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Jeremy

This is the kind of styles I like: good pace, cerebral, well-documented, meaty, mind-bending.

NEW YORK, NY, United States

ratings
176
REVIEWS
40
FOLLOWING
0
FOLLOWERS
5
HELPFUL VOTES
37

  • Poor Economics: A Radical Rethinking of the Way to Fight Global Poverty

    • UNABRIDGED (11 hrs and 29 mins)
    • By Abhijit V. Banerjee, Esther Duflo
    • Narrated By Brian Holsopple
    • Whispersync for Voice-ready
    Overall
    (124)
    Performance
    (95)
    Story
    (95)

    Abhijit Banerjee and Esther Duflo have pioneered the use of randomized control trials in development economics. Work based on these principles, supervised by the Poverty Action Lab, is being carried out in dozens of countries. Drawing on this and their 15 years of research from Chile to India, Kenya to Indonesia, they have identified wholly new aspects of the behavior of poor people, their needs, and the way that aid or financial investment can affect their lives. Their work defies certain presumptions: that microfinance is a cure-all, that schooling equals learning....

    D. Martin says: "Excellent for non-economists"
    "Poor economics, but a treasure of great material"
    Overall
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    For anyone who's even briefly browsed The Economist, there is a lot we think we know about development, most of it gleaned from armchair economists' big ideas about what should be done, how the world can be changed, etc. This book takes a very different perspective and looks directly at what the evidence from the field really tells us. There is so much that we think we know but we just don't and, if you choose to read it, I recommend that you take pencil and paper, and ask yourself a few questions:

    Why are the poor malnourished?
    Why are the poor unhealthy?
    Why do the poor have so many children?
    Why don't the poor save?
    Why are poor countries corrupt?

    I found the book illuminating in coming to answer these questions from ACTUAL field evidence in ways that are not only unexpected but ring true. It is such a breath a fresh air when most of what we hear in this area is speculation about might happen given one or another aid policy.

    Yet, and this is only one part where I should caution the reader, the book is not nearly as objective as the authors want us to believe. In some places (microcredit being the big example), the authors depend on the willingness of non-governmental institutions to share their private data and, understandably, are unwilling to explicitly write against them. Given the quality of most of the book, this becomes laughable in some places when, for example, the authors do a parenthesis on the great intelligence of a person in an out-of-the-blue impromptu or, in contrast to the rest of the book, when the authors become vague about unfavorable findings in their own statistical research. Such a conflict of interest is unavoidable for sure but I wish it had been stated more clearly at the beginning of the book.

    5 of 5 people found this review helpful
  • Capital in the Twenty-First Century

    • UNABRIDGED (25 hrs and 3 mins)
    • By Thomas Piketty, Arthur Goldhammer (translator)
    • Narrated By L. J. Ganser
    • Whispersync for Voice-ready
    Overall
    (296)
    Performance
    (255)
    Story
    (254)

    What are the grand dynamics that drive the accumulation and distribution of capital? Questions about the long-term evolution of inequality, the concentration of wealth, and the prospects for economic growth lie at the heart of political economy. But satisfactory answers have been hard to find for lack of adequate data and clear guiding theories.

    Kazuhiko says: "Audio format still useful to get the gist of it"
    "The watershed moment"
    Overall
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    "Capital" is, deep inside, the love child of years of careful research trying to measure wealth across and within nations. That it should be mass-marketed as a best seller remains somewhat of a mystery, however. While Capital certainly spends less space on methodology than an academic text, it makes very little compromise otherwise. Except for a few brief winks toward economic ideas, that Piketty quickly dismisses as being generally ambiguous for all practical purposes, the tome spends its time running through never-ending statistics, often repeating the analysis for different countries, for different periods, for different measures, etc. This is a difficult book to read; in fact, noting that readers have mostly highlighted the first passages of the book, the WSJ suggests that it is one of the least read books of the year among its buyers.

    This is a necessary preamble to anyone who is approaching this book as a relaxed reading that would be comparable to the writings of other economists like Krugman or Stiglitz, which it is not. And, given the press coverage as well as some unfortunate reviews, let me stress that this not a book of fresh political debate. It is a book about scientific facts, or rather, the best current approximation of these facts. And the one main documented fact is, on its own, not that surprising; namely, that free markets tend to a rising unequal distribution of wealth. Hence, it is other mechanisms, such as war or the welfare state, that moderate this inequality. Actual policy recommendations, based on the assumption that inequality carries unbearable social costs, come only in the final chapters. Naturally, a reader may agree or disagree with this assumption, hence with the implied recommendations, but this does not, in any way, devalue the contribution of the book.

    Some extra discussion should also be given to a few unfair criticisms, often made by those who have only read its cover. First, this is no modern Marx: the book does not predict that inequalities would necessarily grow so large to explode the social order - in fact, references to the "Belle Epoque" make it quite clear that high degrees of inequality can be very sustainable - that the working class will rise and challenge greedy bourgeois or that some kind of great reshaping of the state should occur. Beyond this, it is saddening that, at this age, some would still lower themselves to any form of Reductio ad Marx. Second, some commentators have questioned a few methodological assumptions of the research which is, undoubtedly, a good thing and in the way of healthy dialogue. However, it is intellectually dishonest to use a couple of (very debatable) side debates to draw judgment on the book which is almost entirely unrelated to these assumptions. Third, this is not an attempt at philosophy or economic theory. Very little progress is made in terms of conceptually defining capital. Capital is what we can measure and what we can measure is capital; for this reason, the largely un-measurable human capital is not included as capital, for better or for worse. Lastly, the thesis is not nearly as controversial as one might think: certainly, if we remove any notion of the state except for the protection of property rights, it is quite plausible that inequalities might increase over time. There is controversy somewhere, but it is more subtle. That is, should a person or family have the right to preserve wealth across generations to preserve all of descendants from any kind of want OR is it unbearable to imagine a future society where a portion of its people toil for the wants of others whose sole claim to wealth is successful ancestry.

    I do not offer to give an opinion on this question, and neither does the author. It is not the function of economists to decide on the right model of society. However, it is their function to document the facts and the available tools to get to alternative models of society. This is the great treasure that is to be found here.

    0 of 0 people found this review helpful
  • Living the French Revolution and the Age of Napoleon

    • ORIGINAL (24 hrs and 46 mins)
    • By The Great Courses
    • Narrated By Professor Suzanne M. Desan
    Overall
    (143)
    Performance
    (127)
    Story
    (126)

    The 25 years between the onset of the French Revolution in 1789 and the Bourbon Restoration after Napoleon in 1814 is an astonishing period in world history. This era shook the foundations of the old world and marked a permanent shift for politics, religion, and society - not just for France, but for all of Europe. An account of the events alone reads like something out of a thrilling novel.

    Monte Johnston says: "Such a great balance of the big picture and detail"
    "Revolution vs. tradition"
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    The French Revolution is this two-headed historical anomaly. On the one hand, a brutal repression (think: off with your head) followed by the most devastating wars until the 20th century. On the other hand, it is the first spread of democratic ideals and human rights in continental Europe. The point is not to judge but to try explain the commonality between those two, very different, interpretations and, perhaps, draw more philosophical lessons on the price paid for liberties we enjoy idea.

    The book delivers a set of answers to this question and it is of course, nearly impossible to summarize those answers in a few sentences or without the historical context. Yet, I'd like to try to phrase the most contemporary insight that comes out of it. Human progress, as it seems, appears to be driven between the forces of tradition and order (conservatism) vs. the forces of idealism and change (liberalism). Where tradition is based on concrete practices, inherited from parents and ancestors, idealism posits fresh beliefs and ideas. Where order emphasizes social peace, change values the destruction of whatever came before.

    Perhaps this one-time event in history is teaching us the value of moderation, of a middle-way. That even idealistic improvements to human conditions, where applied brutally with no respect for existing institutions and context, are portent of ill consequences. The end does not justify the means. It also tells us that unrestricted reverence for a set of traditions without any consideration of their social consequences is a dangerous route. In summary, it tells us about the value of slowly evolving, adaptative institutions.

    1 of 1 people found this review helpful
  • No Simple Victory: World War II in Europe, 1939-1945

    • UNABRIDGED (20 hrs and 35 mins)
    • By Norman Davies
    • Narrated By Simon Vance
    • Whispersync for Voice-ready
    Overall
    (376)
    Performance
    (170)
    Story
    (167)

    If history really belongs to the victor, what happens when there's more than one side declaring victory? That's the conundrum Norman Davies unravels in his groundbreaking book No Simple Victory. Far from being a revisionist history, No Simple Victory instead offers a clear-eyed reappraisal, untangling and setting right the disparate claims made by America, Great Britain, France, and the Soviet Union in order to get at the startling truth.

    Nikoli Gogol says: "The Best Account of WWII in Europe"
    "Eyes wide open"
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    No simple war is an impressive about the history of World War II which, uniquely, manages to simultaneously pay homage to the courage of the soldiers fighting on the wrong side of the moral line and document the many darker acts committed by these same soldiers.

    Although the book is rich in detail and goes through all the parties involved in the conflict, there are two special places were the study deserves special praise and goes far beyond what other books in the area have done.

    - The book takes special attention to describe the unknown German heroes of the war. These are the soldiers that won battles on two fronts, against sometimes impossible odds. Many of these soldiers had nothing to do with what was happening on the political front and were (soon enough) fighting, and dying, for Germany's survival. Few books document that well the German ordeal on the Eastern front, in particular, how this was all very different from a well-equipped and organized army.

    - Second, the book is one of the few to be honest about a fact of the war, that it was mainly fought, and won, by the Russians with the allied mostly creeping in as a sideshow. But this was not easy and while the Russians numerous, it boggles the mind to imagine how they could transform from a second-class world power to one that could push back a major industrial power. According to the narrative, this was accomplished mainly by the Russian grit never to give up and fight until death.

    No simple victory is marketed as a tale of the war atrocities committed by the victors but this is just a part of the story. More than this, the book tries to explain how we came to this by defining what "total war" really is. It is also a cautionary tale about a kind of war that might have occurred only once in the history of humanity.

    0 of 0 people found this review helpful
  • NurtureShock: New Thinking About Children

    • UNABRIDGED (8 hrs and 2 mins)
    • By Po Bronson, Ashley Merryman
    • Narrated By Po Bronson
    • Whispersync for Voice-ready
    Overall
    (920)
    Performance
    (328)
    Story
    (326)

    NurtureShock is a groundbreaking collaboration between award-winning science journalists Po Bronson and Ashley Merryman. They argue that when it comes to children, we've mistaken good intentions for good ideas. With impeccable storytelling and razor-sharp analysis, they demonstrate that many of modern society's strategies for nurturing children are in fact backfiring - because key twists in the science have been overlooked.

    Carin says: "I liked it and I don't even have kids."
    "Yeah, I kind of knew that already.."
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    As a new parent, I felt like reading about children even though I find the general purpose of this unclear given that knowing what to do is the easier, but doing it is a different story.

    NurtureShock is sold off as "new thinking" but, to be honest, there's nothing very new about anything there and I was telling a friend about what the book said and that person wasn't surprised. Certainly, praising a child's intelligence might increase the fear of failing. Sure, indifference can be worse than fight. And, yes, it's good to interact/speak with baby.

    This is not so much new thinking, as mainly everybody knows what is there, but a question of whether parents are really willing to do it; as I said, knowing something does not mean you would like to do it. Most parents might want their kid to feel good about themselves, not maximize intellectual prowess, or do not want to be facing constant fights between siblings, or do not want to be constantly exchanging with baby. I am not saying that that these are good things, but that presenting these as grand insights are like teaching that eating burgers every day is probably not the best diet choice.




    0 of 0 people found this review helpful
  • Pacific Crucible: War at Sea in the Pacific, 1941-1942

    • UNABRIDGED (22 hrs and 10 mins)
    • By Ian W. Toll
    • Narrated By Grover Gardner
    Overall
    (304)
    Performance
    (272)
    Story
    (271)

    On the first Sunday in December 1941, an armada of Japanese warplanes appeared suddenly over Pearl Harbor, Hawaii, and devastated the U.S. Pacific Fleet. Six months later, in a sea fight north of the tiny atoll of Midway, four Japanese aircraft carriers were sent into the abyss. Pacific Crucible tells the epic tale of these first searing months of the Pacific war, when the U.S. Navy shook off the worst defeat in American military history and seized the strategic initiative.

    BB says: "Superb narrative history"
    "Inferior to 'The Battle of Midway' (by C. Symonds)"
    Overall
    Performance
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    A good history book gives you the facts and weaves them into a consistent sustained narrative. A great history book catches the human element that pushes history forward. Pacific Crucible is a good history book. It is well-documented, well-paced and never boring but, unfortunately, is somewhat complacent in big picture grand strategic facts over the actual human experience of the war, who the people that fought were and why they chose to do what they did.

    If one is to pick up a first book on this issue, I much strongly recommend "the Battle of Midway" by Craig Symonds, a far superior account on all fronts which, contrary to what one may suspect, is not solely about Midway but covers mostly the same period. Unlike Pacific Crucible, Symonds' text provides a much more fleshed out account of the human mistakes made on both sides and of the pilots and of the generals. It also avoids the pitfalls of heavily documenting the life of generals that were far from the fronts and whose role in 41-42 might have been real but is tactically far from obvious.

    Readable, but a disappointment.

    1 of 1 people found this review helpful
  • Red Planet Blues

    • UNABRIDGED (11 hrs and 31 mins)
    • By Robert J. Sawyer
    • Narrated By Christian Rummel
    • Whispersync for Voice-ready
    Overall
    (424)
    Performance
    (377)
    Story
    (382)

    Alex Lomax is the one and only private eye working the mean streets of New Klondike, the Martian frontier town that sprang up 40 years ago after Simon Weingarten and Denny O’Reilly discovered fossils on the Red Planet. Back on Earth, where anything can be synthesized, the remains of alien life are the most valuable of all collectibles, so shiploads of desperate treasure hunters stampeded to Mars in the Great Martian Fossil Rush.

    Craig says: "Gumshoe on Mars"
    "Sawyer: please do not continue this series!"
    Overall
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    Story

    I'm a fan of Sawyer's books and I love how he is able to mix modern sci-fi and detective stories, as the true successor to Asimov. Sawyer's new novel has a lot going for it, Mars, a tight intrigue, and immortality. It's a great homage to the Robots of Asimov, to film noir, to Bradbury as well to standard Sawyer novels.

    Unfortunately, the book is fine but not great. The environment is well-done and the story flows but there are a few problems that break with typical Sawyer's greatness. First, the characters are cartoonish, in a bad way. It is very difficult to stick to a stereotype that not only lacks substance but seems to have been pulled out of from a different author (i.e., Casablanca); other characters come and go with style but nothing behind it. Second, the intrigue is broken in two pieces, as if there wasn't enough material for one book and Sawyer added No.2 to this one. Not a great manner to create a rich enthralling intrigue. Third, the denouement is just not that surprising or great and there are few mysteries to discover.

    It's still entertaining enough and the narrator is amazing at voice-acting. But nothing memorable.

    4 of 7 people found this review helpful
  • No One Would Listen: A True Financial Thriller

    • UNABRIDGED (13 hrs)
    • By Harry Markopolos
    • Narrated By Scott Brick, Harry Markopolos, Frank Casey, and others
    • Whispersync for Voice-ready
    Overall
    (1352)
    Performance
    (658)
    Story
    (659)

    No One Would Listen is the exclusive story of the Harry Markopolos-lead investigation into Bernie Madoff and his $65 billion Ponzi scheme. While a lot has been written about Madoff's scam, few actually know how Markopolos and his team - affectionately called "the Fox Hounds" by Markopolos himself - uncovered what Madoff was doing years before this financial disaster reached its pinnacle. Unfortunately, no one listened, until the damage of the world's largest financial fraud ever was irreversible.

    Brendan says: "Shocking, terrific"
    "50% biography, 50% Madoff"
    Overall
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    The title says it all "A True Financial Thriller." This is not intended as an account of Madoff's fraud but as a thriller of a person in search of the world's largest fraud. Although entertaining, I have to say it fails completely as a personal biography or a thriller, let alone as an explanation of the fraud or the SEC investigation. The problem is that, right at the start, there is little Markopolos knew about Madoff, since he gathered most of what he knew from public sources. Except for the 'mathematical' proof, which should have triggered further investigations, most of the book is spent rambling about other's inability to push further. This also makes for a very poor topic for a thriller.

    As a biography, Markopolos is too emotional about his own character to be convincing or interesting. It's initially amusing when he thinks he will get shot by Madoff or robbed by the SEC, without any actual events that would indicate that would happen, but it gets old quick and certainly is not a topic for an entire book. It's also amusing to poke fun at otherwise clueless "financier," i.e., elevated salesmen, but there is so much material there to build on.

    Should Markopolos have testified about his experience with Madoff and the SEC? Yes, definitely. Should he had written a book? Not really, nothing to see there beyond what you can find in 5 minutes on the web.

    0 of 0 people found this review helpful
  • Catch Me If You Can

    • UNABRIDGED (8 hrs and 36 mins)
    • By Frank W. Abagnale
    • Narrated By Barrett Whitener
    Overall
    (2166)
    Performance
    (926)
    Story
    (934)

    Frank W. Abagnale was one of the most daring conmen, forgers, imposters, and escape artists in history. In his brief but notorious criminal career, Abagnale donned a pilot's uniform and copiloted a Pan Am jet, masqueraded as the supervising resident of a hospital, practiced law without a license, passed himself off as a college sociology professor, and cashed over $2.5 million in forged checks, all before he was 21. His story is now a film starring Leonardo DiCaprio and Tom Hanks.

    Steve says: "Really entertaining!"
    "Is this non-fiction, really?! Amazing"
    Overall
    Performance
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    This is really cool and well-paced fiction, with a kind of business twist to it. Wait a second, not fiction? I cannot believe it but wikipedia says indeed it is.

    But, whether or not it is fiction, the story-telling is simply amazing. Written in a more personal tone than usual thrillers but keeps you on your toes for a 100% of the ride. If only more thrillers had been this way. The only minor disappointment is the ending, which lacks closure and stops in the run of it; it's a pretty minor thing though because the rest is history.

    0 of 0 people found this review helpful
  • Lords of Finance: The Bankers Who Broke the World

    • UNABRIDGED (18 hrs and 37 mins)
    • By Liaquat Ahamed
    • Narrated By Stephen Hoye
    • Whispersync for Voice-ready
    Overall
    (503)
    Performance
    (264)
    Story
    (267)

    It is commonly believed that the Great Depression that began in 1929 resulted from a confluence of events beyond any one person's or government's control. In fact, as Liaquat Ahamed reveals, it was the decisions made by a small number of central bankers that were the primary cause of the economic meltdown, the effects of which set the stage for World War II and reverberated for decades.

    Toru says: "interesting insight into interwar period!"
    "Great fun history book (1920s/1930s) for all!"
    Overall
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    I admit it, I delayed reading the book; the Great Depression of the 30s and its preambles is a fascinating period but the inner workings of the Central banks seems the most boring place to watch history.

    Not so! Ahamed makes a convincing case that a few people, namely the four heads of the major central banks, were central in the grand orchestra of the Great Depression. Their errors, perhaps a mix of poor economic training, selfishness and obstinacy, led to real consequences, prompting the world toward what would be the greatest disaster in human history.

    You will find here a detailed account of the consequences of Britain joining the gold standard, France's policy toward gold hoarding, the well-intentioned but ultimately destructive support by the Fed toward European cheap credit and, lastly, the lacking attempts as everything unravels to take power away from these men.. too little too late.

    There is one point where the author, apparently not an economist, appears overly naive and out of context. The book is about the errors of a few men in powers, but in places, the admiration for the economist John Maynard Keynes becomes blinding to the extent that it misrepresents both current attitude toward his theories or, even, at the time, whether his ideas would have worked his place. In a gratuitous manner, the book ridicules I. Fischer not on theoretical grounds but on silly comments he made, or completely fails to note that Keynes' work, falsely presented as the panacea that protected us from crises, collapsed during the decade of the 70s.

    The book shines as a epic economic history of the times, not as a guide for future policy.

    0 of 0 people found this review helpful
  • Stein on Writing: A Master Editor Shares His Craft, Techniques, and Strategies

    • UNABRIDGED (11 hrs and 16 mins)
    • By Sol Stein
    • Narrated By Christopher Lane
    Overall
    (691)
    Performance
    (336)
    Story
    (320)

    Stein on Writing provides immediately useful advice for writers of fiction and nonfiction, whether newcomers or accomplished professionals. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of usable solutions, how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."

    ddsharper says: "Excellent Content and Listen"
    "great, Great, GREAT book to read"
    Overall
    Performance
    Story

    When I got the book, I wondered whether this would not just be for aspiring novelists, not at all!

    If you are like me, there are times you're listening/reading a book and thinking that you don't like the book. You don't know why, but you just don't like it. Usually, that's because you're bored but why you're bored is not clear. Further, you're wondering whether it is worth going a bit further into the book, maybe it will get better.

    What Stein's text does is tell what works in a book and vice-versa, tell you why you don't like a book. And it's simply amazing how many books do not follow Stein's basic recommendation and how this shows when listening to them.

    Read this book and you will know why you don't like a book and when it is time to let it go. If I had known about it earlier, it would have saved me so much time not giving second chances to books that were ultimately completely pointless. I will give here a few examples of things (among many others) that Stein's clearly identifies as poor boring writing:

    1. Characters that are sissies or winny, and have no strength of will,
    2. Stories that tell but do not show what's really happening,
    3. Stories in which things just do not start with something unusual, it's just the plain regular life.

    What's interesting about Stein's ideas is that they are delightfully adapted to our times. There are classics that do not follow these rules and that, if they were not accepted as classics, would probably fail. It makes the lessons quite fresh and certainly not obvious and a must read for anyone who wants to know why he did not like a particular book.

    Some take it as a lesson on writing, take it as a lesson on reading.

    0 of 0 people found this review helpful

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