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People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.

New York, NY, United States


  • Helen & Troy's Epic Road Quest

    • UNABRIDGED (9 hrs and 34 mins)
    • By A. Lee Martinez
    • Narrated By Khristine Hvam
    • Whispersync for Voice-ready

    Witness the epic battle of the cyclops! Visit the endangered dragon preserve! Please, no slaying. Solve the mystery of The Mystery Cottage, if you dare! Buy some knickknacks from The Fates! They might come in handy later. On a road trip across an enchanted America, Helen and Troy will discover all this and more. If the curse placed upon them by an ancient god doesn't kill them or the pack of reluctant orc assassins don't catch up to them, Helen and Troy might reach the end their journey in one piece, where they might just end up destroying the world.

    Charlene says: "A little twee but very funny."
    "Gods and Monsters (Go Monsters!)"
    Would you recommend this audiobook to a friend? If so, why?

    At first, I would not recommend this type of audiobook to my wife. Fantasy and sci-fi was just not her thing, no matter how good I thought it was. Then she tried one by accident, and loved it. Then I recommended another, and she loved it. I can't recommend everything to her -- one wrong move and she'll probably revert to her initial stance of not liking the genre. Helen and Troy, however, will be one that heartily recommend. The humor helps -- and the good humor inherent in the writing and the reading.

    What did you like best about this story?

    The subject matter is not original, but the charismatic characters and cheerful tone make it stand out as unique. Others have imagined our world, as it exists in reality for us, peopled by magical or supernatural or mythological beings (cf. of course Harry Potter). Helen and Troy live in such a world, where an ordinary young woman like Helen can have familiar problems but also be a minotaur, and she can be sent on a magical quest by a god (one of many) that she meets in the burger joint where she and Troy work, and she and Troy can be recruited by an FBI-CIA-type agency to carry out that quest.

    On one hand, the consistency of the world created by A. Lee Martinez makes it work, but on the other hand it's the humor and good humor that make that world and its characters so likeable -- sorry to be repetitive, but humor is one thing, something that makes you laugh, which is frequent while listening to this book, but good humor doesn't mean that the laughs are good, it means that it's all done with a jovial spirit that is irresistible. And it is.

    Which character – as performed by Khristine Hvam – was your favorite?

    Helen is another wonderfully empowered young woman, not least because she has minotaur blood, and her youthful sarcasm never bites, as performed by Khristine Hvam. But with all due respect, my favorite character was Nigel the Orc. An accountant in a world of gods and monsters that has been thoroughly updated to 21st century civilization, he first buys into the traditional violent villainy of being an Orc, but then discovers that it is more heroic to be an enlightened creature. Wonderful stuff, especially with the cockney accent Hvam gives him and the other Orcs.

    Was this a book you wanted to listen to all in one sitting?

    There has been a lot of snow in the Northeast US this winter. I've had to shovel the sidewalk three days in a row now. Not just shovel -- I've had to scrape the ice off my heavily trafficked sidewalk. I listened to much of this book while doing that. So not one sitting -- just a tad too long for that -- but definitely a big help in getting through a tedious chore.

    Any additional comments?

    As I said, the idea of placing magical, mythical beings in a normal human setting is not original. Beyond the obvious Harry Potter, Neil Gaiman's American Gods imagined our contemporary world with the pantheon of ancient gods living ordinary lives among the mere morals, Hard Magic peopled the film noir world of the gangster era with people possessing magical powers, Christopher Moore's entire body of work (mostly) takes them one at a time, and on the big and small screen, and in comic books, we've seen X-Men, Heroes, Alphas, The 4400, etc. etc. etc. (not to mention countless vampires and werewolves, which I mostly hate).

    In this context, I'm not sure why I even decided to try Helen and Troy, since the last time I went for something in this sub-genre (Hard Magic), I was sorely disappointed and felt that the territory was too well trodden. But I'd seen Martinez mentioned often alongside authors I like (like Moore), so I gave it a shot, and am glad I did, because Martinez makes it work beyond its well-worn territory with, as I've already said more than once, the humor and the characters and the tone.

    2 of 2 people found this review helpful
  • Down in the Bottomlands

    • UNABRIDGED (4 hrs and 13 mins)
    • By Harry Turtledove
    • Narrated By Victor Bevine

    In the Hereditary Tyranny of Tartesh, what was once a vast sea basin is now a dried-out, unforgiving desert. When the kingdom's enemies try to shake down the Barrier Mountains and let the ocean in, Trench Park tour guide Radnal vez Krobir must stop them or be destroyed along with everything he holds dear. Down in the Bottomlands received the 1994 Hugo Award for Best Novella.

    Dubi says: "Up With the Bottomlands"
    "Up With the Bottomlands"

    Harry Turtledove is a prolific practitioner of alternate history whose works tend to run to epic lengths across multiple volumes. He has also written some novellas along the way. Down in the Bottomlands is an example of the latter which may well serve, if you haven't previously read Turtledove, to whet your appetite for his more ambitious tomes.

    The main historical alternative he considers here: What if the Mediterranean Sea had been cut off from the Atlantic Ocean millions of year ago and dried up into a vast hot desert basin well below sea level (the Bottomlands). The political map of this world has been redrawn, with Neanderthals having survived and evolved with intellect equal to homo sapiens from Africa, England and the Middle East.

    The plot, centered around a biologist serving as tour guide in the Bottomlands to a group of various nationalities, unfolds quickly. Along the way, we learn about the fauna and flora of the Bottomlands, as well as the social structure this world's humans have imposed upon themselves. And, as is necessary for any good tale, the characters are well drawn, even in the limited word count of this short novel.

    The net effect: I wanted more. I wanted to learn more about this world and its people and its geography and its biology. That is not a criticism -- I liked what I got and I wanted to learn more. I don't believe Turtledove ever revisited this particular creation in subsequent writings, so I will not get what I want. But he has plenty of other novels to delve into.

    My only qualm: in audio format, it was hard to follow the strange names of the characters, countries, animals, etc., including words, particularly for measuring of time and space, invented for this book. I found a copy of the novella online that I used to familiarize myself with these words and names. That helped.

    0 of 0 people found this review helpful
  • Skin Tight

    • UNABRIDGED (14 hrs and 42 mins)
    • By Carl Hiaasen
    • Narrated By George Wilson
    • Whispersync for Voice-ready

    This novel by Carl Hiaasen, author of Tourist Season and Native Tongue, begins as most thrillers do, with a killing. But this is no everyday, hum-drum, garden variety killing. Our hero, Nick Stranahan, a 42-year-old private investigator who has killed five men and been married five times, skewers his attacker's aorta with the razor-sharp bill of a stuffed marlin.

    Chris says: "Skintight"
    "If it Quacks Like a Carl..."

    The world of plastic surgery is the background for another sampling of Florida anthropology by Carl Hiaasen, one of the foremost practitioners of comic Florida crime fiction. Someone is trying to kill former investigator Mick Stranahan after he starts to revisit a cold case involving a botched nose job by a crooked and incompetent plastic surgeon.

    This being Hiaasen, there is a lot more going on here than Stranahan going after the quack. As usual, there is a broad range of characters from various walks of life (most of them low) in the great state of Florida. And the world of plastic surgery is hardly Hiassen's sole target -- tabloid TV journalism, Geraldo Rivera style, is sent up, along with frequent targets like shyster lawyers, corrupt police and politicians, arrogant party boys, vindictive divorcees, and vain celebrities.

    There is also a singularly memorable foe for Stranahan to go up against and some truly gruesome deaths, including one that was copied some years later by the makers of the movie Fargo (which one could argue is like Hiaasen in Minnesota). On the sympathetic side, there are friendly conch fishermen, loveable waitresses, and a sharp-toothed barracuda.

    So what we have here is off-the-shelf Carl Hiaassen, not necessarily a standout among his oeuvre, but perfectly entertaining entry for established fans of his style of Floridian farce to enjoy. George Wilson narrates it well, familiar enough with this genre from having performed a healthy percentage of books by Hiaasen and another writer in the same vein, Tim Dorsey.

    0 of 0 people found this review helpful
  • Euphoria: A Novel

    • UNABRIDGED (6 hrs and 53 mins)
    • By Lily King
    • Narrated By Simon Vance, Xe Sands
    • Whispersync for Voice-ready

    English anthropologist Andrew Bankson has been alone in the field for several years, studying the Kiona river tribe in the territory of New Guinea. Haunted by the memory of his brothers' deaths and increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when a chance encounter with colleagues, the controversial Nell Stone and her wry and mercurial Australian husband, Fen, pulls him back from the brink. Nell and Fen have just fled the bloodthirsty Mumbanyo and, in spite of Nell's poor health, are hungry for a new discovery.

    David says: "Anthropologists in Love"
    "Cultural Symmetry"

    Set in the 1930s in the interior of New Guinea, a landscape almost as wild today as it was then, Euphoria tells the tale of a love triangle between three anthropologists as they study native culture. The story is a thinly veiled fictionalization of how Margaret Mead transitioned from her second husband to her third husband while the three of them were working in New Guinea, although the novel ends quite differently than Mead's real-life story.

    What I found most fascinating about this absorbing book was the interplay between what can nominally be termed civilized and primitive culture, a doubly Heisenbergian exercise in which the very act of observation changes not only the observed but the observers as well. Throughout, as we are drawn deep into the psyche of the three "Western" scientists (one American, one British, one Australian) and learn about the villagers they study, we come to question which culture is the civilized one and which is primitive.

    Adding to the cultural symmetry is Margaret Mead's work in real life. Though not explicitly dealt with in Euphoria, you are now drawn to re-examine her ideas and wonder how much influence these "primitive" cultures had on our own way of life, given Mead's impact on the evolution of sexual mores in "civilized" western culture in the latter half of the 20th century. But what makes Euphoria so good as a work of literary fiction transcends these grand ideas -- it also works on a personal level, as a character study of three individuals caught up in their own lives.

    On my own personal level, I am so glad to have listened to Euphoria. I was ready to give up on audio editions of literary novels, my favorite form of literature. They just haven't worked for me in this format. Given their focus on character and mood, they often lack the requisite forward momentum. And if you don't follow along carefully, which can be difficult given the distractions of driving or walking a dog, you can easily lose all sense of a work. It seemed to be the one major genre where my own interior narration was better than even the best audio performances.

    Indeed, I was two hours into Euphoria and it was not grabbing me. Then the narration shifts for a short period of time from the point of view of the Englishman Bankson, the first person narrator, to the voice of Mead's alter ego through journal entries, and I was hooked. I went back and re-listened to the first two hours with fresh enthusiasm and then raced through the remainder of the relatively short novel. Certainly helping the proceedings along is the expert narration of Simon Vance and his customary nailing of the various accents.

    1 of 1 people found this review helpful
  • Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong

    • UNABRIDGED (14 hrs and 21 mins)
    • By James W. Loewen
    • Narrated By Brian Keeler

    This national best seller is an entertaining, informative, and sometimes shocking expose of the way history is taught to American students. Lies My Teacher Told Me won the American Book Award and the Oliver Cromwell Cox Award for Distinguished Anti-Racist Scholarship.

    Timothy says: "Of course he has an agenda. He wrote a book!"
    "Historical Fiction Stranger Than Truth"

    Who was the first black major league baseball player? Which iconic child hero grew up to be a radical socialist communist feminist? Which president lionized for his prescient foreign policy and progressive domestic initiatives ordered some half dozen foreign invasions, even sending troops into Soviet Russia, and re-institutionalized racism? Which great American hero, one of only two honored by name with a national holiday, launched genocide and slavery in the western hemisphere? Was Lincoln actually racist?

    Why don't we know these things? Because, according to author James Loewen, a professor of sociology, our high school history textbooks omit, distort, or outright misstate some facts of our history, striving to tell a nationalistic story based on pride, patriotism, rationalization, and self-congratulation rather than the truth of the matter. Our history was, as the saying goes, written by the winners.

    But, warns Loewen, if you elevate that cliche from explanation to excuse, you risk falling into another cliche: those who ignore history are doomed to repeat it. Twenty years after Loewen wrote his cautionary tale, recent history demonstrate his point -- the fictional rationale for invading Iraq, ongoing debates that sometimes devolve into turmoil over social justice, racial inequality, and environmental disaster, and (on the more specific issue of how these things are taught), the introduction of controversial textbooks in some states that exacerbate the distortions Loewen wrote about two decades earlier to further a particular political agenda.

    How you react to this book, to its premise, to its highly detailed decimation of history texts, will depend on how willing you are to re-examine what you were taught in high school, how you feel about the truth behind myths taught as history. It will likely also depend on whether your personal opinion tacks to starboard, because this book decidedly leans to port. Loewen has an unmistakable point of view -- I believe his case would pack more punch if he took an objective approach, even though I align with him almost 100% ideologically.

    As a one-time history major back in my long-ago college days, I always prefer truth over mythology. So I ate up Oliver Stone's TV documentary and companion book, The Untold History of the United States, and I devoured this book in audio format. I already knew many of these things, but I was still capable of being surprised by other revelations. I would heartily recommend this to others willing to re-examine the truth behind some of our beliefs. If you're not comfortable with that, I suspect you don't need me to tell you stay away, you'll get that from the title and description.

    My only criticism is that the last three chapters are no longer about the distortions in our history texts, but about how these texts are created and adopted, how they affects people's perceptions, and what can be done to rectify the situation. The context of how history is taught in high school is perfect for unmasking the truth of our history, but for me personally, the subject of the textbooks themselves is less interesting. So this ultimately cost the book one star in the story category (I would really like to rate it 4 1/2 stars, so I go with 4 for story and 5 overall to get a 4 1/2 average -- the narration gets only a 4 because it sometimes borders on strident).

    The answers to the questions in the opening paragraph: a) not Jackie Robinson, b) Helen Keller, c) Woodrow Wilson, d) Columbus, and e) other than being against slavery, yes, in his early days, as was almost everyone in his era, but he evolved rapidly once he became president.

    0 of 0 people found this review helpful
  • Red Dwarf: Infinity Welcomes Careful Drivers

    • UNABRIDGED (8 hrs and 15 mins)
    • By Rob Grant, Doug Naylor
    • Narrated By Chris Barrie

    When Lister got drunk, he really got drunk! After celebrating his birthday with a Monopoly-board pub crawl around London, he came to in a burger bar on one of Saturns moons, wearing a lady's pink crimplene hat and a pair of yellow fishing waders, with no money and a passport in the name of "Emily Berkenstein". Joining the Space Corps seemed a good idea.

    Missy Hoppe says: "Finally!"
    "Better Dead On Red"

    Bad joke, that headline. Needs explanation. On the spaceship Red Dwarf, three million years in the future and untold light years from home, one may very well be better off dead (and subsequently restored as a hologram with one's personality fully intact), as is the case with the annoying Rimmer, than still alive, as is his roommate and subordinate Lister, the last living human, a slacker supreme.

    I start off this review of Red Dwarf with a bad joke of my own creation because that, in sum, is my reaction to the novelization of the popular and successful British TV series -- the jokes in this comic science fiction novel, drawn from a sitcom, are just not funny. Just. Not. Funny. Example: a state of confusion is analogized to being like an Alsatian (i.e. German shepherd) after a head-change operation -- not only unfunny, but not even remotely comprehensible.

    Maybe it's just me. Maybe I don't get the English sense of humor. Although I have no issue with Monty Python, the original Ricky Gervais version of The Office, Ali G, The Hitchhiker's Guide to the Galaxy, to name just a handful of English TV comdeies that come immediately to mind. The Hitchhiker's Guide is a particularly apt corollary, as I arrived at it through the novels rather than the original radio series, and it remains the gold standard for comic sci-fi in multimedia formats, and is clearly the role model for Red Dwarf.

    But who am I to argue with success? Red Dwarf is widely praised and much loved in its various formats, although the books seem to be the least prolific of those formats, perhaps because it doesn't work as well as a sitcom. The novel benefits from a more complete back story than the TV show, and the audio version benefits from being narrated by the actor who played one of the main characters on TV (Rimmer). Overall, I wouldn't say it was bad. I just didn't get more than an occasional snort from what is supposed to be a comedy.

    0 of 0 people found this review helpful
  • The Butterfly Forest

    • UNABRIDGED (8 hrs and 38 mins)
    • By Tom Lowe
    • Narrated By Michael David Axtell
    • Whispersync for Voice-ready

    After 40 years in San Quentin, Luke Palmer leaves with a state-issued suit, $100 dollars to buy a bus ticket, and a map that will lead to a promise and into the heart of a dark forest. College graduate student Molly Monroe is about to release rare butterflies not far from where the FBI used 4,000 bullets in a shootout to kill Ma Barker and one of her gangster sons in 1935. Molly snaps a picture that will frame something she never sees coming.

    shelley says: "Really good story, Super Narator!"
    "Not Enough Butterfly Effect"

    Two college kids go deep into the Ocala Forest of central Florida to release rare butterflies at the same time an ex-con goes in to dig for Ma Barker's long-buried loot. When the kids turn up dead, the ex-con is the obvious suspect. But former homicide detective Sean O'Brien doesn't think so and, as is often true of him, his sixth sense leads him to uncover a deeper mystery.

    Although this is the third of six Sean O'Brien books by Tom Rowe, it is the only one available through Audible. I found it to be a good, concise, straight-ahead mystery thriller in the rich tradition of Florida crime fiction, of which I am a fan (particularly Carl Hiaasen and Tim Dorsey, although Rowe does not share their subversive sense of humor -- and in a minor note, one of the major characters in Dorsey's first book is Sean Breen, who if memory serves is a cop).

    This was a solid three and a half star listen from start to finish. Through the first five hours, I was leaning strongly toward giving it four stars, since half-star ratings are not an option. But the final quarter of the book knocked me down to three. One problem is that the ultimate reveal is never analyzed as a moral issue -- why on god's green earth should anyone have to die for this reason in this day and age? (I don't want to give it away.) I wanted Rowe to take a stand on the matter.

    But that's just me. More importantly to the readership at large, the mystery is over and done with two-thirds the way in, yet there is still two hours to go. That section has been done too many times before, with Rowe adding nothing new. This story is catalyzed by a series of coincidences, never uses its butterfly metaphor for much effect, and ends with a talking villain -- three strikes = three stars.

    0 of 0 people found this review helpful
  • The Inexplicable Universe: Unsolved Mysteries

    • ORIGINAL (3 hrs and 3 mins)
    • By The Great Courses, Neil deGrasse Tyson
    • Narrated By Professor Neil deGrasse Tyson

    Everything we now know about the universe - from the behavior of quarks to the birth of galaxies - has come from people who've been willing to ponder the unanswerable. And with the advent of modern science, great minds have turned to testing and experimentation rather than mere thought as a way of grappling with some of the universe's most vexing dilemmas. So what is our latest picture of some of the most inexplicable features of the universe? What still remains to be uncovered and explored by today's scientists?

    Christopher Anderson says: "Great Learning Experience"
    "The Inexplicable Explained"

    Neil deGrasse Tyson is one of best known physicists working today because of his ability to explain mind-blowingly complex science to civilians. In this short lecture series, he attempts to apply his unique ability to explain things to things he himself calls inexplicable -- atomic and sub-atomic particles, black holes, dark matter and dark energy, the multiverse, genesis, the origin of the universe, et. al.

    And he largely succeeds. In such a short course, he does not have the luxury of giving us background on every building block of science, so it certainly helps to come into this already knowing something about the periodic table, for example, or the general theory of relativity -- not at the Ph.D. level, just at the high school level. Even so, there is something here for everyone who has ever been curious about our origins and how we've come to know what we do know about it and how we are attempting to expand our knowledge into areas that remain mysterious and seem unsolvable.

    3 of 3 people found this review helpful
  • Legendarium

    • UNABRIDGED (3 hrs and 13 mins)
    • By Kevin G. Summers, Michael Bunker
    • Narrated By Robert Rossmann

    In every generation, certain writers are chosen to be protectors of The Legendarium, a metaphysical library that exists at the nexus of the multiverse. Inside this library are doorways that lead to every world ever created in literature. There are forces of evil constantly at work to destroy the library and send the world back into an age of darkness. Now, in a time of growing illiteracy, two heroes are chosen to defend The Legendarium.

    Elizabeth Hauris says: "If Butcher & Fforde had a child, this would be it."

    Fledgling novelist Bombo Dawson and insufferable literary critic Alistair Foley are enlisted by the ghosts of famous novelists of the past to save the Legendarium, a library where literary worlds come to life. Great premise, good characters, decent result, but ultimately disappointing.

    So what went wrong (for me)? The literary worlds Michael Bunker and Kevin Summers chose as backdrops for Dawson and Foley just did not do it for me. Two are among my least favorite classics, books I consider wildly overrated. The other two I never heard of -- they are likely fictitious, but I'm not sufficiently motivated to look it up. If they were made up, that would actually be better than if they were real books, but I am nevertheless underwhelmed.

    This novella is a follow-up to Bunker's wonderful "Hugh Howey Must Die", also a riff on writers, novels, and publishing, with the title character hardly the only real life novelist in the story (that book is not available in audio -- I read it in print). This book starts out with a prologue titled "Hugh Howey must live!" that reprises Bunker's fictional version of Howey (although that is the last we hear about him).

    I found myself wondering, as I plodded through the literary landscapes, real and imagined, that are part of this book, what would Hugh Howey do? Which books would he choose? I know which ones Jasper Fforde has used in his Thursday Next series, which has the virtue of quantity, if nothing else, since they are full length novels. And I'm thinking about these things because I'm just not enthused about the ones Bunker and Summers chose. Sigh!

    3 of 4 people found this review helpful
  • Guy Noir and the Straight Skinny

    • UNABRIDGED (4 hrs and 8 mins)
    • By Garrison Keillor
    • Narrated By Garrison Keillor, Tim Russell, Sue Scott

    On the 12th floor of the Acme Building, on a cold February day in St. Paul, Guy Noir looks down the barrel of a loaded revolver in the hands of geezer gangster Joey Roast Beef, who is demanding to hear what lucrative scheme Guy is cooking up with stripper-turned-women's-studies-professor Naomi Fallopian. Everyone wants to know, and Guy faces them one by one, as he and Naomi pursue a dream of earning gazillions by selling a surefire method of dramatic weight loss.

    Darryl says: "funny noir spoof"
    "The Skinny: Shoulda Played It Straight"

    Guy Noir is a popular segment on Garrison Keillor's weekly radio show, A Prairie Home Companion. He even appeared in the movie adaptation, played by Kevin Kline. He is a satirical version of the hard-boiled detective who appears throughout the pulp fiction and film noir canon of the mid-20th century. He makes for a great skit.

    He cannot, unfortunately, carry a novel. Certainly not an audiobook in which the entire length of the proceedings is backed by cheesy organ music. Who's idea was this? It is truly awful, unlistenable. It's worth a chuckle or two in a skit measured in minutes, but it's an annoyance of epic proportions when stretched out over a span of hours (even if four hours is short by audiobook standards).

    That's too bad, because otherwise, Keillor has written some good riffs and, as is his way, expertly narrated his own writing (though aided here by two actors doing the voices of other characters, which are OK). Some readers have been turned off by the bathroom humor and stomach turning premise. I agree that Keillor could have made some better choices in those areas, even in the vein of satire and parody.

    What we're left with: a) distracting soundtrack, b) distasteful plot elements, and worst of all c) Keillor allowing some good rants and observations and narration to be swamped by items a) and b). There are better alternatives available within Keillor's Audible library as well as the well-filled racks of pulp fiction by Dashiell Hammett, Raymond Chandler and dozens of others, including plenty of satire and self-parody.

    0 of 1 people found this review helpful
  • Legion: Skin Deep

    • UNABRIDGED (4 hrs and 23 mins)
    • By Brandon Sanderson
    • Narrated By Oliver Wyman
    • Whispersync for Voice-ready

    As the new story begins, Leeds and his "aspects" are hired by I3 (Innovative Information Incorporated) to recover a corpse stolen from the local morgue. But there's a catch. The corpse is that of a pioneer in the field of experimental biotechnology, a man whose work concerned the use of the human body as a massive storage device. He may have embedded something in the cells of his now dead body. And that something might be dangerous.

    B. says: "A Pleasure"
    "Skin Deep = Not Deep at All"

    Legion had a couple of great ideas that were, for me, not fleshed out enough, too quickly resolved, too many missed opportunities. Skin Deep, the second installment in the series, is more than twice as long, but it is still no more than a novella that reads as an afterthought rather than a concept that has been fully thought out.

    There is still the excellent central idea of an investigator with multiple personalities -- fully realized characters with areas of specialization that help solve the mystery. That remains an engaging premise. But it still goes anywhere (fast) because the short form is too restrictive. The secondary idea of human cells being used as high capacity flash drives is not as good a springboard for speculation and plot development as the history camera in Legion.

    So despite the brevity of the novella, I quickly lost interest, perking up only when the inner personalities took center stage. I stuck it out to the end because of them, but I was patently underwhelmed by the meager plot. No problem, on the other hand, with Oliver Wyman's narration, which as good as it was in Legion, and helps us appreciate the characters.

    1 of 1 people found this review helpful

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