Audible just brought this one out in audio, a year or so after Sacks' latest "The Mind's Eye"; my library didn't have a print copy of "Leg", so I spent a credit on it. Both books deal with the issue of doctor-as-patient, but this one's less approachable. Once he's rescued in Norway, and sent off to Britain for treatment, the story becomes progressively more inward and self-absorbed. I was interested when he veered towards the mind-body connection in healing, but otherwise his thoughts were just that ... thoughts. Not very focused ones either - not quite metaphysical, not really philosophical, and a little medical stuff thrown in. For Sacks fans only, those new to his stuff would probably never read another.
Narration helped me keep going when the going got kind of tough.
I found that a knowledge of (modern) Irish history and culture would be a help in appreciating this work. Narration was excellent!
I had listened to the first Marlowe book as read by Elliot Gould, which I liked, but the rest of his readings were abridged, so I went on to read the remaining books every so often in print. When I found out that Audible had recently produced the series in unabridged format, I bought this one, read by Ray Porter. Narration isn't as wisecrack-y as Gould's, but for this title that's probably better.
Here, Marlowe assigns himself to the case, based upon a conviction that the official story is a "neat" cover-up placing blame on a dead acquaintance of his. Lots of twists and turns to get to the surprise ending proving him right (hardly a spoiler there). A warning that the book is l-o-n-g, by the 2/3 point I was losing interest fast in the convoluted tale. Also, there's still a fair amount of violence (along with the racism and homophobia). Still, it shows a softer side of our hero in terms of loyalty.
Porter's narration is worth springing for, even if your library has copies of the abridged series.
It's needed for context, otherwise you'll miss a lot here.
That having been said, this book proves a good sequel, though my fourth star includes Lindy Nettleton's awesome narration; the plot itself is really three stars, especially as there are regular flashbacks to March's time in India that detracted for me, especially in audio where they appeared almost randomly without any notice. Still, it's great to see Sidney and March's characters grow (though Sidney does his best to hide that). One of the best scenes was March (who had been raised in India) bravely facing an English dish of "curried vegetables" that bore as much relation to the original as passing off a can of Dinty Moore beef stew as "homemade Russian stroganoff."
Shocker of an ending makes the next book a Must Read!
I wasn't sure what to expect from this one, as I'm not a poetry guy at all, nor am I into extensive descriptions of nature. Well, neither of those were a problem here. There are some poems in the book, but only a few, so that I appreciated the poetry readings he gave along the way. Book is especially recommended for poetry fans, as well as those with a string interest in the English countryside. Audio narration a terrific fit - I kept forgetting Armitage wasn't reading this himself.
I hadn't realized this was such a YA book. Sue, the 17 year old protagonist, came off as closer to 14 to me, very immature.
As a bit if plot re-hashing, which I normally avoid, her mother's just committed suicide, and she hates her dad's fiancée, so she's off to her Aunt Coral at her mother's family estate, or at least manse. At that point, some of the story is told in flashback form over Coral's lifetime from her journals; I liked that as an alternative to Sue mooning over a boy she can't have in the present. Coral's the best part of the story, although she's rather immature herself, at her best when leading the weekly writing seminars. Naturally, there's a villain as well, who becomes the girlfriend of the object of Sue's obsession. Never fear, by the end she's contrite, Sue learns that the truth about her parents wasn't what she'd assumed, her life is on track, and Coral is left with a rehabilitated manse, formerly a money pit, to run as a sort of guest house. Sorry for the spoilers, but most readers would see all that coming in a book where everything's tied up very neatly.
One of the few audiobooks where the author's own narration is probably better than a professional would have done.
It's tough for a sequel to equal a strong first book, and this series is no exception. The plot takes an awfully long time to get going as there's no actual murder for quite a while. Also, I didn't really relate to Danny and his young friends all that much; to be brutally honest, they seemed a bit boring to me. But, okay ....
I give the book a fourth star as the villain was actually quite interesting, complete with an ending that one cannot reasonably expect, even if it's rather over-the-top. More importantly, the author makes the point that a) bullying can have consequences later, even if seems "fun" at the time, and b) so can rejecting your kids for not being what you deem "successful" early on. There's also an angle regarding Ceepak's discovering talent in a young man who seems anything but a success on the surface.
Wanted to throw in that while there's nothing gory or grisly here, one scene did fill me with complete horror: Danny stumbles across a young kid, around 5 in a wheelchair (presumably with developmental issues or Downs Syndrome, not really gone into), being bullied by a group of young men in their late teens who are going to have "fun" pushing the " 'tard" down a steep ramp (the kid is absolutely terrified). Call me a wuss if you'd like, but I was incredibly rattled for quite a while that such an event was even possible in real life.
He does a good job with presenting new (to me) points of view regarding well-trodden ground. Wasn't a great fan of his style of dramatic reading though.
So-So Victorian period piece, but no thriller. Author was trying for "Turn of the Screw" but ended up with something closer to a Movie of the Week script instead.
Narrator did the best she could with the material, so no knock on her performance here.
Where to begin after saying that ... I spent a few decades in the Garden State (ages 2 - 35), though have only been Down the Shore a few times for day trips; still, I've heard enough stories to know that instead of laying things on thick here, the author's portrayal was actually understated, if anything.
I'll start with the plot, where the only "fault" I really found was in believing that municipal cops would end up having any say in investigating such a high-profile crime. Once the state (and, in this case, FBI, as well) became involved, their presence would be distinctly unwelcome. Grabenstein manages to introduce a red herring, which I fell for along with Danny, which really shifted the tone considerably. All in all, the plot worked fine for me.
So, let's talk about Ceepak. He really did turn out almost Holmes-like in his attention to detail. Yes, he is a bit Dudley-Do-Right, but rather than seeming goody-goody, it's just who he is. His Springsteen obsession made him appear a bit Asperger-ish, although analyzing the personality of a fictional character only goes so far. Sufficed to say, he turns out to be a "totally awesome" character. The final scene would be incredibly corny in any other situation, but because it's Ceepak, I found myself making a thumbs up gesture.
Perhaps Grabenstein decided that Watson-describing-Holmes worked so well that he'ddo that, too. Or. maybe he tried writing a Ceepak point-of-view story, realizing that was just too ... awkward (difficult). In any event, this is really Danny's story. He grows from a "kid" with a summer job (he seemed a bit younger than 24 to me), taking a seasonal job involving parking tickets, and other minor offenses, to someone who goes through a lot (it is a murder case after all), and learns more about where he'd like to go (no spoiler really that he's actually a pretty good potential cop himself). In other words, the draw of this as a series is seeing Danny's point-of-view as he gains experience.
And, part of the draw is Jeff Woodman's narration. He's one of the three best narrator-material fits I've run across in eons of audio listening. (For the record, the others are George Guidall reading Hillerman's Jim Chee series and the late Frank Mueller reading the novel Motherless Brooklyn).
Now, someone stop me before I rant again!
I've seen reviews that state this one can be read as a stand-alone, which is probably true, but I'd still read the others first. Phil Gigante is a great fit as narrator for the series.
As for the story here, frankly I found the first third or so rather boring, with Apelu moping around on a remote island alone, grieving for his young daughter who'd died on cancer; he blames himself for not having insisted she be treated earlier. The wife and kids are in Western Samoa with her family, except for the older boy, Senele, who comes to live with Apelu later in the story. Anyway ... once one of the pahlonghi (white American) associated with the construction crew is murdered, the action picks up, or at least we have something to go on from there. The ending is quite rushed, almost tacked on, so I didn't really get why the victims were killed specifically?
The book filled time, but if I had to describe it in a single word: grim. Between Apelu's morbid moping, and the nasty characters, it was tough to actually like reading this one. I will give Enright credit for the way he so thoroughly coveys a sense of place and culture. On to the next installment, which just came out ... though probably not right away.
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