As much as I enjoy watching zombies on TV, they’ve never managed to work their way into my reading rotation until now. Previously, the very idea of a protagonist eating brains freaked me out but the way that Diana Rowland developed Angel’s character has me singing a different tune. I enjoyed the author’s snarky sense of humor and her unique spin on the standard murder mystery story line. Allison McLemore’s narration also helped make this audiobook an especially enjoyable listen thanks to her authentic southern drawl and the ease with which she donned the heroine’s shoes.
I liked the way the author gradually introduced both her readers and Angel to life as a zombie. Crawford has no idea that her world has been forever changed when she wakes-up in the ER after an apparent drug overdose until she receives the first of several notes from her anonymous savior. Slowly uncovering the mysteries surrounding her new condition made the reality much easier to swallow and I always enjoy reading about the growing pains that new supes experience regardless of whether they turn furry once a month or, in this case, eat brains.
Angel is far from being your typical go-getter Urban Fantasy protagonist; she’s a convicted, drug addicted, high school drop-out who lives with her alcoholic father, in short, she’s trailer trash. And, oddly enough, one of the best things that’s ever happened to her is her new walking dead status. Becoming a zombie forces her to grow up and take control of her life because now she has to make sure she eats right, keeps her job and avoids detection otherwise the consequences could be fatal.
The unconventional murder mystery angle was an unexpected surprise; rather than experiencing this book’s plot line from a cop or P.I.’s perspective, Angel has a unique view of the crime scenes because of her job and heightened senses. I enjoyed watching her interactions with the various law enforcement types and how they slowly welcome her into their club even with her checkered background. The twist at the end caught me off guard but I’m happy that it led to a little showdown which had Angel downing brains like Popeye eats spinach.
One of my favorite accents to listen to is the southern twang and Allison McLemore does a fab job of it thanks to her roots. I don’t mean this as an insult but she makes excellent trailer trash! MY LIFE AS A WHITE TRASH ZOMBIE is a fun listen that’ll make you feel differently about eating brains.
I’m used to the events in series installments taking place a few weeks, if not days apart, so I was a little disconcerted by the fact that FAIR GAME jumped two full years into the future. In HUNTING GROUND Bran was still contemplating bringing the werewolves out to the public, but in this audiobook it was a done deal, and Anna & Charles are now dealing with the fallout. As a result, I experienced some mild growing pains while getting up to speed; luckily I had Briggs’ MERCY THOMSON series to help make the drastic shift in gears less jolting. I was chagrined to learn that one of my favourite werewolf couples were no longer in a happy place, however the decade’s long murder spree, and smoothly crafted fae mythology proved to be satisfying distractions.
Up until this point, Charles & Anna have been flying solo with regards to their investigations, so it was a hoot watching them join their efforts with various federal organizations in order to stop a killer. Latham was Cornick’s designated handler, and the outcome was quite comedic as you can probably imagine. I especially liked Anna’s list of do’s & don’ts around her mate, and the PR tangent was good for a few laughs too. As previously mentioned, these two have hit a rocky point in their relationship, mostly because Charles’ enforcer role is beginning to wear on him thanks to stricter penalties towards misbehaving werewolves. I love how even when this couple is at their lowest they still continue to communicate, and resolve their problems angst free.
The fae have always played an active role in Briggs’ universe, and I was excited to finally learn the real reason why they retreated to their reservations in her MT books. I never realized that such an important segment was missing until this newsflash roared to life, and forced me to revisit everything that I’ve learned to date in both worlds. This author sure knows how to give her protagonists a deserving foe while also ensuring that all of the secondary characters have a big impact on the overall story. I liked how Leslie’s plot thread popped up throughout the novel when you least expected it to, and I really hope that she makes an encore appearance in this series.
The moment I hear Holter Graham’s voice, I immediately slip back into the ALPHA & OMEGA frame of mind. He’s brought something extra to every installment, and in this latest one it was his Boston accents. His attention to detail never ceases to amaze, from the consistency of the protagonists, to the slight differences between Charles and Brother Wolf’s tones. Several new characters were added, and he made it easy to identify each and every one of them. Graham’s delivery has improved a great deal when compared to the first audiobook which I still adored, and as a result, he’s now among my top three male narrators.
FAIR GAME was an experience that bears repeating; I don’t do re-reads very often, but this series is worthy!
I was left with mixed feelings when I finished CHARMING a few months ago; I liked John’s character, Roger Wayne’s narration, and the author’s quirky writing style, but the love interest, and info dumps were definite cons. However, when I read DARING’s blurb and discovered that the werewolves were going to be front-and-center in round two, I just knew that this series deserved a second chance. And, even though I didn’t love this installment either, it was more along the lines of what I’ve come to expect from Urban Fantasy, and my issues with this one were vastly different that its predecessor, so at least it was a step in the right direction. The story was darker, the humour more subdued, and I did struggle to see the links between the four parts, but it all came together in the end which made this novel marginally better than its predecessor.
The prelude was a hoot, James shared a list of the ‘top ten things that people who didn’t read the first book really ought to know’ which served as a good recap while also turning a boring necessity into a fun intro. The opening section was my favourite because it not only explored John’s past as a Knight, but provided some much needed clarification about his insta-attraction to Sig, and set the tone for the rest of the story. The second part was somewhat of a mixed bag; I liked learning more about this universe’s werewolves, although certain aspects were a little overly touchy feely for me—too much zen, not enough predator. The final two were the meatier pieces with plenty of action, unanticipated twists, and an ah-ha ending. The world-building was also greatly muted which made this installment more about the journey than the magical rules which was a welcomed tweak.
DARING was nowhere near as funny as book 1, but given the nature of this tale, it fit. That’s not to say that I still didn’t crack a couple of smiles while listening because I did, however the overall tone was much heavier. I was disappointed that the majority of the secondary characters that the protagonist formed connections with previously were for the most part MIA, although they were replaced with new ones, so at least the author found a way to fill that void. Sig’s role was minimal which made me exceedingly happy because she was my main problem with CHARMING, so I liked that the Valkyrie was pushed to the back burner for the time being. John’s POV continued to delight and entertain; I loved how he talked directly to the reader, and his keen wit and sarcastic dialogue are the main reasons why I am diggin’ this series so much.
As expected, the narrator delivered another winning performance which was why I had no qualms about pre-ordering this audiobook. His voice is well-suited for James’ writing style, and he absolutely nailed Charming’s first person POV. The hero gets his butt handed to him on multiple occasions, and Roger Wayne helped to add authenticity to that fact by slurring his words as though he himself had gotten punched in the teeth. He also showed adaptability as a narrator by taking a step back from the first installment’s snark, and adopting the more somber tone that this tale demanded. It normally takes me a week on average to listen to nine+ hours, but in this case my listening time was cut in half thanks in large part to Wayne.
DARING is proof that werewolves make everything better!
Going into POISON PRINCESS I couldn’t help thinking Young Adult—this is going to suck, but Kresley Cole’s writing quickly won me over to Evie’s side, and then Emma Galvin sealed the deal with her mesmerizing narration. And now, here I am, completely committed to this series, and putting my stamp of approval on book 2. The characters show a level of maturity that I never expected from this genre, and there was even a sex scene in this installment. Yes folks, don’t let these teenagers fool you, this is grown up YA at its best. The author does such an amazing job of making readers dislike Death that when the love triangle began to develop I was convinced that nothing could sway me from Team Deveaux. Well, now I’m eating crow because Aric was so skillfully fleshed out that the Cajun is just a distant memory. Jackson who?
For a girl that doesn’t want to play the game, Evie sure is racking up Arcana symbols! I love how far she’s come from that scared young woman refusing to accept her new, albeit harsh reality, to the ring leader of an unlikely alliance of Arcana. Greene shows mercy when the situation calls for it, and still believes that more than one power card can survive the coming battle, but when he friends’ lives are on the line, she doesn’t hesitate to do what must be done. I enjoyed witnessing the Empress embrace her powers in ENDLESS KNIGHT; her abilities may be the complete opposite of Death’s, however life can, and does annihilate just as easily. Evie continues to surprise me at every turn from how she deals with the teeth (carnivores), to certain characters’ two-facedness, to Aric’s unexpected past. The Red Queen is no pushover!
Coles’ dystopian world-building marched forward in this installment with the Hierophant, Devil, Tower, Strength, Judgment, and World cards. I liked learning more about their tableaux, calls, and powers as well as the characters that they represent. I also developed a soft spot for Scarface, Cyclops, and Maneater—Lark’s wolves. The plot line was uncomplicated: escape Death, and when that fails, survive him. I enjoyed the showdown leading up to Evie’s capture, and her time with Aric was enlightening to say the least. I was happy that Jackson was finally clued in to the game and ecstatic when he and Evie found a brief respite in each other’s arms. But of course, just when Greene decides to trust him his deception comes to light.
This novel took so many turns that I did not see coming, and oddly enough, I found myself rooting for the bad guy! Like most other readers, love triangles are the bane of my existence, but the one in ENDLESS KNIGHT is so far removed from what is typical of this trope that I wasn’t the least bit upset by it when it eventually surfaced. I’d mentioned in my review of book 1 that Emma Galvin’s narration carried that installment, so I was relieved to see her flying solo this time around. I’m not knocking Keith Nobbs’ delivery, but I prefer to give credit where it’s due. Galvin excels at bringing THE ARCANA CHRONICLES’ dark tone to life while still doing the youthful characters justice with a YA authenticity that so many performers in this genre lack.
ENDLESS KNIGHT concluded with one heck of a cliffhanger, but that’s a recipe for success as far as pre-orders of DEAD OF WINTER go because you can bet I’ll be glued to my earbuds come hell or high water on January 6th, 2015.
I’m a huge fan of Maggie Stiefvater’s THE WOLVES OF MERCY FALLS trilogy, and I recently listened to SINNER in audio which is what prompted me to give this series a whirl. Well, that and the fact that I won a copy. The author’s lyrical writing style that I’ve come to know and love was out in full force, I connected remarkably well with all of the characters after only one installment, and I also really liked that this wasn’t your typical paranormal listen in that it doesn’t feature the usual supe suspects. However, I found that the lore was a lot to take in—I had to listen to several chapters more than once in order to grasp all of the intricate details—and, I wasn’t completely sold on the narrator’s delivery. But, I remember not having instantly clicked with SHIVER, so I’m more than willing to give THE DREAM THIEVES a chance, I just won’t be downloading a copy asap.
The first few chapters were kind of meh because all of this series’ players were introduced, but Stiefvater didn’t connect the dots until three hours in which caused THE RAVEN BOYS to have a rather slow start. Then all of the symbology, Tarot aspects, and Welsh lore kicked in, and I was once again swept again by this author’s masterful world-building skills. Readers are left with way more questions than answers, however that’s to be expected from a debut installment, so even though it was frustrating, I was still pleased with the end result. I’m infinitely curious about the corpse road, ley lines, Cabeswater, Glendower, the dreaming tree, and what it all means because at the moment there seems to be many MANY pieces to this puzzle, and I don’t have two clues as to how they fit together.
I took an immediate liking to all of the characters; from Adam the trailer park trash trying to make it on his own, to Gansey the wealthy adventurer that attempts to be middle-class but fails horribly, and Blue the only non-psychic among a family of fortune tellers who just wants to be special too. The prophecy surrounding Sargent’s true love added an extra layer to the intrigue, then there was Whelk & Neeve’s individual motivations, and the whole possibility vs reality angle. And, just when I thought that I was beginning to figure the story arc out, Stiefvater goes and drops the Noah bomb on me, followed by multiple visions of likely outcomes, and a semi cliff hanger ending about a ghost’s dreams and a raven named Chainsaw. Colour me thoroughly confused!
I liked Will Patton’s narration, but I didn’t love it, and there were a few reasons why. The main one being that he whispered a lot, and although I found that it fit this novel’s darker tone, it also made him difficult to understand. The whole time I was listening, I thought that Cabeswater was actually caves water, and this happened for several words that I later had to look-up in order to write an accurate review. This also may have been what caused me to have to re-start several chapters rather than putting all of the blame solely on the author’s complex world-building. I really disliked the voice he used for Persephone, and for the most part, he felt too old for a Young Adult book. However, after eleven+ hours of him streaming through my earbuds, he did grow on me, so I’m not prepared to write him off just yet.
THE RAVEN BOYS made me go WTF way too many times to count, as all good mysteries should, so mission accomplished Maggie Stiefvater. We will meet again in THE DREAM THIEVES!
It should come as no surprise that I’ve been enjoying this series a lot, but I haven’t LOVED any of the installments yet, until now. When I first discovered that this final book featured a healer as the main heroine, I had some qualms as to whether Charlotte would be able to achieve the level of badass-ery that I’ve come to expect from Ilona Andrews. Case in point, FATE’S EDGE’s Audrey Callahan wasn’t a fighter either, and ended up being my least favourite THE EDGE female protagonist. All of my doubts quickly flew the coop though when I learned that de Ney’s abilities could also be used to harm, and I’m not talking little ouchies here, but mass murdering plagues. Never have I been so happy to eat my words! The world-building, narration, secondary characters, and storytelling absolutely rocked too. This was the series finale after all, and this author duo doesn’t do half-assed. Period.
I liked that the protagonists were older; they’ve both been married once already, are individuals first, and a couple second. Charlotte and Richard have been around the block a couple of times, and as a result, were unwilling to settle for anything less than true love. It made them both more accepting of their respective faults; the flash fire romance was believable on account of them knowing exactly what they wanted in a partner, and not being afraid to go after it. I loved de Ney’s flawless poise vs. Mar’s backwoods mannerisms, and her raw power to his skill with a blade. She fears transforming into a bringer of plagues, while as he’s worried that he’s not Blue Blood enough for her. When they finally opened up their hearts to a relationship, it was like two puzzle pieces sliding home.
The Andrews’ skillfully wrapped-up this series’ story arc while still weaving a captivating story about slavers, political intrigue, and also tying up several loose ends secondary character wise. Jack and George play a vital role in this installment, and I loved how they were able to get some closure with regards to their father’s abandonment. Sophie gets a piece of Spider for fusing her mother, and even Rose, Declan & Kaldar had brief cameos. As much as I enjoyed the action, I actually liked Charlotte’s poised manipulations and tutelage of Lark more. It takes finesse to defeat a foe with a sword, but even more so with words, and clever artifice. However, not everyone got their HEA unfortunately, poor sweet Éléonore… And, was it just me, or were there sparks between George and Sophie? Potential spin-off?
I’ve now had the pleasure of listening to eleven audiobooks from Ilona Andrews and Renée Raudman, and let me tell you, the experience is in no danger of getting old. There are many reasons why this trio makes up the bulk of my Audible library including spellbinding performances, flawless pacing, and masterful tone. Raudman is the voice behind the Andrews’ written word, breathes life into all of their memorable characters, and makes listeners feel like they inhabit this author duo’s fictional worlds. If you’re still on the fence about audiobooks, I highly recommend that you give these a try, you won’t regret it! In fact, your house may end up cleaner than it has even been because you’ll find yourself actively seeking out excuses to read hands-fee.
STEEL’S EDGE was the ultimate epitome of go big or go home! My god, am I ever going to miss these characters!
All good things must come to an end, and unfortunately this seventh installment in Kevin Hearne’s THE IRON DRUID CHRONICLES terminated its 4/5 star reign for this reviewer. It seemed as though the author tried to go all out for his hardcover debut by incorporating multiple POVs, countless gods, several mythologies, and way too many plot lines which caused the story to lack focus, and to feel somewhat disjointed. I really enjoyed what Owen and Orlaith brought to the table, but the lack of Atticus/Oberon moments, and the overabundance of Granuaile ones made it impossible for even Luke Daniels’ superb narration to save. The Tuatha De Danann story arc has finally come full circle, so one can only hope that the next novel will be a return to a simpler time when these audiobooks were about an outspoken druid, and his quirky Irish wolfhound.
This is the only Urban Fantasy series that I’ve succeeded in convincing my guy to read, and he actually devoured this one twice because we were travelling at the time. Anyway, on his second pass he admitted to having skipped over all of Granuaile’s chapters, and they were my main issue with this listen as well. I’m not sure whether Hearne was overcompensating because she’s his first female POV, if her character was just over-ecstatic about being a new druid, or if Daniels’ breathy narration got on my last nerve—probably a combination of the three—but I absolutely HATED her in SHATTERED! She came off as such a hippy-ish worry wart that hitting play became a real challenge for me because I just wanted this audio to be over; she single-handedly turned one of my favourite stories into a horribly painful experience. It took me a full week to finish this book compared to my usual 1-2 day norm.
I adored Owen, he’s cranky and a bit of a d*ck, and quite frankly I loved him for it. He was the complete opposite of Granuaile, and boy did I need that! I enjoyed Orlaith’s simplistic speech, and of course Atticus & Oberon are long time favourites of mine, although I wish they’d played larger roles instead of the equal three-way split. All of the previous installments in this series have focused on one specific lore while as this one had a bit of everything which led to a lot of nothing. The plot threads were difficult to follow, and felt like separate stories haphazardly smushed together in a vain attempt to make one congruent tale. I did not care for this new format; it was a far cry from Hearne’s typically smooth flowing writing style. The author’s trademark humour was also severely lacking because Granuaile simply is NOT funny.
I have yet to actually read an IRON DRUID book because I am a huge fan of Luke Daniels’ narration; however I strongly considered switching to hard copy in the middle of this one to see if Granuaile’s POV would annoy me less on paper. Again, I’m not sure if it was his actual performance or just that specific character, but listening to Miss MacTiernan’s chapters was downright unpleasant. That being said, I enjoyed Daniels’ gruff portrayal of Owen, he did a fab job of bringing this old Irishman to life, and I really liked his Mexican accent when he stepped into Jesús’ shoes.
SHATTERED was good, but not my favourite, and if this series continues this format I may have to stop pre-ordering these audiobooks.
*** Review may contain spoilers for previous installments in the series. ***
Whenever I finish a truly amazing book I’m often tempted to write a one sentence review because words fail me, and the only thing that potential readers really need to know is READ THIS. And, never has that urge been as strong as in the case of MAGIC BREAKS. This novel wraps up one of the greatest Urban Fantasy story arcs that has ever been penned, and that’s not even the best part, because even though KATE DANIELS’ lifelong journey has reached its culmination, the best is still to come. In this installment, characters die, power shifts, and a new path is forged—epic is the only term that comes to mind, and even then, it still falls short.
It was a good thing that MAGIC BREAKS came with a disclaimer because otherwise I think this novel would have caused mass panic among readers (me included). I loved the character recap; it really helped to set the stage for this story, and ensured that everyone was on the same page regardless of whether you re-read all of the installments prior to this one, or haven’t visited Andrews’ universe since last July when MAGIC RISES hit shelves. Hugh d’Ambray demonstrates why he earned the title of Roland’s Warlord when he sets his ingenious scheme in motion to cause an all-out war between the Pack and the People. Kate’s got some pretty big shoes to fill with Curran away on business, and although I did find myself missing the Beast Lord, the wait was worth it when he finally made his spectacular entrance.
Pretty much all of this series’ characters came out to play which was awesome, and fitting seeing how everything comes to a head in this book. Kate and Curran’s interactions were perfect, and I loved learning more about Ghastek. And, even though the action was at the forefront of this story, there’s still a good dose of romance, and—believe it or not—cuteness thanks to Cuddles, the mammoth donkey, and an adorable bunnycat. A long time character dies, however I think that I was actually more upset over what happened to Slayer, but again it was all part of the Andrews’ master plan. The authors did a fabulous job of tying up loose ends while still continuing to add new mythology and world-building to the mix. Roland was positively magnificent, and I was thrilled that his and Kate’s first meeting exceeded my sky high expectations after a grueling six installment long build-up.
I’ve been hooked on Renée Raudman’s narration of this series since the very beginning, but never have I hung on her every word quite like I did while listening to this audiobook. Towards the end, I think that I actually forgot to breathe a time or two. The conclusion was jaw droppingly wonderful, and her suspenseful delivery made time stand still. I loved everything about her performance, from Curran’s raspy baritone, to Kate’s sarcastic wit, and Julie’s bonus short story at the end was the cherry on top.
Never has a series been more about the journey than the actual destination, and the evolution that Ilona & Gordon’s characters have undergone is staggering. Urban Fantasy doesn’t get any better than MAGIC BREAKS—READ THIS.
I loved Elliott James’ PAX ARCANA universe, his first person POV writing style, and John, the male protagonist, but I had some major issues with the love triangle, info dumps, and the fact that the female lead was a Valkyrie. However, the former appears to have been resolved, and even though I have reached my limit on books that feature this type of lore, the Norse mythology was light enough to be tolerable. And, because of this, I will not hesitate to one-click DARING in September. CHARMING was made for audio, as soon as I heard Roger Wayne’s voice I knew that this series was meant for my ears and not my eyes.
A number of reviewers mentioned that having the narrator speak directly to the reader was a little weird; I on the other hand did not have this problem thanks to the audiobook. From the prelude onward I felt like I was part of the story, and I really enjoyed that aspect of James’ style. The world-building was rich albeit a little too much at times, and I especially liked the idea behind the PAX ARCANA. Many authors struggle with whether supes are ‘out’ or not, so I loved the idea behind a world-wide spell. The Knights Templar oath also added an interesting twist on what John can and cannot do, plus he’s learned how to brew the perfect cup of coffee—a man after my own heart!
I’m not sure why the love triangle surprised me, but I honestly just didn’t expect one from a male Urban Fantasy author which is probably why it annoyed me way more than it should have. Dvornik and Charming are two bad ass characters, so the fact that they are fighting over Sig like a couple of school boys struck me as ridiculous. And, at times I found that the vampire hunt became secondary to the romantic drama which caused me to lose interest in the story. But, the wonderful secondary characters helped to reel me back in, and John’s wit & snark reminded me of Atticus O’Sullivan (Kevin Hearne), another protagonist whom I adore.
Roger Wayne was an instant hit with this listener; I loved everything about his delivery and tone, and how I felt like he was talking to ME because of the first person POV. His narration flowed well, and I liked all of his character voices. I sometimes had difficulty telling when an explanation wasn’t part of John’s storytelling, but otherwise this audiobook was a near perfect listen. I finally have another male narrator to add to my favourites list—I’m now at two in case you’re wondering.
CHARMING brought a lot to the table with great writing, lovable characters, and the geeky humour that I love. It wasn’t perfect, but Elliott James hasn’t really even gotten to the best part yet… the werewolves!
I’d like to start this review off by first saying that I’m not 100% sure whether it’s the narration or the story that’s making me consistently rate this series 3 stars, so you might want to take my thoughts with a grain of salt until I figure that one out. Anyway, I think that I enjoyed this installment slightly less than its predecessor on account of all the psycho babble & lengthy experiment explanations. I felt like I was back in college listening to a professor drone on about a subject I couldn’t have cared less about. Kat Richardson’s approach to the paranormal seems to be largely academic in nature, and I’m not convinced that that writing style is well-suited for the Urban Fantasy genre.
One of the aspects that I enjoyed the most about GREYWALKER was Ben and Mara’s supe 101 sessions with Harper, yet they seem to have almost completely vanished in this installment. I’m not sure how much time has elapsed between novels—I may have missed it in the earlier chapters—but it can’t be more than a couple of months, and I found that Blaine’s grasp of her newfound abilities was far too advanced for book 2. She’s also suddenly full-out dating Will, and in a long distance relationship no less, after only a few weeks (?). Again, I’m not clear on the time frame, but it just felt off to me. I had to double-check to make sure that POLTERGEIST was indeed the second installment in this series.
I enjoyed the whodunit murder mystery even though I did find that it was a little too predictable because the suspect pool was restricted to the experiment participants. I also liked learning some of the tricks on the trade when Richardson explores how certain illusions are created; it’s clear that a lot of research went into this novel. Quinton is probably one of my favourite characters to date, and I was satisfied with the role he played in this story as well as Phoebe Mason’s. She’s a new addition, and I look forward to reconnecting with her in future installments. Will on the other hand… I honestly don’t see his appeal, and hope that Harper dumps his butt ASAP.
The narration was somewhat improved when compared to the previous audiobook. I thought that Mia Barron’s Jamaican accent was well-done, and her ‘baby’ voice wasn’t half-bad either, although too much of it would have definitely given me a headache. But to be fair, any 2 year old talking in my ear nonstop would, so that means that her performance was authentic. Barron’s portrayal of the vampire characters was still too over-the-top for my tastes, especially where Carlos was concerned; he came across as more Count Dracula than evil undead master.
In short, my struggles with this series continue, and if something doesn’t start to click soon, I may be calling it quits. POLTERGEIST felt more like a crime novel with paranormal elements mixed in than it did an Urban Fantasy which might be the crux of my problems with Harper Blaine.
Audrey and Kaldar were my least favourite couple to date in this series—that being said—FATE’S EDGE was still a solid 4-star read thanks to George and Jack. When I finished book 1 my first thought was I hope the Drayton boys will make another appearance, so I was pumped to see them pop-up again in this installment. On top of stunning characters, Ilona Andrews also brings her mad world-building and storytelling skills to the table which makes this novel exactly what I’ve come to expect from this author. Add to that Renée Raudman’s flawless narration, and you’re left with another winning audiobook in THE EDGE series.
I didn’t dislike the leading duo, but they lacked a certain je ne sais quoi if you know what I mean. Audrey is not Andrews’ typical heroine; she’s strong, savvy, and a skilled lock pick, but she’s no fighter. Callahan wages her battles with words instead of a sword which made the romance between her and Kaldar somewhat of a slow burn; lots of flirting, but very little substance. However, I think my main problem was with her male counterpart; he’s more of an anti-hero in my opinion. Kaldar spends a good chunk of this book trying to get into Audrey’s pants, only to later change his tune to one of love. Admittedly, they are well-suited for each other and I enjoyed their bantering, but the hero’s transition from player to soul mate didn’t feel authentic.
George and Jack definitely stole the show, and I was more than ok with that. They both play a pretty significant role in this novel including their own mission in Audrey and Kaldar’s scheme to retrieve the magical device. More is revealed about their respective powers, and I especially enjoyed the extra Changeling tidbits. One of my favourite scenes was from Jack’s POV where he’s chasing a butterfly. Now, as a general rule I’m not a cat person, but even I could appreciate the author’s attention to detail when it came to our lynx-y friend. A number of secondary characters as also introduced in this installment, the most memorable of course being Ling the Merciless, Audrey’s raccoon sidekick.
Renée Raudman’s performance is once again beyond reproach; she achieves the perfect balance between action and humour in her tone, and just makes the overall listening experience a lot more fun. At one point George and Jack are practicing their Broken speak for their upcoming mission, and as a result the narrator had to say “dude” repeatedly in a variety of ways and it was hilarious! The only fault I found with Raudman’s narration was her sexy scenes, her voice became a little too breathy at times, but otherwise this was another fab audiobook from this artist.
FATE’S EDGE is an excellent listen, and on par with what I have come to expect from Ilona Andrews’ THE EDGE series.
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