The narrator has about 3 voices and 2 accents. He does not serve the material well. The characters are not developed. The moral qualms of the soldiers are unrealistic in the situation as described. Too many characters who are not anchored by time and place and personality. Poor writing. I can't give it one star because the spelling was fine.
Obviously more coming
Michael Z. Williamson "Freehold" series for Buetner's "Orphan" series for combat and social awareness.
My Gosh! Stop with the stereotypical raspy voice for almost all military.
Can't stay awake that long, or I would.
Read "Terms of Enlistment" first, if you can, although this novel does well enough as a stand-alone. Marko Kloos has revealed himself as quite the subversive, and I approve! He seems to think that sometimes, a society will endure a time when it is not the cream that rises to the top, but the ... well, you know.
In the first book of this series (may there be many more!) Grayson is a callow youth; not stupid, mind you, just living in a black and white world. He is optimistic in a world that is falling apart. In "Lines" he has begun to realize that he is those at the top are behaving with perverse stupidity, and he slowly comes to know that he has to do something about it or lose his self respect.
A weakness of the book is Kloos aliens: what makes them tick. Why are they so powerful and yet so apparently stupid. Humans are cockroaches to them, such is their technological superiority. They wipe us out like we would fumigate termites, and as easily. But I don't know of any termites that can band together to kill humans, or burn down a house rather than let you move in. The aliens inscrutability is taken too far. Wouldn't they make more effort to stop us from fighting back if they are so powerful? Maybe Kloos will explain this in the next book.
And there better be a next book. Our hero is likable and the writing is smooth and professional.
But please, again, narrator Luke Daniels, stop with the constricted throat rasping voice for all ground troops except our hero and his girlfriend. Even Sergeant Brianna sounds like a weight lifter. And apparently all the pilots speak in a rapid monotone or with a Tennessee twang. Oh, another choice for soldiers is that some sound like Squiggy from Lavern and Shirley. There are about 5 exaggerated voices that are used over and over again. Gets really annoying.
Having been so mean to our Narrator, let me say that his performance choices are very important, and can change the quality of the book. Luke Daniels is good! Just never let him do military voices again unless he broadens his repertoire.
I love Lee Child's writing, and his observations and asides still enchant. I almost never give a pass to unrealistic situations but somehow when Reacher uncovers byzantine conspiracies and ends up out of touch and out of reach in a Corner of Nowhere despite this being an extremely connected society... I go along. I don't know why I cut Child so much slack. Perhaps it is because I love the "Stranger comes to Town" trope.
I just the author would get back to more grounded situations. The villains were faceless. We never get to know them. That can work, but here it just makes the conflict oddly bloodless despite all the blood.
Oddly David Baldacci's "Zero Day" has been called a Jack Reacher homage, and I find "A Wanted Man" to be weirdly evocative of "Zero Day", and I know that is either a strange coincidence... or a conspriacy!
One final note on action and violence: way way to little. Reacher never even punches someone in the stomach till near the end of the book. I appreciate that he is a detective unraveling a mystery, but he is a very large, very strong detective who knows how to fight dirty. The best fight is the one you walk away from--- unless you're a thriller writer.
Half as Good as "Beat the Reaper" which still places it very high on my list. Does not have the intensity or pace of BTR, but is still well-written. I am not rating based on Bazell's Politics. I am not rating his views on Global warming. I am rating the writing and the story. If I can stomach Steven Hunter for the sake of his great story-telling ability, then I suggest "Wild Thing" is just as tasty a dish even if you don't like the color of the napkin. Actually, I think he treated Palin with mild whimsy, compared to Captain Bonobo (Obama) in Hunter's "Soft Target".
I do wish we had stayed on the cruise ship for the whole book. Imagine the fun he could have had. After BTR, you never want to go near a hospital again. Just think of what Josh could have done with our desire to take a nice cruise.
The Narration was great. If it bothers you, beware the profanity
If you like your humorous revenge psychopathic, this is the story for you. Before there was Dexter, there was Serge, and he isn't fooling anybody. He's your (vastly hyper and annoying) friend for life... unless you're a jerk... then you're dead! In some elaborate and hilarious way. I love the way Dorsey weaves together disparate strands into his typical explosive climaxes. He is a careful plotter and a very clever writer. Love it.
The characters were flat and the story was full of missed potential. This was not vivid work, and I did not care what happened to these unlovable characters.
Fantastic material rendered dreary by somnolent narration, repetition of material, and unsupported fictional interpretations about what "no doubt" happened. "No doubt" becomes a code phrase for "wild guess".
Just how was it so easy for the Spanish to so overwhelmingly dominate the battlefield? Sure, they had horses and armor, but scores or a few hundred Spaniards against literally thousands of their Incan opponents and they weren't overwhelmed like spiders by army ants? I don't think we will ever know the real answers, but the important military aspects are glossed over, and there are not even any particularly good guesses as to why the "brilliant" Peruvian generals were such twits.
The amazing villainies of the Conquistadors are described baldly and boringly indeed. You have to rely on your own imagination to flesh out this tale and bring it to life, for you will find little enough juice in the narrative.
Historians have little to go on, but the guesses presented here are unconvincing and uninteresting.
God, maybe it's because my own Dad was a vet of the same age, but by the end of this thing, I was so choked up I couldn't talk for awhile. What a beautiful, touching ending.
This was a vital, powerful human being, and I am sure we only touched the surface of his life.
My favorite parts were the technical and flying passages. I loved the stuff about dealing with the torque of the P-51, and mastering aircraft without any familiarization, and the war tactics.
It opened my eyes about SAC, and the inside of a previously opaque organization, The USAF.
Why couldn't a guy like that fly forever?
I never "felt" what it was like aboard before.The author really makes me see the hugeness of this wooden battleship and feel the salt and wind. Marvelous. The first half of this book is magnificent in that sense, and gives you the "downstairs" of a pressed man, rather than the "upstairs" of a Hornblower or Maturin. The second half of the book changes tone almost jarringly, with adventures that are described in an unbelievable fashion (even if they are based on fact) and dialog that is clumsy. Still, I want more of this series.
Narrator is good, except that Kydd's accent keeps changing.
Lee Child left me feeling he was getting rushed and a little stale, especially in his last book, "61 hours". On the one hand, I want an author to feel free to write what he wants, and not listen to the forum of reviewers too much, since much of that feedback will be inhibiting. Among the complaints was a lot of whining about not enough action. Well hey, I was one of the whiners, and maybe he listened just a bit, because... Hurray. This is the take no prisoners Reacher of old; operating for truth and justice, but not by the lawbook.
Some people don't like the wordy essays on random subjects, or the way it takes 4 pages sometimes between the cocking of a fist and the landing of a blow... I love it. I love the observations and the mini lectures.
Lee Child takes his time with this one, slowly building the story and keeping it going to new heights of tension and action. No abrupt ending either, but rather a nice wind-down.
Wildly implausible and illogical at times, but such a great ride I just don't care. Lee Child joins Steven Hunter and John Sanford as one of my favorites in the mystery-thriller genre.
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