This has always been my second favourite Austen book after Pride and Prejudice, but funnily enough I didn't enjoy it as much this time around. I still loved it, of course, but perhaps because I had just finished Emma, in which Knightley is a nearly constant presence, I really felt like there wasn't enough Captain Wentworth. Of course, it fits in with the story, and Anne's sense of isolation from him, but I didn't connect with him and their relationship as much as I usually do. It all felt rather rushed. I'm not sure if this was due to it being an audiobook or just me being in a different place to the last time I read it. Nevertheless, it was still a delight and oh THAT LETTER is still one of my favourite love declarations of all time.
The emotional and authentic story of a teen girl dealing with her mother's depression - and her own issues - with lovely narration by Macauley.
An engaging intro into linguistics using a word for each letter of the alphabet as a clever and interesting framing device.
Fawn Brown is Snow White's overlooked half-sister, revealing the "true" story of the fairy tale. This is a short novella with an interesting take on the classic story, narrated beautifully by Kellgren.
A delightful performance of the classic play, I found it entertaining but I didn't ~love~ it as much as some of Wilde's other works I've read (a.k.a. listened to) this year.
The classic tale of Ichabod Crane and the Headless Horseman is surprisingly funny in its original form, narrated perfectly here by the same actor who plays Crane in the new TV show.
This is a retelling of Beauty and the Beast, and it contains all of the elements of the story you usually see. Loving the story so much, I was expecting to enjoy this too, and I was not disappointed. It's beautifully told, and McKinley's interpretation of the world and the characters is truly delightful. I adored Beauty, who was not "typically" beautiful or by any means perfect, which just made her all the more real and powerful. I loved the slow build of her relationship with the Beast. I loved her relationships with the rest of her family. I loved the twists and turns of the plot. I loved the narration by Charlotte Parry. I just loved this book.
This was a charming and interesting take on the frog prince story. I really liked the main characters of Sunday and Rumbold, and the secondary characters - who apparently take centre stage in later novels in the series (I wish they were available on Audible!) - were also great. I did find myself confused in a couple of places, where I thought the backstory of exactly what was going on could have been explained better,. Overall it was a lovely book, with excellent narration by Katherine Kellgren.
Bedbugs is a pretty standard horror. A young family moves into a new home and it seems like a dream come true, until of course things start to go wrong. Strange smells, strange noises, strange neighbours, and increasing tension within the family itself. Where it differs from a lot of horror, however, is that this time it's the mother, rather than the father, who is affected by the new place and whose sanity slowly starts to unravel and turn her against her own family.
I really liked this different perspective on the classic horror narrative. I liked the family at the centre, and loved Susan and Alex's relationship, making it hard to watch it start to unravel. True, Susan thinks some awful things even before she starts to go crazy, but that didn't make her an awful character - I found her to be incredibly realistic, actually. Everyone has bad thoughts they wouldn't ever say out loud, and it was kind of refreshing to see them on the page. I also really related to Susan's own guilt and anxiety, particularly about her painting - she left her job to focus on her art, and finds a million things to instead so she doesn't have to begin and risk failure. I wasn't expecting to connect so much on an emotional level in a simple horror story, but I guess deep down good horror is about everyday anxieties amplified.
Which I suppose is why this book puts the hysteria over bedbugs that happened in New York a couple of years ago at front and centre. It's a good device, a threat that most people recognise, and yet I do feel like it wasn't used entirely effectively here. What was most interesting was Susan's inner chaos, and the bedbugs could have been substituted with any kind of threat or annoyance, really. They didn't form an essential part of the story. If anything they made Susan's unravelling seem a little more unrealistic, because not a lot actually happens regarding bedbugs before she's totally freaking out over them and becoming obsessive. I get that there were other things affecting her but it just seemed a little ridiculous in spots.
There's a slow build to this book that I quite liked but it did drag in spots. It was very creepy for the most part but sometimes I just wanted something to happen. But when something did happen I was a little disappointed, the creepiness disappeared and it just felt a little... silly. I still liked it overall but I didn't LOVE it.
The narration for the most part was very good. Elisabeth Rodgers captured Susan's voice really well and the supporting characters were great, with one exception - Emma, Susan and Alex's daughter. I get that it's hard for a grown woman to do a toddler's voice but it really got on my nerves. I think part of that was also the writing - some of the dialogue coming from Emma just didn't sound authentic to me, it was frequently overly cutesy, like how someone thinks a toddler would sound and not how a toddler actually sounds. But otherwise it was a pretty good listening experience.
Although I've seen the movie, I'd never read - or listened to - the original play, so I was excited when I came across this audiobook performance on Audible. It didn't disappoint. I loved the story of mistaken identities, long-lost family and rich people's shenanigans, and the characters were all charming and endearing in their own way. The language is obviously gorgeous and witty, and it was brilliantly delivered by the actors in this edition. It all flowed really well and was just a delight to listen to.
After really enjoying The Importance of Being Earnest I was keen to give this audio a try, and while it was good, it wasn't great. It too has long-lost family, mistaken identities and rich people's shenanigans, but it just wasn't as fun. The characters weren't as compelling, and the story wasn't as engaging. The performances weren't as great here either, they FELT like performances rather than like you were listening to actual conversations between the characters. I was also surprised that several of the lines were exactly the same as those found in Earnest - of course, this came earlier and so Wilde must have reused them for Earnest, and they ARE great lines, but I didn't like the repeated use. I wouldn't listen to or read this again.
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