I had thought that this would be one of those six-degrees-of-separation deals, where the effects of the mugging ripple directly outward. Instead, it felt more as though the affected were a closed circle, some of whose members I did not care for much. Kellgren's accents were good, especially the mugging victim Charlotte, and Czech immigrant Anton. However, at other times, she spoke in a "plummy" voice which I found a bit irritating. Others' mileage may vary on this one, but my experience was that it filled time, and not much else.
Yes, the author does get carried away with his own schtick at times; however, he's usually informative and funny enough to easily carry what could be dry subject matter if handled differently.
Seems my ancient degree in International Relations really paid off here! Those without a very strong interest in foreign relations would find this one rather a slog I'm afraid, beyond the travel narrative aspects. Audio narration is well done.
Good that this was a short book (non-fiction "novella" as it were), as I never got used to the author's rather verbose, corny style. I suppose it may well be the way Victorian sea captains spoke, and I assumed that the narrator faithfully reproduced that effect, but the result just wasn't for me; had this been a full-length work, I doubt I'd have finished it. The final hour (25%) consists of a second-hand tale from the South Seas written by Slocum, based on reports he says he "translated" with the aid of a Polynesian Bible as his Rosetta Stone; I gave that part a pass.
I had my doubts about "Sailing Alone Around the World", which now goes into the Highly Unlikely category.
and liked it, so thought I'd try the audio edition this time. Carole Boyd was a perfect fit as narrator, truly enhancing my enjoyment of the story!
I suppose this one might qualify as chick-lit, although I could easily see a similar story featuring three brothers with the same family dynamics. At first, I didn't really care for the youngest sister, Retta, much at all; she seemed as though she did get far in using her looks. Barb, the oldest, came off as a tad cold, although she had her moments. As the book went on, I did feel for the middle sister, Faye, having to play "double agent" with both Barb (in terms of keeping Retta from officially joining the agency), as well as Retta (maintaining friendly contact in spite of that). By the end, I was left with the feeling that Barb and Retta are just so different that they can't really identify with each other much, rather than any sort of actual clear animosity. As a bit of a spoiler, there's a clue that Retta's involvements will be "tolerated" on an unofficial basis, even if her sisters aren't ready to have her join the agency as a partner; Retta seenms as though she'd be okay with that, so I would be as well.
Three stars instead of four owing to the plot itself, which like many series set-up books isn't the strongest. I lost track a few times of who was where doing what with the rotating narration, feeling that it wasn't worth the time to keep going back.
If possible, I'd strongly recommend listening to the audio edition, where having three narrators with very distinct voices helps the reader get into character. That's not to say that when each has to voice the others as part of dialogue it didn't work. Barb's reader came across successfully as an older, never married attorney; I can relate to her surprise, and slow acceptance, when one of the characters shows an unexpected interest in her. Faye sounded a bit ... flat to me at first, but I came to realize that her life had been much ... quieter (shall we say) than her attorney sister, or more aggressively flamboyant one. Interestingly, she's the only one given a pronounced Michigan accent. Retta's voice came across as the closest to one I might expect for a cozy mystery audio - a bit snarky, though not obnoxious; her persona keeps the book from just plodding along with the more serious voices of her sisters.
I'm quite interested to see how a second adventure would turn out.
over the author's previous book - night and day! I was able to sustain interest in this one fairly effortlessly, and it was just about the right length as by the time he reached Italy I was ready for things to start wrapping up. Hiring a professional narrator made all the difference, even if the fellow bungled a New York accent (though that voice only lasted a few minutes); his pompous, sneering Spanish fellow was a hoot.
Detective Cristina Molen makes a brief appearance at the beginning, and then the novel starts before the crimes and we work our way forward to the discovery of the bodies; I do not like that method much. Had the characters been engaging, that might've been okay, but they weren't. Instead, the first part was a few hours of listening comprehension (vocabulary practice) for me. The crime investigation was more interesting, and I appreciated the Amsterdam setting; although, I kept wondering what the noun "haya" meant, until I twigged that "La Haya" was The Hague.
Audio narration was easy to follow once I got used to the reader's style.
When it was good, I really got into the author's depictions of Russian culture, but when it was not ... we're talking "Rich Peoples' Problems: Moscow" as a reality show, which is just the teensiest bit difficult to identify with. Your Mileage May Vary here, so AYOR as they say (At Your Own Risk).
Author's self-narration worked fairly well here, which isn't usually the case.
An excellent travel narrative of the nation, beyond the tourist zones of Jakarta and Bali. Pisani visits some fairly remote areas, running across ethnicities that even the folks in the cities aren't aware of themselves ("It's all 'tribal' out there ..."). While she does a great job in relating stories that weren't so funny at the time, but she can laugh at them now (such as going back into a quicksand-like mudhole to retrieve a sandal out of sheer determination); however, the sections of the legal system, and ecological problems, were a bit grim.
Definitely recommended for an insight into the country from a westerner who has spent serious time there, speaking the language fluently. Audio narrator was well-matched to the material.
Most of this book is a fairly evocative description of pre-war Romania, tough to read in hindsight knowing that a decade later the places he visited were (largely) reduced to wasteland. Still, that's true of continental settings of the period. I was struck how Sitwell freely refers to poor agricultural workers as "peasants"; would he object to poor, rural Englishmen being called that? Hmmm ... I wonder ...
During the travels, he has rather ... uncharitable things to say about the Jewish "masses" he observes, but those can be (grudgingly) chalked up as ignorant, Victorian-era generalizations, the occasional nasty, noisome belch. However, the last section focuses on what he calls the "Jewish question" - what to "do" about the millions of Hasidim in Eastern Europe? He suggests relocating these unproductive, backward folks to somewhere remote, such as Madagascar or South America. Although never coming close to a "final" solution, I was left wondering how much he regretted the one that was implemented?
Audio narration is excellent.
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