I truly enjoyed listening to this book, though I readily admit I retained probably only 10%. This is my lack of science, nothing to be reflected onto the author! I wanted to "read" it mainly because my son is a physicist-in-training.
Muons, gluons, smuons, muoninos....wow. Truly, there are more things in heaven and earth, Horatio, than I ever dreamt of, forsooth!
So I understood less than 90% of the book, and I know I will retain less than that, but the overview was fascinating. Carroll wrote a very lucid account, to my mind, always (or almost always) explaining the terms he used. He interwove non-science stories into his tale, which made the book interesting to a non-scientific type like myself.
The technical details which I have not been able to retain reflect on me, however, and not to his writing, nor to his tale of the LHC. I will be interested in reading the other reviews to see what the stumbling blocks were for other readers. One thing that I was a bit put-off by (but not enough to down-rate the book 1/2 a star) was that although he immediately identified a "fermion" as being named after Enrico Fermi, he did not identify a "boson" as being named after Dr. S.N. Bose.
Hogan was the best narrator I have heard to date. No heavy breathing, no false foreign accents, no feeling of wishing he would clear his mouth, as many other narrators do. Reading non-fiction requires a different skill-set than readers of fiction require. I will happily listen to him again.
I enjoyed the way the author wove his own expedition into the orginal one. It isn't a trek for the average office jockey, but that is just what Adams was. Another long book, but made many commutes painless, and brought me that much closer to purchasing tickets to Lima!
A friend whom I trust recommended this tome, and tome it is! But so worth reading. I enjoyed listening to it, even though it was 40 hours plus! It is read by the author, a person who will never make a living as a voice...but it was excellent to hear him put the emphasis where, as an author, he wanted it to be.
My biggest take-away from the book is that we each rise to the task at hand and deal with what we need to deal with.
The overall story of a dig was moderately interesting, though the dates seemed a bit preposterous. The family melodrama was interesting. Roberts did a good job of intertwining the various "good-guy" families together, but was a bit two-dimensional in describing the "bad-guy families."
I found this to be a hard book to listen to, yet not a book I could walk away from, either. Was it because I had just recently read a rather silly book on haunted Eastern Shore properties, where no attempt was made to beguile the reader into actually believing things were going "bump" in the night? Maddy was portrayed as very real, and worse yet, appearing to different people in different guises. Maybe the twisted feeling I had in my stomach was the precursor to her moving from my iPod into me! Best read on a dark and stormy night....
The narration of Pamela Garelick was spot on.
How many of us can even pretend to live by this sentiment? How many politicians? In this day of virulent political bashing--even from the pulpit, how many clergy, even, can say this? So the story of this man, this ordinary, honest, rail-splitting, Father Abraham, alone rates five stars.
I down rate the narration simply because I feel the narrator attempted, but did not carry-off, the Hoosier twang or the Illionois accent: Lincoln must have had some combination of these (even Kentucky). But other than that, I thought the narrator, Bill Weideman, did a good job. I did not hear him breathe, nor did he swallow excessively...two of my real complaints too often.
Overall, I suppose, biographies have a need for repetition of the same or similar material in various sections due to then nature of the uses that students will put the volume through. If I could, I would deduct half a star here, but that is an Amazon feature.
The audio editing is terrible. The period at the end of the last sentence of a chapter is totally ignored, not even a breath is seemingly taken, before the next chapter begins.
I guess the book was performed in the early days of digital recording?
Perhaps it would be a good book, but I cannot even bring myself to finish the second chapter.
Some books just need to be read with the eyes and not with the ears?
Tremendously moving. I think listening to the audio recording was probably more powerful than reading a printed version. I made the decision to read this book after reading a review that said Weisel's wife's translation (from the French) was superb.
Guidall's narration was quite dramatic, but never overly so.
Weisel had a difficult time finding a publisher originally. He was an unknown writer writing about an episode in history most wanted to forget, and some didn't believe had happened.
I suppose it is only fair: some books are chick lit, and some appeal equally to all. This one, however, was overloaded with testosterone. Yet, I did become involved in the story.
Travis McGee is clearly the right agent for the right job...and the right job had nothing to do with money. For him it has more to do with loyalty and doing what is right. But sometimes what is right may not look that way to others.
Robert Petkoff did a good job on the narration
I'm surprised no one seems to catch the quirky title!
This is the first fiction book I've read (or listened to) in a long time that I really liked. The title itself grabbed me. How cool would it to have a 24-hour bookstore nearby? And what a name!! The suggestion of a shadow, hinting at a subterranean cult that becomes stronger and until the sun is self-consumed. Gads! I'm beginning to freak out like Clay!
Ari Fliacos was a superb narrator.
I am so glad I listened to this. Cassandra Campbell and Bahni Turpin were marvelous at bringing this story to life. The Author's Note at the beginning of the story set the tone for the book (and many people who "read" the book skipped this)...the afterword tied up many loose ends. And finally, the interview with Rebecca Skloot at the very end anchored the book in reality, where it belongs.
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