Austin, TX, United States | Member Since 2015
How can anyone NOT like The Three Musketeers?!? I read this when I was creeping up on adolescence, and it's as irresistible now as it was then. And though John Lee doesn't earn a four-star rating, it was wonderful to listen to. I chose him as a narrator because, even though I adore Simon Vance, the sample just told me that I'd be nodding off somewhere along the way. John Lee's performance seemed more rollicking, more exciting. And it is. He captures the personalities of each character, spot-on, and not only that: some of his vocal characterizations add to the already rich characters! What keeps him from getting a four-star rating is his oh-so annoying way of pronouncing each name with a hyper-correct and painful enunciation with extreme inflections. Plus there's a pause, as in, "said....pause...wait for it... D'ArtagNAN." It was jarring. And as it's a quite lengthy novel, it became skin-crawling as well. I don't regret choosing his version over Vance's, though, simply because his pacing, his sense of drama, and of humor, are flawless and engaging. Just be warned. You might want to consider what will be tolerable to you over an extended listening time.
Other than that, don't deny yourself this listening pleasure. Alexandre Dumas was brilliant with action, brilliant with humor, and light spirits. And his dialogue flows as naturally as anything ever written. I will be listening to the sequels. I wonder how Vance will do with their narration? I'm delighted to find out...!
This course will keep you honest if you're writing nonfiction and true to your vision if you're writing fiction. Many of the techniques can be used for both aspects of the craft. Consider, if you will, some of what's covered: Cliffhangers and page turners; revealing characters in words and actions; using narrative perspective; building dramatic sentences; rhetorical devices and emotional impact; shaping your voice. What's not to love? What can't be used over and over? Heaven knows I sure as hell put a couple of tools into my toolbox with a sigh of relief.
What makes it better, too, what makes these things stick is the little exercises that come between lessons. Do them and you'll see growth. Skip them, and... well, you'll probably still see growth, but really, they don't take much time at all, so it's no skin off your nose.
I saw one reviewer really had a problem with Professor Mazzeo's delivery. Huh? I guess listen to the sample before purchasing? But honestly, I found her voice to be jolly decent.
This is a great course that provides wonderful guidance. Truly one of the best writing books/courses out there.
I had to do stupid, pointless stuff like eat and sleep and work, otherwise this would have been a cover-to-cover listen for me. Which is amazing because I damned near threw my poor phone at the wall, like, eight times, during the first ten minutes of listening time. BAD narration. First, it's plodding. Like crazy. Okay, so I switched it to x1.25 speed, and that helped some. But that didn't do much for the near monotone or halting delivery. Or the fact that the intro, then prologue, whole beginning is just plain dull.
Ahhhhh, but once Schulberg gets us into the bios! They're like nothing I've ever heard before! Granted, this is a very dated book, so these are early writers, but still! This is a wonderful book for writers, for people interested in the human condition, for those of us who travel down lonely roads, look to the side and can't help themselves when they find themselves gaping at the most extraordinary train wreck! Here are Sinclair Lewis, William Saroyan, F. Scott Fitzgerald, "Pep" West, Thomas Heggen, and Steinbeck, and there's a lot of sorrow to be had.
Granted, the formula used when choosing the subjects for the book was who experienced Success/Failure or Failure/Success (of course in West's case, it was... Failure/Failure), so of course there are going to be wild swings of emotion. Still, this is a rollercoaster ride of a book, and one I highly recommend. Because Schulberg knew these guys, drank a lot of orange wine >ick< with these guys. And boy, does he have stories to tell.
If you can get past the narration...!
I'd been ready to give this book 3-stars as, for 4-stars, a book has to be an engrossing cover-to-cover listen, and this wasn't. It'd been... too folksy? or something with its narration? But as I was kinda zipping through it again to get some stories for my review, well, talk about engrossed! One would've thought I'd never heard it before! It was so engaging! The things I liked about it before, I loved: people faking blindness and neurologists catching them out by sticking notes on their foreheads that read, "F- You," or by waving $100 bills around were there. The things I disliked, I passionately hated (hey, passion's a good thing!): glib mea culpas for what is really heinous malpractice--yup, still there, pretty cool. Emotionally evocative stories about two people facing the horrors of ALS in entirely different ways, and a man making a difficult, difficult decision that turns out to have a devastating outcome despite everyone's best efforts. These are all things a neurologist sees day in day out, and it's utterly fascinating.
Yeah, sometimes the narration is quaint and folksy, but this book is really interesting, really a treat.
What do Jesus and John Lennon have in common? Shakespeare and Sting? The greatest fun of "The Elements of Eloquence" is finding out. Sure Shakespeare gets the lion's share of coverage, along with some Austen, Dumas, and other classics. But here you'll find references to Quentin Tarantino, Snoop Dogg, quotes from modern politicians.
This is a hilarious work covering elements I'd never known the names of, and some I'd never heard of. It's enlightening, and like I said, the examples are so much fun. I learned so much (the most important thing being: You actually CAN end a sentence with a preposition! So take THAT Mrs. Bryson!).
I suggest listening to it at x1.25 speed, as even then it flows casually.
This is so enjoyable for both readers and writers. For readers: You can listen in one sitting. For writers: You'll want to come back to this again and again!
I think "An Absent Mind" tries a little too hard and goes too many places with too little focus. The character's emotions and personality traits are all over the map, they are who they are, either gracious or resentful with little rhyme or reason and it gets annoying. You can't really care for any of them. Alzheimer's was presented well enough with the long term memory being far more readily apparent than short term, but it seemed to cause the family more annoyance than agony. As someone who has it in the family right now, I've gotta say, I was expecting a lot more.
Maybe to those unschooled and just looking for a light read/listen, this'll be good enough, but really, I don't think the character's are developed enough to carry the 4+ hours, short as they may be. Unpopular, maybe, but there you go. My two cents.
Further, the performances are downright annoying. Maybe a daily deal or something? Just make sure you can tolerate the narration...
I remember my sister and I went whale watching once over in the Pacific Northwest. From our boat, we could see another one almost tipping over because everyone was crowded on one side, oohing and ahhing at a multitude of orcas who were watching the humans just as intently, "smiles" on their faces. It was hilarious, and they were, and are, the most precious, gentle creatures imaginable.
So this book is a real kick in the gut, and some of it is so brutal that it's downright painful to hear. But it needs to be listened to because only public awareness and action will stop it. I've always believed that by turning away to spare myself pain, I'm only perpetuating the pain and suffering of others.
Hargrove spares nothing here as he spent countless years at SeaWorld and, he admits, was a believer for so long. These animals were denied food as punishment, were put in pens with other whales who would attack. Captivity caused almost constant aggression, illnesses, neurotic behavior (like eating paint and sand): all unheard of in the wild. And this is what the whales live with year after year, one agonizing day at a time.
The separation of mothers and calves caused me grief, and SeaWorld's artificial insemination program is so graphically described that I can't help but think of it as one of the grossest violations possible.
This is an extraordinary book, and though I've listed only the things that incensed me, there are other enlightening and inspiring things. (Phew, right?) It drags a bit at the beginning, but it's well worth the credit.
If killer whales and man are the two "apex predators," man is by far the more brutal of the two...
These are two of the most graceful two hours ever written or recorded. How can't "The Little Prince" be for grownups also?
It sings to the imagination and reminds us of the excitement we felt as children, when we had dreams, when we saw pictures in our heads and our hearts soared with the desire to draw them, to share them. It also reminds us, as adults, of where pettiness can get us, bitterness, a lack of drive to move even though we have big dreams of what's out there.
The little prince speaks of his travels, tells the tales of his heart to the narrator and we the readers/listeners get to experience the wonders in tandem. Friendship with a lonely fox, longing to find meaning in his life. The love of a single rose.
Don't deny yourself this tiny bit of beauty in a sometimes gray, always maddeningly quick world.
Even though he cried when the Little Prince left, the fox wanted to be tamed.
He wanted to be tamed.
The only reason this isn't a full-on 5-star review is because Jon Ronson, damn him, believes in brevity, I guess! I could have listened to many hours more of this subject as reported with his insight and pathos, as delivered in his own neurotic style (He yells, he shrieks, he staggers!).
This all starts for Ronson when he feels personally violated by a spambot that has been given "his" identity and a Jon Ronson twitter account. Ronson then feels the savage thrill when the crowd supports him in having the spambot removed from the twitter sphere (tho' he does get a bit worried with some of the responses supporting him. He worries people might get hurt...)
And people do get hurt. Not in his case. But in the other public shamings (which have taken place since all the men in America were named Nathaniel). Some people bring it on themselves: self-playgiarism/bad or made up facts. Others have made jokes that they later really, really, REALLY regret.
Because the world is huge out there, and people are looking. Looking hard. The cruelty, the vindictiveness with which they go after others—they've smelled blood in the water and they won't stop the churning until lives are destroyed.
This is a wonderful, wonderful book and as usual Jon Ronson brings the right amount of humor and self-deprecating hubris with him as he walks with these people, even helps them as they try to rebuild their lives.
Definitely credit-worthy, and you will never, ever tweet or blog or Facebook... or plagiarize so blithely again...
One thing—Worthy of the Pulitzer sometimes means: A Tad Overwrought and Could Use Editing At Points. Okay, there, I said it. This book definitely fits the bill.
But it's a brilliant book.
I bought "Andersonville" back when I was researching Civil War atrocities for a book, and holy cow! If Andersonville wasn't a horrorshow, a blight during an unholy time, I don't know what was. Kantor writes it with such savagery, and with such an eye for detail, you'll be haunted (Let yourself be haunted by some of the imagery. That's part of the treat of reading), and you'll be amazed by his skill. There is some truly unsparing prose here.
The whole book is deftly crafted, with memorable characters (and there are a lot of them; we're talking epic here) who are described with one-of-a-kind details that make you wrinkle your nose, but always, always make you tip your hat to the author. Besides which, 'taint all brutality...
While I found myself most definitely transported to the time, I'm neither a Civil War historian, nor am I even a Civil War buff extraordinaire, so I can't guarantee that all things run authentic to the period. I actually purchased this instead of delving into Shelby Foote's work. But I found it to be profoundly satisfying. Where else am I going to hear (glorified) slave chants? (And by the end, I was so fascinated, I purchased "This Republic of Suffering" because there were so many, too many things the book brought up that I just want to know!)
One problem I thought I'd have was with Grover Gardner. I respect the man, I really do. But as much as I enjoy WWII history (and, really: I AM a military history buff), if I ever need to sleep, all I have to do is listen to Grover Gardner start in with the Third Reich and I'm out like a light. But, I'm surprised to say that he shines in "Andersonville." He has just the right twang/nasal/country quality and carries off the accents well. Further, the energy he has during Hour One of his performance is the same as it is for Hour Ten, Hour Twenty, Hour Thirty.
This is a looooong book. And oddly enough, twitchy as I get, I didn't listen to it at x1.25 speed. It was fine as is.
You up for the long haul?
Part One starts with the usual self-help stuff that you've heard before. You know. You want to change your life? Well, how are you living each day? Imagine each day, the perfect day. Then live it. Every aspect of it. Make those changes. ACTION, action, action. The fuel for change that will keep you going? Discover The Big Why behind what you'd like to do.
Please don't get me wrong, I'm not (totally) knocking it. Dissatisfaction abounds in our society and these things really help. Imagine thinking long and hard about what you'd like from your day: power over your maddening emotions, being kinder to the animals who love you, being kinder to the people who love you, appreciating the stillness of the sun as it sets as you sit in the daily traffic jam. There's a lot of peace to be had.
It's just that it's been said a lot of places before. However, this book, I must admit, has it all collected in one place.
Part Two: And there's more, and this is simply that I respect Jairek Robbins. I don't know why, after spending the first part of the book working with run of the mill people, plus already successful business types, and such, he finally gets to traveling the world and talking about how little most people in the world have. He makes plans to go to Uganda to teach organic farming in a place that has no electricity, running water. Is over the moon to be able to give back. (Of course, it's kind of a diatribe against people who aren't supportive of him until he FINALLY comes to terms with everyone who dissed him)
And Suddenly Part Three: MALARIA! (No, I'm not giving anything away). I just think that, okay, this, as a turning point and inspiration to Robbins, stands out, but it brings "Live It!" firmly back into the fold of general self-help, biography.
So here it is. You want a self-help book that will help you appreciate each day? The first part of the book is probably what you'll appreciate it (or Joseph Clough's "Be Your Potential" on audible). But if you think you're going to change your whole life from this book? Well, you might, actually (you'd be a far better person than I, but that wouldn't be a stretch). I got this as a kindle bundle so it was cheap. I suggest you do the same, or a half credit, or a Daily Deal.
(Uhm, better yet? If you're serious about change? "Be Your Change" is $6.95 >nudge, nudge, wink, wink< )
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