Many of the chapters are very powerful indeed. Shavit is an Israeli writer/commentator who deeply identifies with his country and is equally pained by the tragic problem resulting from the existence of sovereign State primarily for the Jewish People in the middle east. His description of his love and associated agony is important for we Israelis and important for intelligent, sober readers. To my taste, the opening chapters needed substantial editing.
At any number of points, I was on the verge of stopping to listen and to instead read the print/e-book edition, solely because of the narration. The book describes an epic drama, immediately asserted in the subtitle "Triumph and Tragedy", that is ongoing. The narrator, speaking in the highly accented English of a non-native (although Paul Boehmer seems to be US born and bred), reads the book as a melodrama. I also thought it was poorly acted. To my mind, it is an utterly wrong, inappropriate, and even damaging choice for delivery.
The way in which Roberts 'freshens', by balancing, Napoleon's character and placing him in historical context.
Battle sequences were quite detailed, probably unnecessarily so.
Napoleon obviously, but I was fascinated by supporting characters such as Talleyrand and, less so, Josephine.
It successfully presents the narrative of a singular genius and is quite complete. If any follow-up then to trace the career of his nephew Louis-Napoleon Bonaparte, Napoleon III.
For the broader geopolitical references, I needed maps, which obvious lack is a major drawback of an audiobook!
Caro's ability to portray Power epically, systematically and with humor.
The story of a crude, morally-unchallenged person, with an equally unchallenged sense of power.
A sense of listening to a superb story teller, as I drive. I look forward to more driving in order to continue Gardner's reading of the story.
If you're prepared to pay, I'll think about it seriously.
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