This book had come highly recommended to me by friends, and it's certainly in a genre/era that I enjoy. I read a lot of victorian era fantasy fiction and, usually, I enjoy it immensely. This book, however, was always just a little off the mark. Character development was, presumably, sacrificed for setting development which, ultimately, gave the whole piece a rather hollow feel. There was also a lack of consistency in the characters... It was difficult to determine who were the pro- and antagonists. You found yourself rooting for a character one minute and finding them distasteful in the next. The back story was never really hammered into place, giving everything a rather hazy, made up sort of feel. Reveals were too brief and, as a result, anticlimactic. Possibly the most frustrating thing is that, for a book that supposedly takes place in the late 1800 and 1900's, the romantic relationship between the two protagonists feels uncomfortably modern, bordering on a new age, tantric-y, hipsterish vibe that seems strangely out of place. Likewise, while the IDEA behind the circus seems intriguing and fraught with possibility, much of the descriptions of the attractions/performers sound like the author had recently gone to a Cirque du Soleil show and then wrote what she saw into the narrative. Again... That uncomfortably contemporary feel that felt laid onto the era, rather than emanating from within it.
All in all, I think this author has potential. I think she just probably needs more practice and she should, perhaps, consider writing from within an era that she's actually familiar with. This story had potential too but, alas, that's too late to really be realized. From a performance perspective, Jim Dale did a solid, thorough job here, even if sounding a bit too bumpkinish for some of the more "elite" roles in this book. I am not likely to listen to this again.
This is a wonderful story, a great tale of two rich cultural traditions and their myths. The characters are incredibly well developed, and the story is surprisingly moving. We take two mythical creatures from two concurrent cultures and bring them together in unexpected ways, while examining the intrinsic possibilities of each's potential for both good and evil. The storyline is rich, the period details are fascinating and intriguing. I've listened to this twice, and enjoyed it more each time.
Well done series, enjoyable if you are a fan of the serial fantasy genre. My only complaint is that I don't really like the way the narrator reads the main character... If feels contrived and overdone (and strangely inaccurate). Otherwise good.
Look... I LOVE The Name of the Wind series. I LOVE Auri. I love Patrick Rothfuss' writing. But three + hours of skittering around in Auri's whackadoo mind is just. too. much. I can see why he enjoyed writing it... total play on words, the flagrant exploration of the "essense" (as perceived by a crazy person, albeit a sweet, harmless crazy person) of inanimate "things" was probably fun to write, fun to explore. But for the reader? It was just painful. I listened to the whole thing, but it was more a dutiful and drudgeryish experience than anything, rather than enjoyable. I get the idea that most of us are a little bit broken, and most of us often feel lonely, but 6-7 days worth of narrative from the rambling, mercurial mind of a crazy girl just got to be way the heck too much. I will never listen to it again.
I really loved the whole Kushiel series, both Phaedre's and Imriel's stories... But this one was just soooo far fetched that it was hard to really buy into Moiren's story. I found Moiren's character to be both too cloying and improbable to really feel invested, and the whole going to Ch'in, dragons, etc was just stretching it too far. I don't actually think that I'll be finishing this series.
I've read through many of the reviews of this book, and the primary complaint seems to be regarding the inconsistencies with Mr. Dotrice's narration. I feel that it is important to point out that he is NINETY years old as I write this, was 88 when this audiobook was published and 80 when the first book in the series came out. I know many elderly people, and the fact that he was able to narrate these giant tomes at all is quite remarkable, let alone so well!! So, yes, I agree that it is maddening to hear a narrator change his game mid show, but I feel like we got to cut this guy some slack. Just saying.
That said... the book itself is consistent with the rest of these works, ponderous and detailed, but still thoroughly engaging. Just like the whole series.
David Mitchell can seriously write. It's like 6 mini-novelas with the slightest undercurrent of a theme running through all of them. Each story is so unique from the others presented, and so well done, it's hard to imagine that they're all contained in one book. Other reviewers cautioned against trying to listen haphazardly to this one, I think that's sage advice. But I didn't find it difficult to follow as long as I paid attention. It's funny, poignant, serious and intense, all wrapped into one. This is one I will listen to again.
I found this book to be really enjoyable. It was my first foray into the land of Stephenson, after being referred by a friend, and I'm quite pleased. The story was fantastical yet never felt impossible, thanks to the careful machinations of the author. Great characters, well developed, human and interesting. Held your attention throughout. I thought the narrator did a great job, really conveying distinction between the characters despite their wide diversity. I couldn't stop listening!!
This is one of my favorite pieces of literature. I read the bound version of this series at least twice before listening to it, and the production of the audio version is excellent and enjoyable. Phillip Pullman is not only a brilliant writer, but also a scathing social critic. The story itself is compelling, rich and engaging, but becomes epic when the underlying social commentary is considered.
I read several of the many "this is an anti-God book!!" reviews written by anxious readers regarding this work. I am willing to bet that most of them haven't actually read the whole series and are simply letting either what they've heard about it, or their own discomfort about belief systems being called into question influence their opinions regarding Mr. Pullman's excellent work. If one can take a more global view of the story, it becomes apparent that it is *organized religion* that is being called to task in this series, not any actual (vs. manufactured) manifestation of spirituality itself. In particular, I think it is safe to say that Pullman is especially targeting the powerful, European based, Roman Catholic church and it's historical, well publicized abuses of power. We've all heard the phrase "power corrupts; absolute power corrupts absolutely". THAT'S what this story is really about.
So, from my perspective, there's no need to be afraid to read this book if you are a Christian or any other religious person. On the contrary, I think that it presents an interesting conceptualization of spirituality unconstrained by an over-powerful and convoluted "religious body", unshackled by the guilt and political obligation so inherent in organized religion. The characters are sharp, witty, clever and very well developed. The action is exciting and fast paced, the villains superbly villainous (yet still with some humanity intact, adding to their complexity) and the protagonists deep and committed. This author is a true wordsmith and worthy of your consideration.
Neil Gaiman is probably my favorite author to listen to in audio format out there. I have listened to nearly everything he's ever written that's been recorded and consider "The Graveyard Book" the closest thing to a perfect audio book ever produced. So I had looked forward with anticipation to "sinking my ears into it" when I downloaded this book. It unfortunately fell a bit short of my expectations.
So what's wrong with this one? Well... a number of little things that add up to enough to make me unable to give it more than 3 stars. The stories are generally good, though some certainly better than others, and Neil reading them is always a bonus, as he reads his work so well. But, perhaps (and probably) because it is in an audio format, one does not really have the time to digest the individual pieces. There is mere seconds of transition time between the various stories/poems/commentary. If you listen to your books while doing tasky things, as I often do, it is not feasible to stop between pieces, digest the tale, think about the work, etc. Some of the pieces are short enough and esoteric enough that it is not automatically clear that one story's ended and another begun. I think it likely that, had I read this book in paper format, I might have had a different experience.
That said, in the end the book is redeemed by the novella taking up with the character Shadow from "American Gods". It is epic enough, long enough and in keeping enough with the original tale that it made muddling through the rest of the book worth it. I have no regrets for having added this title to my Gaiman library, but it falls rather to the bottom of the list.
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