Yawn. Mostly a bore. Stock characters and predictable plot. I should have known better.
Just about everything irritated me in this book. The characters have little development; they are described by their clothing. The story moved slowly because everything—everything!!!—had to be explained. Any book that calls out designer labels as part of the text should be burned before anyone hears/reads it. When a character shares the last time s/he had sex, and how hot she thinks every guy is who is introduced into the action, it is time to get out the matches. Sorry. I like a book that wraps me up in a story that I cannot stop reading. I do not care about clothing worn, I care about motivations, and well developed characters, and by "well developed" I do not mean muscles or boobs.
Memoir, to scrub the taste of this book from my ears. Perhaps _As You Wish_by Carey Elwes.
I have no complaints with the narrator. Her voice is very young sounding, and smooth. She does evoke different personalities well with vocal mannerisms, accents and tonality.
The main character witch and her two sisters, the werecat and the vampire, but then, who would tell the story?
I will not be listening to another book by Andrea Kane. Partly because I think gratuitous sex scenes are a waste of space—the interest in the book is a kidnapped child, not the hot and heavy between two of the people trying to find the child. These people are stressed from the hunt for a missing little girl and not sleeping more than a few hours a night, and they want to have sex all the time? Really? The problem with this particular book is that it is so [spoiler alert] obvious from the beginning that the vanished twin sister is the kidnapper, that a reader wants to scream at both the FBI and the crack team led by Casey that is so brilliant they can find and solve issues before the feds can. How could both groups of supposedly crack detectives be so thick?
Perhaps another Alan Bradley, narrated by Jayne Entwhistle, who actually does a child's petulant whine rather well.
The performance was adequate. Colby does an excellent job with male character voices, a good job with women's voices, and an execrable job on a female child's voice, but I believe it nearly impossible to handle a child's voice well.
Oh dear. OK, the sex scenes between Casey and the FBI guy were a waste of time and paper, or rather, air. I would rewrite character of the judge, who refers to the little girl as her baby until I wanted to smack her, or the author. The judge is irritating. She seems to have the brains of a high school dropout instead of a seasoned law professional. She doesn't trust the FBI? She marries a sleazeball, and stays married to him? She delivers the ransom money???
Please understand that I read memoirs, historical mysteries, mysteries and thrillers, and rarely ever read romance or steamy bodice rippers. Eww. So some of my comments are naturally affected by my personal preferences.
I love anything that Thomas Perry writes, and this was a great story; the double crosses were dizzying. But if you are going to get someone to read a book, that person should be provided with the correct ways to say local place names. This fellow mispronounced Sepulveda, La Canada, and, as I recall, La Cienaga. Every time a place was mispronounced I felt as if I had bitten down hard on tin foil. That said, it is a great listen, although it was more complex than many Perry novels, with multiple story lines.
Alan Brady's Flavia de Luce mysteries provide a delightful distraction from the mundane. Flavia is 11 years old, and lives in a crumbling country house near a quintessential English village. She is willful, resourceful, neglected by her father and ignored by her two older sisters. That neglect provides her plenty of time to investigate the characters of her village and the surprisingly frequent murders in this small population. Jane Entwhistle is the perfect reader to perform this book! She does Flavia's youthful voice and the voices of the many elder ladies with aplomb, and the male voices are rendered well. Flavia has an unusual fascination with chemistry, and in particular, in the chemistry of poison. Her alarming attempts to poison her elder sister provide a counterpoint to her efforts to puzzle out why—in this instance—a traveling puppeteer dies in the middle of a performance of Jack and the Beanstalk in the parish hall of the local church.
This was a little too cute for me. I just couldn't get in sync with the main character. But it wasn't bad. I just didn't think it was all that great, either.
This was a great book! I loved every inch of it, and Dick Hill does a great job with the Reacher novels. I like Reacher very, very much. This was about the best one I have read so far. But--"I said nothing."
This type of book is not my cup of tea. Plucky heroines who have overdeveloped libidos and who instantaneously dislike the guy character they are obviously destined to spend eternity with do not appeal to me. The mystery she sets out to giddily solve was interesting enough but all the ruffles and buttons and heaving bosoms (on both male and female characters) just about did me in. I know it has an audience--just, not me.
I really like Ridley Pearson, and have read several of his series titles. This was outside the norm, and it was very good. No giving away the story--just enjoy it for a book about running from bad guys and narrowly escaping, time and again.
I believe this is aimed at a youth market. It doesn't develop a story quickly enough for a reader like me, and I believe that is a handicap for the youth market. Too much of the book is taken up with explaining a world of fantasy, and the main character spends most of the book running and hiding long after the reader wants resolution, even if it means she is caught. The narrator, Richard Aspel, is effective.
Report Inappropriate Content