Seattle, WA, United States | Member Since 2015
I have listened to the first three books in this series. They are primarily centered around the love lives and political intrigues of Marines at every level of service. While it is true that Griffin is a good story teller, do not expect a lot of the type of human drama associated with operations or battles. The first three books are primarily concerned with the preparations for war in the Pacific Theater, with far too much emphasis on several characters (Marines) that spend most of their time five star hotels drinking expensive booze and cavorting with buxom girls. These are not stories about Marines hitting a beach or taking an enemy-held position, they're about Corps politics. I suggest another venue if you are looking for a deeper understanding of battle, courage and confronting a well-entrenched enemy. However, if you like a good "soap," these books will be enjoyable to you.
The Aubrey–Maturin series (by Patrick O'Brian) is, after listening to 1,500 audio books since 2007, still my favorite series. Howsoever, Dewey Lambdin's Alan Lewrie books, read by the esteemed John Lee, are right up there with the best swashbuckling fiction available on Audible.
What the listener gets is fiction, history, thrills, and intrigue with a dash of corruption and jealousy to boot. There are occasional saucy vignettes that are less pornographic than historical bawdiness. Napoleon, too, gets his due eventually as is the tradition with historical British naval fiction.
I like this main character. When I was in the Peace Corps (Liberia) in the 1970's I met men like Alan Lewrie (our protagonist). They were cocksure, vengeful, and righteous all in one package.
I am on book #6 and will go the distance with this great horde of sea treasure.
You will have to do the usual hunt and peck to find all the novels in the series. There are several narrators and gaps in the series links. However, they are available if you switch narrators. Jonathan Keeble is fantastic in the first two books. An interlude then comes with the adequate, Tom Sellwood, followed by Keeble and John Lee. You finish up with two more decent narrators that do a good job of holding the tension.
These books seem to be the basis for the "Irish-Canadian historical drama television series (see Wiki)," Vikings. The time period is the same, as is the character focus. The novels are filled with battles, intrigue, double-cross and blackmail. The era is the 9th century…the setting is England.
The antagonists cum protagonists and visa versa are Danes and Northerners, invading England for plunder. Battles are with sword, axe, lance, and shield. Amazing stuff. Realistic without crossing the line to phantasmagoria.
This series is two spears up.
Compelling WWII history keeps me awake at night, risking of a garroting by earbud wires carefully tucked under my pillow. Not this story however. I hit the off button after ten minutes or so.
The story is an important one; where did the art stolen by the Nazis end up? However, the novel is 3/5 personalities and 2/5 art chasing (I'm being generous). The film Monuments Men, from which this book derives, needed plenty of embellishments to forge a screen play out this rather thin tale based on even thinner records.
There are some great vignettes about very famous art works that make the listener go, "huh" or "what a tragedy." It's just not a whole credit's worth. So…listen to be informed, not entertained, if you chose this book.
When your author makes excuses for the unfathomable good luck of his detective with statements like this, "Enzo was beginning to feel like one of the Three Princes of Serendip," you know that you're being fed a lazy tale where accidents, rather than sagacity, are the dominant theme.
The premise of this quasi-detective story (the main character is not a cop, but a biology professor) is seriously flawed - the protagonist (Enzo) takes a case on a bet. Other motivations are not clear…perhaps he's bored. Once he does engage, we follow his left turns over this "Pont" and onto that "Rue," around French postcard cities, generally unengaged with the author's sideshow cuisine and wine forays. Few North Americans can reference Enzo's urban(e) wanderings, leaving the listener feeling like he or she has just departed a boring dinner party where the hosts showed their guests a slideshow of a recent trip to France. After awhile it all blurs into a bland Ratatouille stew.
To keep the listener attentive, the author makes a futile attempt at mimicking Umberto Eco's, The Name of the Rose and Foucault's Pendulum. But, Peter May is no Umberto Eco. Some reviewers equate this novel with Brown's, Da Vinci Code. However, Dry Bones is far too random and cliche to rise that far.
Personally, I think Peter May should try his hand at travel writing. He seems to know a great deal of trivia that may be of interest to the Francophile in a few of us.
Long before the advent of road trip books like John Steinbeck's, Travels with Charlie, or Jack Kerouac's, On the Road, there was Mark Twain's - Life on the Mississippi. This is a two part story - one dealing with Twain's years as a riverboat pilot on the Mississippi, and the second part focusing on his nostalgia journey back to the river twenty years later.
The river serves as metaphor for the rapidly changing industrial landscape of mid-19th Century North America. Twain encapsulates the metamorphoses through vignettes and interviews that capture "what-was" and "what-is."
As good in audio as in text, this story will captivate historians and Big Muddy aficionados. It does tend to drag towards the end, though for a purpose. I wouldn't let that keep me from recommending this book. Just listen to it when you have plenty of leisure time or you're on the road again in the Midwest.
When I found myself counting the number of visits to Starbucks by our protagonists, a sense of dread washed over me...'Harry Bosch has lost his edge.' However, when the pastry selection Bosch buys (from Starbucks) for a judge to garner favor for a court order is given play in the story, I realized that we have reached the end of an era.
Harry Bosch no longer exists. In his place is a Hollywood cutout who is no longer the consummate outsider. He has morphed into just another wise, old detective with street savvy, but too polished to allow us to see his dark side.
This story was canned, relying on strokes of luck to move the plot along. The author even chastises his own use of this weak writing tool by reminding us that lightening doesn't often strike in an investigation (but it does - several times).
If you purchase this book it may give you an excuse to leave the past behind. Time find yourself a new anti-hero like Bosch to enjoy.
Burn a witch? Reveal an conspiracy? History comes alive in this crisp retelling of an horrid era in Colonial history…witch trials and the intersection of faith and law.
The reason why I am recommending this audiobook has nothing to do with the story (which is phenomenal). It is a tale of one boy/man and his intellect, against a myriad of biblically-misguided Colonials who see darkness with every twist of fate. I want you to listen to this book so you understand from whence we have come as a Nation.
There are some eye-rolling moments, however, they are so infrequent that the story abides…as does our Nation. That is, America abides…even though we were at one time serious ignoramuses.
Go for it!
This canned, quasi-spy novel, is written to wind your tension-lovin' spring. But, the story is so pedestrian, so canned and unbelievable, that its masquerade as thriller is as transparent as the unsmoked glass that the good guys must endure in their rented Porches when the genocidal maniacs shoot their silenced guns through the streets of crowded cities into their righteous and speedy vehicles.
What incredibly bogus, pulp fiction, this stuff is…I feel dirty.
But, as always Scott Brick is my hero. Narrator extraordinaire!
At first I took this audiobook for pulp si-fi and intended to listen with a modicum of disinterest as I went through my daily rituals, ear buds dangling in their usual position. Then, as the penultimate battle approached, I went into serious listener mode. 'This is going to be good,' I thought. Not!
The book ends without resolution and in the middle of a space battle where tactics (human) are pitted against overwhelming numbers (alien). What happened? Who knows? You have to buy the second book.
Unlike Jack Campbell, who resolves the dilemma before setting up a new one for readers to ponder, McGinnis churns pulp like an episode of "Orange is the New Black." Want to know what happens…tough luck buddy…spend another credit.
Well…not me…I am returning this wholly unsatisfying example of churn.
Having read this novel three decades ago, I recalled that I was enthralled with how the story unwound. Now, hearing it read by John Lee, I can tell my fellow listeners that this novel/audiobook is in my top 25 out of 1350.
First, don't be put off by the period sexism (circa 1970). You'll find the same stuff in Exodus (also by Uris). It's just the way he wrote. Keep focused on the motivations of the characters. Their extremes are tell-tale foreshadowing to a totally unexpected ending.
QB VII (or Queen's Bench 7) is the British courtroom where a trial takes place. The listener must serve as jury to answer the question: Is Abraham Cady (a reporter) guilty of libeling Dr. Adam Kelno, a Polish physician, whom Cady accused of war crimes? The backdrop for this story is the Holocaust, but the drama plays out in British Courtroom two decades after WWII ended.
When you finish this book you will be a different person. Oh…one more thing…it is based on a true story!
Report Inappropriate Content