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Kalamazoo, MI, United States | Member Since 2011

  • 7 reviews
  • 108 ratings
  • 245 titles in library
  • 32 purchased in 2014

  • The Claw of the Conciliator: The Book of the New Sun, Book 2

    • UNABRIDGED (11 hrs and 27 mins)
    • By Gene Wolfe
    • Narrated By Jonathan Davis

    The Claw of the Conciliator continues the saga of Severian, banished from his home, as he undertakes a mythic quest to discover the awesome power of an ancient relic, and learn the truth about his hidden destiny.

    Gene Wolfe's "The Book of the New Sun" is one of speculative fiction's most-honored series. In a 1998 poll, Locus Magazine rated the series behind only "The Lord of the Rings" and The Hobbit as the greatest fantasy work of all time.

    Riley A. Vann says: "fascinating world"
    "Great if you like all middle..."
    Would you say that listening to this book was time well-spent? Why or why not?

    No, I wouldn't, because it gives no sense of resolution. This is the second of the series and like the first the book begins in the middle and ends in the middle. I picked it up because the world the author is painting is an interesting one, so I figured I'd give the series a second chance. However as a story the book doesn't hold up well. The language is imaginative, descriptive and enjoyable to read/listen to. You feel immersed as you're traveling along with the character, Severian, through his journey. In fact it picks up right where the last one left off. Quite exactly so and because the last book had no ending, this is more like a continuation of the first than a second book. Unfortunately, like the first, it can not stand on its own. With no ending, there's no emotional payoff. For me, I need that piece of closure. This book essentially just runs out of pages, as if there's more to be read, but someone has stolen those chapters (or opted to sell them to you in guise of another novel). To me, that "style" is disingenuous and feels like a cheat. So no matter the raves this series has gotten, I think I'm going to take a pass on the rest of it.

    What could Gene Wolfe have done to make this a more enjoyable book for you?

    Opt for a more conventional story form with a hook, middle, ending. Trite I know, restrictive I know, but the forms exist because they supply a need. I don't mind some ambiguity and I understand the need to keep a series going. However, to get me to follow along and need an occasional piece of cake and not just a trail of crumbs.

    Which character – as performed by Jonathan Davis – was your favorite?

    The entire story is basically told from the point of view of Severian. Some small characterizations are done, but they are thin, basically Serverian's characterizations of them, not Jonathan Davis's. Evoking Severian, Davis does an adequate job of and he's a good narrator. I just think the story limits him.

    Was The Claw of the Conciliator worth the listening time?

    No. On it's own, this book does not stand. The series, taken as a whole may, but a book needs to stand on its own merits for it to be worth my time. This one does not.

    Any additional comments?

    I'm really torn on this series. I get the stylistic choices that have been made here and I respect that, but I have to be honest. I simply didn't enjoy it.

    0 of 0 people found this review helpful
  • The Daylight War: The Demon Cycle, Book 3

    • UNABRIDGED (26 hrs and 51 mins)
    • By Peter V. Brett
    • Narrated By Pete Bradbury

    In this heart-stopping installment of the Demon Cycle, humanity continues to struggle against the demon plague - even as survivors hold out hope that the Deliverer will save them all. On the night of the new moon, the demons rise in force, seeking the deaths of two men, both of whom have the potential to become the fabled Deliverer, the man prophesied to reunite the scattered remnants of humanity in a final push to destroy the demon corelings once and for all.

    Joe says: "Can't Believe Audible Didn't Announce The Release."
    "A real cliffhanger..."
    Would you listen to The Daylight War again? Why?

    This is the third in the Demon Cycle and it's the best so far. Brett has taken a long winding road developing these characters into people who feel real. He's given them foibles and follies, had them fail, had them discover things about themselves they didn't like. No character in these books is simply good or evil. They all have complexity and realism that grounds the fantasy solidly. That coupled the impressive detail the author's taken in depicting the cultures and background of his world, makes for an engrossing read/listen.

    What was one of the most memorable moments of The Daylight War?

    Without spoiling too much, the point of view introduction of the upper caste demons shed some light on what until now has been a pretty homogenous enemy. Several characters diverged from my expectations in this book, which was also a pleasant surprise.

    Which scene was your favorite?

    The ending of the book. I won't say much more than that I'm sold on the next, sight unseen. It's so rare the get a really solid ending, but Brett pulled this one off with showmanship.

    Was there a moment in the book that particularly moved you?

    Several. The unlikely marriage between the young Junglar Roger and his two Crasian wives gave me many smiles. Rena's abuse by her father enraged me so much I cheer when ... well... that would be too much. Needless to say, the reality of this characters makes you care about them and their lives are not easy.

    Any additional comments?

    I'm generally not a fan of serial fiction. I like a story to be told and be done. However, there are a rare few artists who excel at the form. Brett is one of those. It knows how to turn a tale and I look forward to reading more of his work in the future.

    0 of 0 people found this review helpful
  • Daemon

    • UNABRIDGED (15 hrs and 57 mins)
    • By Daniel Suarez
    • Narrated By Jeff Gurner
    • Whispersync for Voice-ready

    Thousands of autonomous computer programs, or daemons, make our networked world possible, running constantly in the background of our lives, trafficking e-mail, transferring money, and monitoring power grids. For the most part, daemons are benign, but the same can't always be said for the people who design them.

    Erica says: "Possibly The Best Techno-thriller Ever"
    "Smart Thriller for Our Information Age"
    What did you love best about Daemon?

    Suarez did a great job of mixing realty and his fictive sci-fi extensions. His Daemon isn't HAL. It's not a thinking computer. It's fiction firmly grounded in what is possible now and extended from there in a plausible fashion. It made for a very believable and thought provoking narrative that I thoroughly enjoyed.

    What was one of the most memorable moments of Daemon?

    First thing that pops to mind is the Killer Robot Humvee... that's all I care to spoil for the readers though.

    Which character – as performed by Jeff Gurner – was your favorite?

    I'd have to say the Daemon's minions Grag/Loki and Mr. Taylor(the convict) would have to be my favorites. They had the most opportunity to interact directly with the demon and their narratives were where we really got a feel for being in a world where the Daemon exists. Plus, I'm a black hat as a rule, so I gravitated to the conventional antagonists.

    Was this a book you wanted to listen to all in one sitting?

    Yes. I generally listen on my way to and from work. It's about and hour and half each day and I found that I wanted to carry Daemon into the house and listen while I was doing housework and cooking dinner as well. It was a thoroughly engaging text.

    Any additional comments?

    If you're looking for a thriller that hits you with big ideas as well as suspense and action, look no further. I'm recommending Suarez to all my friends. Home the second book holds up as well as the first.

    0 of 0 people found this review helpful
  • Kushiel's Dart

    • UNABRIDGED (31 hrs and 6 mins)
    • By Jacqueline Carey
    • Narrated By Anne Flosnik
    • Whispersync for Voice-ready

    The land of Terre d'Ange is a place of unsurpassing beauty and grace. It is said that angels found the land and saw it was good...and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt.

    Glen Gaines says: "The Kushiel series in order"
    "About What Happened, I Will Not Speak..."
    What disappointed you about Kushiel's Dart?

    That phrase I've cited in my headline shows up entirely too much in such a long book. It seems everything that is interesting, Phedra (the protagonist and narrator) doesn't care to elaborate on. Oh she will drone on and on about the beauty of her people or the mythology of their creation, but get to something with some pathos and it's fade to black. The book already limits the readers vision by giving us everything from its protagonist's point of view exclusively. To have her censor for us as well leaves us feeling second step removed from the entire tale. Hint, if something is not important enough to be spoken of in your account or if its too delicate a matter to confide to your reader, DON'T MENTION IT.

    What was your reaction to the ending? (No spoilers please!)

    By the ending, my give a damn was just about busted. Every time the author would pull me in, get me caring about something or someone, she'd shuffle the moment off screen. There was one liaison between Phedra and Hyacinth, two of the main characters, that had been building the entire book. When she finally got there though, it was two sentences and fade to black. The author wasted hilarious amounts of time on banal details of setting, but come a moment of true feeling (or even just carnality) and she'd shy away.

    What do you think the narrator could have done better?

    The narrator was fine. She had a good voice, acted well, carried multiple roles. Nothing wrong with that at all.

    You didn’t love this book... but did it have any redeeming qualities?

    I'm am giving Kushiel's Dart a hard time. The book had an elaborate detailed and intricate plot. It's what kept me going through all the frustrations with the method and style of its telling. I wanted to know what happened. That's why story wise I rated it higher than the overall rating. She developed a rich world. It was a terrible pity that she decided only to let us peek through a knothole to have a look at it.

    Any additional comments?

    This has the feel of an older style of writing. It is very classy and demure. For a barbarian like me, it was a bit too cultured maybe. If you like material like the Bronte's, I think you would enjoy this text. Don't come looking to be shocked though, because Ms. Carey won't let you see anything too terribly shocking. Her protagonist is too much of a lady to talk about such things.

    0 of 0 people found this review helpful
  • A Discovery of Witches

    • UNABRIDGED (24 hrs and 2 mins)
    • By Deborah Harkness
    • Narrated By Jennifer Ikeda
    • Whispersync for Voice-ready

    Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library.

    Tim says: "True Blood PG13"
    "Not feeling it."
    This book wasn’t for you, but who do you think might enjoy it more?

    Readers looking for a supernatural romance novel mixed with a bit of mystery that have a good deal of patience will enjoy this book.

    Would you ever listen to anything by Deborah Harkness again?

    Unlikely. I don't care for the writing style. Don't get me wrong, I like wordy long prose. I don't like the switching of forms from first person as her protagonist to third when dealing with her other characters.

    I also don't care for the special snowflake nature of her protagonist. For once, I'd like to see a lead in one of these type of books be less than the forces that surround her as opposed to more than everyone knows. Hell, placing Diana on even footing would have been good enough. Unfortunately though, Diana is bubbling up with "potential" power, even in the first few chapters. It's trope and tired.

    Also, could I have a couple of bland vampires please? I'd like a vampire the Steve Buscemi could get cast as, not these over glossed shiny and beautiful people with their layer upon layer of angst over their immortality. How about a vampire who enjoys what they are? Too much to ask?

    Did the narration match the pace of the story?

    Yes, narration was fine. Jennifer has a decent voice and though she's not the talented voice actress, summoning up diverse characterizations, she had a decent flow and she's pleasant enough to listen to.

    What character would you cut from A Discovery of Witches?

    Ugh. Two I think, Aunt Sarah and her girlfriend Em'. From what I can tell, these two are there simply to spout exposition about the world and to restate what has already been explained in the narration of Diana (the protagonist's) thoughts. The phone conversations with them are tedious and could easily have been trimmed.

    Any additional comments?

    I haven't decided whether to return this item or not. I tend to suffer through when it comes to a hard text, so I may try to give this one a second chance and carry it through to the end. That said though, a book that hasn't hooked me well enough to make me WANT to continue has failed, IMO.

    0 of 0 people found this review helpful
  • It

    • UNABRIDGED (44 hrs and 57 mins)
    • By Stephen King
    • Narrated By Steven Weber
    • Whispersync for Voice-ready

    They were just kids when they stumbled upon the horror of their hometown. Now, as adults, none of them can withstand the force that has drawn them all back to Derry, Maine, to face the nightmare without end, and the evil without a name.

    Parola138 says: "I thought I was desensitized"
    "It never really grabbed me."
    What disappointed you about It?

    Flash back blitzkrieg style choice really killed this for me. The book bounces back and forth between the protagonists as kids and adults over and over. The segmentation breaks up the narrative and flattens the characterization of the adult versions in favor of the child versions. What that means in a nutshell is that they never really establish any personality beyond who they are at age 12, in the flash backs. It could be argued that this is a story about children and that's the point. I don't accept that though. These characters never seem to grow up in anything but the details of their described lives. They don't change significantly otherwise.

    Coupled with its length and the amorphous nature of the story's antagonist, you get a book for adults that they really can't relate to or be afraid of. In addition the scope of the power of the antagonist dwarfs the kids to the point where accepting that they could defeat this ancient evil stretches credibility to the breaking point. King tries to elevate their power with his even more amorphous counter force (see echoes of the Dark Tower) and his tales of the Turtle, but it just never rings true. He's reaching for something Lovecraftian in It but falling short because he's unwilling to pull the plug and let his heroes fail. There's a few token casualties as are required in a King book, but in the end the kids triumph and the ancient evil is destroyed.

    Finally, one plot choice at the end of the book struck me as being tacked on and unnecessary. I don't care to spoil the plot point. I will just say that it in itself was more disturbing to me that the whole story of It et all. That little section of the book left me feeling sick to my stomach, not out of fear or horror but out of revulsion. What had been a story about innocence vs. the unknown got twisted by that choice into something mildly perverse.

    Has It turned you off from other books in this genre?

    Nah, I'm a horror reader for years. I don't mind being disturbed. I just don't like to feel like I've wasted my time. This book could have been cut in half and hit the notes it did. It just wasn't worth the time invested.

    Did Steven Weber do a good job differentiating all the characters? How?

    The narrator was fine. His characterizations were clear and easily understood. This voice range wasn't as diverse as some, but he told the story well.

    What character would you cut from It?

    Beverly. She's at the core of the warped plot choice I mentioned and the dynamic of her character plays to a powerless and abused trope that just gets played too often to be entertaining or acceptable. King needs to try for a strong and whole female character for once as opposed to the broken little girls he pulls up again and again.

    Any additional comments?

    I love King's writing as a rule. He's one of the best storytellers of our century. That said, not every piece he puts out is golden. Some are simply good, a few, like It and the later Dark Tower books, fall flat.

    0 of 0 people found this review helpful
  • Star Wars: The Old Republic: Revan

    • UNABRIDGED (10 hrs and 55 mins)
    • By Drew Karpyshyn
    • Narrated By Marc Thompson
    • Whispersync for Voice-ready

    There’s something out there: a juggernaut of evil bearing down to crush the Republic - unless one lone Jedi, shunned and reviled, can stop it. Revan: hero, traitor, conqueror, villain, savior. A Jedi who left Coruscant to defeat Mandalorians - and returned a disciple of the dark side, bent on destroying the Republic. The Jedi Council gave Revan his life back, but his memories have been erased. All that’s left are nightmares - and deep, abiding fear. What exactly happened beyond the Outer Rim? Revan can’t quite remember, yet can’t entirely forget.

    Ryan says: "Did you play Knights of the Old Republic?"
    "Well put on pulp."
    What did you like best about Star Wars: The Old Republic: Revan? What did you like least?

    The production quality on all the SW-TOR supporting audio book fiction has been top notch. Sound effects, musical score, a narrator with a variety of voices at his command, all superb.Unfortunately though, this title just came off as weak. I think the central problem is they're dealing with characters who are so large and mythic in scope that as readers we don't feel much connection with them. This book returns to characters from the original Knights of the Old Republic Franchise and its portrayal of them is just kind of flat. There's really no surprises or significant character development. Who they are at the start of the book is who they are at the end. Overall it just left me wanting.

    Would you ever listen to anything by Drew Karpyshyn again?

    I would not go out of my way to, to be sure. I'll give an author a second chance, of course, but I don't really feel there was much meat to this story. That maybe because it's a corporate product and the author is under constraints.

    What about Marc Thompson’s performance did you like?

    Superb. March Thompson did an excellent job, provided impressive variety of characterizations. He was a treat to listen to.

    If this book were a movie would you go see it?

    On a matinee, perhaps.

    5 of 5 people found this review helpful

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