Lehrer's premise that the arts have anticipated many of neuroscience's recent discoveries about the workings of human perception are explored in this book through an examination of the works of a number of artists, composers and authors. It offers some fascinating insights into both science and works of art but unfortunately it becomes redundant and tedious as the author repeats many of his points again and again throughout the book. Even though the book is relatively short, it would have benefited from more editing.
Shaming--a practice that was abandoned by the judicial system as being overly cruel, has been re-invented by modern social media and in a form that makes the stocks of our ancestors look like child's play. We may think we have come a long way from the days when we picnicked and partied at public hangings, but that is far from the case as we revel in another's destruction, often with far less justification for our outrage at the misdeeds of the perceived wrongdoer.
Inspired by a personal experience of his own, Ronson turns his unique talents to the modern phenomenon of shaming through social media. Once again, he challenges us to confront the question of who we are as individuals and as a society, in this case as demonstrated by the fact that we are evidently compelled to vilify and even destroy in the public eye those who have committed a wrong (not a crime)--either real or perceived. While Ronson offers few explanations as to why we are driven to publicly condemn these individuals often in the most stunningly virulent and misogynistic terms, he does look at the impact this has on the lives of those who are the objects of this outpouring of vitriol. If it is justice, it is a justice of the mob and an often unthinking and nasty justice at that.
Ronson is the best narrator of his own work. In his hands, one can't help but wonder, often with dismay, at who we really are.
I really enjoyed some of the stories, but was pretty bored by others. Be forewarned that a number of stories appear in other collections of Neil Gaiman's. Last story, "The Black Dog" is the best one that I had not heard before. Full of the mysterious otherworldliness that Gaiman is best known for.
I would recommend either skipping the first section which tells about the origins of each story, or waiting until you have completed the book before listening to that section.
If you're looking for a good ghost story for the Halloween season, this one is a good bet. Allusions to creepy literary spinsters—Henry James's Miss Jessel and Dickens's Miss Havisham—create the atmosphere for this gothic suspense novel.
The protagonist grows up in Australia with a mother who refuses to speak about the details of her childhood in England. As he grows older, he becomes increasingly curious about his mother's reasons for leaving England and her reluctance to talk about her past. He returns to England and begins to piece together what might have happened, discovering short ghost stories written by his great-grandmother, Viola. These wonderfully spooky tales, filled with supernatural occurrences and séances, are interwoven into the main narrative and offer tantalizing clues about the family's history.
The narrative can get a bit confusing at times, as we jump between Viola's stories and the protagonist's life, something that probably is a bit more of a challenge in the audio format. One must pay close attention to keep the characters straight or be prepared to rewind in order to keep track of the story--I had to rewind several times but actually welcomed the chance to do so because I really didn't want the book to end. The ending makes perfect sense but you really have to think about it. Happy hauntings!
Although not usually a fan of the fantasy genre, a large part of the appeal of this trilogy for me has been its inspiration from the Narnia chronicles of C.S.Lewis which captivated me as a child. How would those stories play out if the characters were allowed to mature and develop in the "real world"?
I loved the first book of the trilogy, the second a little less so and the third (this one) not so much. At his best, Lev Grossman recreates in my heart the almost painful yearning I had as a child to enter the fantastical world of of Narnia (Fillory, in Grossman's rendering of that world). Descriptions of the imaginary world and its inhabitants are lush and evocative and sure to appeal to lovers of the genre. For me, however, the mystery of the first novel in the series was missing and I found it increasingly hard to care about what happened to the characters in a world so disconnected from our own.
It makes me a little sad--I wish I could have gotten more into the spirit and summoned back to life the sense of wonder I had as a child. The stories have it right for most of us--once you grow up it is almost impossible to fully return to those lands of your dreams, whether it be Narnia, Fillory or Neverland...
Having grown up a few miles from the original Shaker upstate NY settlement in the US and having visited several former Shaker communities in NY, Massachusetts and Kentucky, I was intrigued by the premise of this novel. The book does a great job of exploring the nuances of Shaker life as experienced from both the inside and outside, all in the context of an engaging story. While Shakers tend to be remembered today for their expert hand-craftsmanship, this was only one expression of their belief system, and while many of their beliefs seem bizarre, others have a startlingly modern ring, including the equality of women and a belief in the feminine aspect of God. Well worthwhile.
One of the things I like best about Phil Rickman is his ability to walk the line between the supernatural and the mundane, all in the setting of a bucolic English countryside. He also understands the deep influence religion has upon us, whether or not we are "believers," predisposing us to accept or reject the supernatural, while the truth may lay somewhere in between. Perhaps that is "The Smile of a Ghost" referred to in the title. Another great installment in the Merrily Watkins mystery series.
I keep hoping that Tana French will live up to the promise she showed in her earliest novels, but the last few have been disappointing and this one is no exception. Ms. French continues to write beautifully but the languid pace of this mystery tends to irritate rather than enthrall.
The drama is set in a girls' boarding school, and much like the board game "Clue," we are placed in a contained environment with a dead body and 8 possible suspects. "Drama" is an appropriate descriptor here, as much of the story revolves around the angst of adolescent life. Even that, however, does not ring particularly true, at least in my opinion--the bad attitude of these teen-age girls, especially towards law-enforcement officials, seems to go way over the top given that a murder has occurred on campus. Occasional allusions to some sort of supernatural influences are intriguing but ultimately go nowhere. The sub-plot involving intra-office police department politics doesn't add much to the story except perhaps laying the foundation for a partnership in Ms. French's next novel.
In the meantime, I'll keep listening and hoping.
This book, recommended to me by another dog lover, is an odd combination of relatively dry discussions of the biology and psychology of dogs and treacly anecdotes about the author's dog, "Pump." As such, it does not work very well on either level.
The book has its moments on topics such as dogs' eyesight and sense of time, and a critique of the skewed (by human assumptions) conclusions of some studies on dog behavior. Notwithstanding these bright spots, much of the material will already be familiar to any dog-lover, and the frequent and cutesy descriptions of Pumps's behavior, while apparently intended to make the book a bit more "personal," came across as an irritating effort on the part of the author to convince us of her own dog's particular specialness.
The narration is slow (try it at 1.25 speed, at a minimum) which doesn't make the material any easier to get through. I am giving it 3 stars because it does contain a lot of information which may be unfamiliar to some readers. Still, if you're looking for a book to help you better understand your dog, I would recommend "The Wolf in the Parlor" by Jon Franklin.
It is the time of year when I find myself in the mood for a good ghost story, but unfortunately, this isn't one of them. The premise is intriguing, involving dead and half-dead characters who exist on their own plane and sometimes interact with the living, most often in dreams. Plenty of potential here for eerie suspense and exploration of dimensions of human existence beyond the worldly. Sadly, this potential is wasted and what we have instead is combination of vapid romance novel and tedious travelogue of the traditional Chinese afterlife. There are aspects of Chinese mythology and culture which are of interest but they can't compensate for the predictable plot, 2-dimensional characters and cloying narrative style. Guess I'll still be searching for a good ghost story.
This book has been sitting on my shelf unread for many years, so I welcomed the chance to listen to this audio version. I usually find classics well-worthy of their reputations as such, but I confess to being disappointed in this one. Perhaps that is the pitfall of having such high expectations.
The novel is an exploration of the many facets of love from the heterosexual male point of view. The female characters serve mainly as foils--as the objects of male attention, intention and obsession. Even the main female protagonist, Fermina, seems rather 2-dimensional--her actions mainly serving as the impetus for the actions, thoughts and feelings of the men who are drawn to her.
The cholera of the title is not accidental. Episodes of this plague occur at various points throughout the book, but more important are the parallels drawn between cholera and love. Love is likened to a disease--mercilessly consuming its victims and typically causing far more torment than pleasure. While certainly containing elements of truth, it is a fairly oppressive view of the nature of love.
The prose is beautiful--evocative of time and place, if at times slow-moving. The translation serves the work well as does the narration. It is certainly a book worth reading once, but I doubt I will want to return to it anytime soon.
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