whether intentionally or not made the family a metaphor for the larger societal changes. For me, where the book fell down was the constant name checking of the famous. Yes, these are the people River Phoenix hung around with, but it added nothing more than a tabloid gloss. I felt like this book could have been something more, and maybe peered into why so many young people in Hollywood are from troubled backgrounds, and why nothing is done to stop their obvious decline. Or had some focus other than reciting the names of the famous young of the 90s. Instead it felt like it recited headlines from a magazine.
The style of writing, sliding from recounting the process of preparation into fascinating historical anecdotes, psychological theory and other titbits of information is so highly enjoyable I wanted to immediately go try sautéing onions properly. I've never cooked them for half an hour for anything other than onion soup, but now I'm going to try whenever I have time. And for a non-barbecue eater, I now want to try American barbecue.
The mix of anecdote, history and food preparation invokes the social import that cooking has traditionally had in my family. I love histories of things we consider "mundane" anyway, since quite often they are the key to larger explorations of history, and this is definitely one of the most enjoyable.
It made me want to chop onions. I think that's a fairly extreme reaction to a book. :)
I've found myself detouring on my walk to work so I can listen for longer. The narrator has a perfect voice for the tone of the book, making the book effortlessly listen-able.
I thought the way the unfolding of the case unravels the whole community felt very real. So often in books it seems that death doesn't really touch anyone aside from the immediate family.I haven't seen the TV series, but this book adaptation has so much inner life and complexity.
I've been researching ways to improve my running habits and decided to give this a go, because, well, information is good. While some of the assumptions didn't really fit my lifestyle, since I already run, it turned out to be a really good listen, and unexpectedly humorous in parts. The recipes in part two sound tasty, and I'll be giving them a go.
The style might be an acquired taste for some people, but I liked it.
Definitely. It's a short book, and I'll probably listen several times, since it'll be good for motivation. of interesting as well.
I honestly can't say what I think of the story as the narrator's heavy handed accents for the characters kept pulling me out of the narrative. I think if accents are necessary to a story, perhaps source people with those accents to read the dialogue for those characters.
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